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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D6D74 it is the complementary color #72928B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D6D74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D6D74: #926D6F, #A37F82, #B49195, #C5A3A8 and #D6B5BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D6D74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D6D74: #8D6D74, #7C5B61, #6B494E, #5A373B and #492528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

Complementary color

CMYK 22 / 0 / 5 / 43

HEX #72928B

RGB 114 146 139

HSL 166.88, 0.13%, 0.51%

LAB 58.04, -12.69, 0.03

 

CMYK 0 / 25 / 24 / 43

HEX #926D6F

RGB 146 109 111

HSL 356.76, 0.15%, 0.5%

LAB 49.73, 15.01, 4.62

 

CMYK 0 / 22 / 20 / 36

HEX #A37F82

RGB 163 127 130

HSL 355, 0.16%, 0.57%

LAB 56.66, 14.36, 3.71

 

CMYK 0 / 19 / 17 / 29

HEX #B49195

RGB 180 145 149

HSL 353.14, 0.19%, 0.64%

LAB 63.45, 13.79, 2.87

 

CMYK 0 / 17 / 15 / 23

HEX #C5A3A8

RGB 197 163 168

HSL 351.18, 0.23%, 0.71%

LAB 70.1, 13.28, 2.1

 

CMYK 0 / 15 / 13 / 16

HEX #D6B5BB

RGB 214 181 187

HSL 349.09, 0.29%, 0.77%

LAB 76.64, 12.83, 1.37

 

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

CMYK 0 / 27 / 22 / 51

HEX #7C5B61

RGB 124 91 97

HSL 349.09, 0.15%, 0.42%

LAB 42.2, 14.51, 1.87

 

CMYK 0 / 32 / 27 / 58

HEX #6B494E

RGB 107 73 78

HSL 351.18, 0.19%, 0.35%

LAB 34.88, 15.3, 2.87

 

CMYK 0 / 39 / 34 / 65

HEX #5A373B

RGB 90 55 59

HSL 353.14, 0.24%, 0.28%

LAB 27.36, 16.23, 4.05

 

CMYK 0 / 49 / 45 / 71

HEX #492528

RGB 73 37 40

HSL 355, 0.33%, 0.22%

LAB 19.61, 17.36, 5.59

 

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

CMYK 0 / 23 / 22 / 45

HEX #8D6C6E

RGB 141 108 110

HSL 356.36, 0.13%, 0.49%

LAB 48.9, 13.43, 3.95

 

CMYK 0 / 21 / 23 / 45

HEX #8D6F6C

RGB 141 111 108

HSL 5.45, 0.13%, 0.49%

LAB 49.63, 11.36, 6.19

 

CMYK 0 / 17 / 23 / 45

HEX #8D756C

RGB 141 117 108

HSL 16.36, 0.13%, 0.49%

LAB 51.23, 7.87, 8.46

 

CMYK 0 / 13 / 23 / 45

HEX #8D7A6C

RGB 141 122 108

HSL 25.45, 0.13%, 0.49%

LAB 52.58, 4.98, 10.36

 

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

CMYK 0 / 23 / 18 / 25

HEX #C0949E

RGB 192 148 158

HSL 346.36, 0.26%, 0.67%

LAB 65.64, 18.07, 1.13

 

CMYK 0 / 23 / 18 / 5

HEX #F3BCC8

RGB 243 188 200

HSL 346.91, 0.7%, 0.85%

LAB 81.4, 21.54, 1.6

 

CMYK 0 / 23 / 18 / 85

HEX #271E20

RGB 39 30 32

HSL 346.67, 0.13%, 0.14%

LAB 12.38, 4.79, 0.28

 

CMYK 0 / 22 / 18 / 65

HEX #5A464A

RGB 90 70 74

HSL 348, 0.13%, 0.31%

LAB 31.92, 9.27, 0.86

 

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

CMYK 0 / 1 / 23 / 45

HEX #8D8C6C

RGB 141 140 108

HSL 58.18, 0.13%, 0.49%

LAB 57.56, -5.18, 17.28

 

CMYK 23 / 9 / 0 / 45

HEX #6C818D

RGB 108 129 141

HSL 201.82, 0.13%, 0.49%

LAB 52.74, -4.76, -9

 

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

CMYK 18 / 0 / 23 / 45

HEX #748D6C

RGB 116 141 108

HSL 105.45, 0.13%, 0.49%

LAB 55.93, -15.49, 14.73

 

CMYK 23 / 18 / 0 / 45

HEX #6C748D

RGB 108 116 141

HSL 225.45, 0.13%, 0.49%

LAB 49.01, 2.8, -14.62

 

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

CMYK 0 / 1 / 23 / 45

HEX #8D8C6C

RGB 141 140 108

HSL 58.18, 0.13%, 0.49%

LAB 57.56, -5.18, 17.28

 

CMYK 23 / 0 / 6 / 45

HEX #6C8D85

RGB 108 141 133

HSL 165.45, 0.13%, 0.49%

LAB 56.02, -13.32, 0.48

 

CMYK 23 / 23 / 0 / 45

HEX #6C6D8D

RGB 108 109 141

HSL 238.18, 0.13%, 0.49%

LAB 47.04, 6.99, -17.63

 

CMYK 0 / 23 / 18 / 45

HEX #8D6D74

RGB 141 109 116

HSL 346.88, 0.13%, 0.49%

LAB 49.33, 13.84, 0.99

 

CMYK 6 / 0 / 23 / 45

HEX #848D6C

RGB 132 141 108

HSL 76.36, 0.13%, 0.49%

LAB 57.11, -9.32, 16.55

 

CMYK 23 / 0 / 6 / 45

HEX #6C8D85

RGB 108 141 133

HSL 165.45, 0.13%, 0.49%

LAB 56.02, -13.32, 0.48

 

CMYK 17 / 23 / 0 / 45

HEX #756C8D

RGB 117 108 141

HSL 256.36, 0.13%, 0.49%

LAB 47.53, 10.63, -16.8

 

Description

Color code: HEX #8D6D74 | qconv.com Color code: HEX #8D6D74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 109 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 109 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 18 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 18% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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