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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73258D it is the complementary color #8CDA72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73258D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73258D shade: #782588, #89379B, #9A49AE, #AB5BC1 and #BC6DD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73258D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73258D shade: #73258D, #62137A, #510167, #400054 and #2F0041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73258D shade: #73258D, #8D258B, #8D256F, #8D2553 and #8D2537

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73258D shade: #73258D, #57258D, #3B258D and #25258D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73258D shade matches the following richer shades: #73258D, #7A179B and #8209AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73258D shade: #73258D, #6C347F, #654270, #5D5162 and #565F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73258D shade: #3C258D, #58258D, #73258D, #8D258B and #8D2570

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73258D shade: #3E144C, #591D6C, #73258D, #8E2EAE and #A73ACB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73258D shade: #73258D, #8D252B and #258D4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73258D shade: #73258D, #8D7325 and #258D73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73258D shade: #73258D, #8D252B, #3F8D25 and #258D88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73258D shade: #73258D, #8D3F25, #3F8D25 and #25738D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

Complementary color

CMYK 36 / 0 / 48 / 15

HEX #8CDA72

RGB 140 218 114

HSL 105, 0.58%, 0.65%

LAB 80.14, -43.1, 43.53

 

CMYK 12 / 73 / 0 / 47

HEX #782588

RGB 120 37 136

HSL 290.3, 0.57%, 0.34%

LAB 32.02, 49.65, -37.99

 

CMYK 12 / 65 / 0 / 39

HEX #89379B

RGB 137 55 155

HSL 289.2, 0.48%, 0.41%

LAB 38.58, 49.72, -39

 

CMYK 11 / 58 / 0 / 32

HEX #9A49AE

RGB 154 73 174

HSL 288.12, 0.41%, 0.48%

LAB 45.21, 49.32, -39.65

 

CMYK 11 / 53 / 0 / 24

HEX #AB5BC1

RGB 171 91 193

HSL 287.06, 0.45%, 0.56%

LAB 51.83, 48.69, -40.11

 

CMYK 11 / 49 / 0 / 17

HEX #BC6DD4

RGB 188 109 212

HSL 286.02, 0.54%, 0.63%

LAB 58.4, 47.96, -40.45

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 20 / 84 / 0 / 52

HEX #62137A

RGB 98 19 122

HSL 286.02, 0.73%, 0.28%

LAB 25.16, 48.63, -40.43

 

CMYK 21 / 99 / 0 / 60

HEX #510167

RGB 81 1 103

HSL 287.06, 0.98%, 0.2%

LAB 19.01, 46.51, -38.25

 

CMYK 24 / 100 / 0 / 67

HEX #400054

RGB 64 0 84

HSL 285.71, 1%, 0.16%

LAB 14, 40.36, -33.84

 

CMYK 28 / 100 / 0 / 75

HEX #2F0041

RGB 47 0 65

HSL 283.38, 1%, 0.13%

LAB 8.87, 33.67, -29.11

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 0 / 74 / 1 / 45

HEX #8D258B

RGB 141 37 139

HSL 301.15, 0.58%, 0.35%

LAB 35.69, 55.01, -33.79

 

CMYK 0 / 74 / 21 / 45

HEX #8D256F

RGB 141 37 111

HSL 317.31, 0.58%, 0.35%

LAB 34.26, 50.62, -18.54

 

CMYK 0 / 74 / 41 / 45

HEX #8D2553

RGB 141 37 83

HSL 333.46, 0.58%, 0.35%

LAB 33.16, 47.09, -2.23

 

CMYK 0 / 74 / 61 / 45

HEX #8D2537

RGB 141 37 55

HSL 349.62, 0.58%, 0.35%

LAB 32.4, 44.55, 14.99

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 38 / 74 / 0 / 45

HEX #57258D

RGB 87 37 141

HSL 268.85, 0.58%, 0.35%

LAB 27.5, 43.73, -48.64

 

CMYK 58 / 74 / 0 / 45

HEX #3B258D

RGB 59 37 141

HSL 252.69, 0.58%, 0.35%

LAB 24.25, 38.8, -54.09

 

CMYK 74 / 74 / 0 / 45

HEX #25258D

RGB 37 37 141

HSL 240, 0.58%, 0.35%

LAB 22.44, 35.92, -57.12

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 21 / 85 / 0 / 39

HEX #7A179B

RGB 122 23 155

HSL 285, 0.74%, 0.35%

LAB 32.07, 58.41, -49.58

 

