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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D6C5B it is the complementary color #7293A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D6C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D6C5B: #926C56, #A37E69, #B4907C, #C5A28F and #D6B4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D6C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D6C5B: #8D6C5B, #7C5A48, #6B4835, #5A3622 and #49240F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

Complementary color

CMYK 30 / 10 / 0 / 36

HEX #7293A4

RGB 114 147 164

HSL 200.4, 0.22%, 0.55%

LAB 59.09, -7.31, -12.68

 

CMYK 0 / 26 / 41 / 43

HEX #926C56

RGB 146 108 86

HSL 22, 0.26%, 0.45%

LAB 48.89, 12.11, 18.21

 

CMYK 0 / 23 / 36 / 36

HEX #A37E69

RGB 163 126 105

HSL 21.72, 0.24%, 0.53%

LAB 55.81, 11.3, 16.93

 

CMYK 0 / 20 / 31 / 29

HEX #B4907C

RGB 180 144 124

HSL 21.43, 0.27%, 0.6%

LAB 62.6, 10.62, 15.78

 

CMYK 0 / 18 / 27 / 23

HEX #C5A28F

RGB 197 162 143

HSL 21.11, 0.32%, 0.67%

LAB 69.25, 10.03, 14.72

 

CMYK 0 / 16 / 24 / 16

HEX #D6B4A2

RGB 214 180 162

HSL 20.77, 0.39%, 0.74%

LAB 75.79, 9.52, 13.74

 

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

CMYK 0 / 27 / 42 / 51

HEX #7C5A48

RGB 124 90 72

HSL 20.77, 0.27%, 0.38%

LAB 41.32, 11.46, 15.88

 

CMYK 0 / 33 / 50 / 58

HEX #6B4835

RGB 107 72 53

HSL 21.11, 0.34%, 0.31%

LAB 34.02, 12.49, 17.4

 

CMYK 0 / 40 / 62 / 65

HEX #5A3622

RGB 90 54 34

HSL 21.43, 0.45%, 0.24%

LAB 26.53, 13.82, 19.2

 

CMYK 0 / 51 / 79 / 71

HEX #49240F

RGB 73 36 15

HSL 21.72, 0.66%, 0.17%

LAB 18.85, 15.55, 21.17

 

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

CMYK 0 / 18 / 36 / 45

HEX #8B7259

RGB 139 114 89

HSL 30, 0.22%, 0.45%

LAB 49.79, 6.01, 17.55

 

CMYK 0 / 12 / 36 / 45

HEX #8B7B59

RGB 139 123 89

HSL 40.8, 0.22%, 0.45%

LAB 52.26, 0.84, 20.86

 

CMYK 0 / 6 / 36 / 45

HEX #8B8359

RGB 139 131 89

HSL 50.4, 0.22%, 0.45%

LAB 54.49, -3.67, 23.82

 

CMYK 0 / 0 / 36 / 45

HEX #8B8B59

RGB 139 139 89

HSL 60, 0.22%, 0.45%

LAB 56.76, -8.1, 26.78

 

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

CMYK 0 / 23 / 35 / 25

HEX #C0937C

RGB 192 147 124

HSL 20.29, 0.35%, 0.62%

LAB 64.59, 13.77, 18.72

 

CMYK 0 / 23 / 35 / 5

HEX #F3BA9D

RGB 243 186 157

HSL 20.23, 0.78%, 0.78%

LAB 79.96, 16.75, 22.65

 

CMYK 0 / 23 / 36 / 85

HEX #271E19

RGB 39 30 25

HSL 21.43, 0.22%, 0.13%

LAB 12.16, 3.39, 5.08

 

CMYK 0 / 23 / 36 / 65

HEX #5A453A

RGB 90 69 58

HSL 20.63, 0.22%, 0.29%

LAB 31.2, 7.22, 10.1

 

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

CMYK 19 / 0 / 36 / 45

HEX #718B59

RGB 113 139 89

HSL 91.2, 0.22%, 0.45%

LAB 54.76, -18.69, 23.79

 

CMYK 36 / 34 / 0 / 45

HEX #595C8B

RGB 89 92 139

HSL 236.4, 0.22%, 0.45%

LAB 40.64, 10.85, -26.44

 

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

CMYK 36 / 0 / 24 / 45

HEX #598B6A

RGB 89 139 106

HSL 140.4, 0.22%, 0.45%

LAB 53.63, -24.33, 12.42

 

CMYK 24 / 36 / 0 / 45

HEX #6A598B

RGB 106 89 139

HSL 260.4, 0.22%, 0.45%

LAB 41.33, 18.04, -25.25

 

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

CMYK 19 / 0 / 36 / 45

HEX #718B59

RGB 113 139 89

HSL 91.2, 0.22%, 0.45%

LAB 54.76, -18.69, 23.79

 

CMYK 36 / 12 / 0 / 45

HEX #597B8B

RGB 89 123 139

HSL 199.2, 0.22%, 0.45%

LAB 49.68, -7.83, -12.55

 

CMYK 17 / 36 / 0 / 45

HEX #74598B

RGB 116 89 139

HSL 272.4, 0.22%, 0.45%

LAB 42.34, 21.32, -23.6

 

CMYK 0 / 23 / 35 / 45

HEX #8D6C5B

RGB 141 108 91

HSL 20.4, 0.22%, 0.45%

LAB 48.44, 10.62, 14.56

 

CMYK 30 / 0 / 36 / 45

HEX #618B59

RGB 97 139 89

HSL 110.4, 0.22%, 0.45%

LAB 53.74, -24.71, 22.25

 

CMYK 36 / 12 / 0 / 45

HEX #597B8B

RGB 89 123 139

HSL 199.2, 0.22%, 0.45%

LAB 49.68, -7.83, -12.55

 

CMYK 6 / 36 / 0 / 45

HEX #83598B

RGB 131 89 139

HSL 290.4, 0.22%, 0.45%

LAB 43.99, 26.35, -20.91

 

Description

Color code: HEX #8D6C5B | qconv.com Color code: HEX #8D6C5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 108 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 108 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 35 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 35% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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