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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D616F it is the complementary color #729E90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D616F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D616F: #92616A, #A3737D, #B48590, #C597A3 and #D6A9B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D616F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D616F: #8D616F, #7C4F5C, #6B3D49, #5A2B36 and #491923

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

Complementary color

CMYK 28 / 0 / 9 / 38

HEX #729E90

RGB 114 158 144

HSL 160.91, 0.18%, 0.53%

LAB 61.69, -17.98, 2.51

 

CMYK 0 / 34 / 27 / 43

HEX #92616A

RGB 146 97 106

HSL 348.98, 0.2%, 0.48%

LAB 46.58, 21.22, 3.07

 

CMYK 0 / 29 / 23 / 36

HEX #A3737D

RGB 163 115 125

HSL 347.5, 0.21%, 0.55%

LAB 53.52, 20.42, 2.08

 

CMYK 0 / 26 / 20 / 29

HEX #B48590

RGB 180 133 144

HSL 345.96, 0.24%, 0.61%

LAB 60.33, 19.71, 1.19

 

CMYK 0 / 23 / 17 / 23

HEX #C597A3

RGB 197 151 163

HSL 344.35, 0.28%, 0.68%

LAB 67.01, 19.07, 0.39

 

CMYK 0 / 21 / 15 / 16

HEX #D6A9B6

RGB 214 169 182

HSL 342.67, 0.35%, 0.75%

LAB 73.58, 18.49, -0.36

 

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

CMYK 0 / 36 / 26 / 51

HEX #7C4F5C

RGB 124 79 92

HSL 342.67, 0.22%, 0.4%

LAB 38.98, 20.88, 0.28

 

CMYK 0 / 43 / 32 / 58

HEX #6B3D49

RGB 107 61 73

HSL 344.35, 0.27%, 0.33%

LAB 31.68, 21.83, 1.43

 

CMYK 0 / 52 / 40 / 65

HEX #5A2B36

RGB 90 43 54

HSL 345.96, 0.35%, 0.26%

LAB 24.22, 22.88, 2.9

 

CMYK 0 / 66 / 52 / 71

HEX #491923

RGB 73 25 35

HSL 347.5, 0.49%, 0.19%

LAB 16.67, 23.92, 4.98

 

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

CMYK 0 / 30 / 26 / 45

HEX #8D6269

RGB 141 98 105

HSL 350.23, 0.18%, 0.47%

LAB 46.2, 18.5, 3.05

 

CMYK 0 / 30 / 30 / 45

HEX #8D6262

RGB 141 98 98

HSL 0, 0.18%, 0.47%

LAB 46.02, 17.45, 7

 

CMYK 0 / 26 / 30 / 45

HEX #8D6962

RGB 141 105 98

HSL 9.77, 0.18%, 0.47%

LAB 47.81, 13.35, 9.54

 

CMYK 0 / 21 / 30 / 45

HEX #8D7062

RGB 141 112 98

HSL 19.53, 0.18%, 0.47%

LAB 49.66, 9.26, 12.12

 

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

CMYK 0 / 31 / 21 / 25

HEX #C08497

RGB 192 132 151

HSL 341, 0.32%, 0.64%

LAB 61.61, 25.83, -0.79

 

CMYK 0 / 31 / 21 / 5

HEX #F3A7BF

RGB 243 167 191

HSL 341.05, 0.76%, 0.8%

LAB 76.35, 31.31, -0.88

 

CMYK 0 / 31 / 21 / 85

HEX #271B1F

RGB 39 27 31

HSL 340, 0.18%, 0.13%

LAB 11.37, 6.75, -0.45

 

CMYK 0 / 31 / 21 / 65

HEX #5A3E47

RGB 90 62 71

HSL 340.71, 0.18%, 0.3%

LAB 29.6, 13.8, -0.58

 

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

CMYK 0 / 4 / 30 / 45

HEX #8D8762

RGB 141 135 98

HSL 51.63, 0.18%, 0.47%

LAB 55.96, -3.86, 20.75

 

CMYK 30 / 9 / 0 / 45

HEX #62818D

RGB 98 129 141

HSL 196.74, 0.18%, 0.47%

LAB 52.09, -7.97, -10.05

 

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

CMYK 21 / 0 / 30 / 45

HEX #708D62

RGB 112 141 98

HSL 100.47, 0.18%, 0.47%

LAB 55.46, -18.7, 19.69

 

CMYK 30 / 21 / 0 / 45

HEX #62708D

RGB 98 112 141

HSL 220.47, 0.18%, 0.47%

LAB 47.12, 1.93, -17.58

 

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

CMYK 0 / 4 / 30 / 45

HEX #8D8762

RGB 141 135 98

HSL 51.63, 0.18%, 0.47%

LAB 55.96, -3.86, 20.75

 

CMYK 30 / 0 / 10 / 45

HEX #628D7F

RGB 98 141 127

HSL 160.47, 0.18%, 0.47%

LAB 55.26, -17.93, 2.75

 

CMYK 30 / 26 / 0 / 45

HEX #62688D

RGB 98 104 141

HSL 231.63, 0.18%, 0.47%

LAB 44.83, 6.77, -21.09

 

CMYK 0 / 31 / 21 / 45

HEX #8D616F

RGB 141 97 111

HSL 340.91, 0.18%, 0.47%

LAB 46.12, 20.04, -0.69

 

CMYK 5 / 0 / 30 / 45

HEX #868D62

RGB 134 141 98

HSL 69.77, 0.18%, 0.47%

LAB 57.08, -10.04, 22.14

 

CMYK 30 / 0 / 10 / 45

HEX #628D7F

RGB 98 141 127

HSL 160.47, 0.18%, 0.47%

LAB 55.26, -17.93, 2.75

 

CMYK 26 / 30 / 0 / 45

HEX #69628D

RGB 105 98 141

HSL 249.77, 0.18%, 0.47%

LAB 43.74, 12.69, -22.71

 

Description

Color code: HEX #8D616F | qconv.com Color code: HEX #8D616F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 97 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 97 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 21 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 21% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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