CMYK 24 / 95 / 0 / 33

HEX #8209AA

RGB 130 9 170

HSL 285.09, 0.9%, 0.35%

LAB 33.65, 65.23, -56.02

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 15 / 59 / 0 / 50

HEX #6C347F

RGB 108 52 127

HSL 284.8, 0.42%, 0.35%

LAB 32.21, 37.66, -32.2

 

CMYK 10 / 41 / 0 / 56

HEX #654270

RGB 101 66 112

HSL 285.65, 0.26%, 0.35%

LAB 33.63, 23.98, -20.63

 

CMYK 5 / 17 / 0 / 62

HEX #5D5162

RGB 93 81 98

HSL 282.35, 0.09%, 0.35%

LAB 36.16, 8.5, -8.04

 

CMYK 9 / 0 / 13 / 63

HEX #565F53

RGB 86 95 83

HSL 105, 0.07%, 0.35%

LAB 39.22, -6.05, 5.68

 

CMYK 57 / 74 / 0 / 45

HEX #3C258D

RGB 60 37 141

HSL 253.27, 0.58%, 0.35%

LAB 24.34, 38.96, -53.92

 

CMYK 38 / 74 / 0 / 45

HEX #58258D

RGB 88 37 141

HSL 269.42, 0.58%, 0.35%

LAB 27.63, 43.93, -48.42

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 0 / 74 / 1 / 45

HEX #8D258B

RGB 141 37 139

HSL 301.15, 0.58%, 0.35%

LAB 35.69, 55.01, -33.79

 

CMYK 0 / 74 / 21 / 45

HEX #8D2570

RGB 141 37 112

HSL 316.73, 0.58%, 0.35%

LAB 34.31, 50.77, -19.1

 

CMYK 18 / 74 / 0 / 70

HEX #3E144C

RGB 62 20 76

HSL 285, 0.58%, 0.19%

LAB 15.73, 30.24, -25.59

 

CMYK 18 / 73 / 0 / 58

HEX #591D6C

RGB 89 29 108

HSL 285.57, 0.58%, 0.27%

LAB 23.95, 40, -33.47

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 18 / 74 / 0 / 32

HEX #8E2EAE

RGB 142 46 174

HSL 285, 0.58%, 0.43%

LAB 39.17, 58.44, -49.39

 

CMYK 18 / 71 / 0 / 20

HEX #A73ACB

RGB 167 58 203

HSL 285.1, 0.58%, 0.51%

LAB 46.38, 64.7, -54.58

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 0 / 74 / 70 / 45

HEX #8D252B

RGB 141 37 43

HSL 356.54, 0.58%, 0.35%

LAB 32.17, 43.78, 22.44

 

CMYK 74 / 0 / 48 / 45

HEX #258D4A

RGB 37 141 74

HSL 141.35, 0.58%, 0.35%

LAB 51.77, -44.63, 27.46

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 0 / 18 / 74 / 45

HEX #8D7325

RGB 141 115 37

HSL 45, 0.58%, 0.35%

LAB 49.57, 1.56, 44.85

 

CMYK 74 / 0 / 18 / 45

HEX #258D73

RGB 37 141 115

HSL 165, 0.58%, 0.35%

LAB 52.6, -35.57, 5.53

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 0 / 74 / 70 / 45

HEX #8D252B

RGB 141 37 43

HSL 356.54, 0.58%, 0.35%

LAB 32.17, 43.78, 22.44

 

CMYK 55 / 0 / 74 / 45

HEX #3F8D25

RGB 63 141 37

HSL 105, 0.58%, 0.35%

LAB 52.11, -43.37, 45.67

 

CMYK 74 / 0 / 4 / 45

HEX #258D88

RGB 37 141 136

HSL 177.12, 0.58%, 0.35%

LAB 53.19, -29.65, -5.75

 

CMYK 18 / 74 / 0 / 45

HEX #73258D

RGB 115 37 141

HSL 285, 0.58%, 0.35%

LAB 31.56, 49.55, -41.87

 

CMYK 0 / 55 / 74 / 45

HEX #8D3F25

RGB 141 63 37

HSL 15, 0.58%, 0.35%

LAB 36.65, 31.3, 31.29

 

CMYK 55 / 0 / 74 / 45

HEX #3F8D25

RGB 63 141 37

HSL 105, 0.58%, 0.35%

LAB 52.11, -43.37, 45.67

 

CMYK 74 / 18 / 0 / 45

HEX #25738D

RGB 37 115 141

HSL 195, 0.58%, 0.35%

LAB 45.05, -14.41, -21

 

Description

Color code: HEX #73258D | qconv.com Color code: HEX #73258D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 37 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 37 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 74 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 74% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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