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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D5BEF it is the complementary color #72A410. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D5BEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D5BEF: #925BEA, #A36DFD, #B47FFF, #C591FF and #D6A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D5BEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D5BEF: #8D5BEF, #7C49DC, #6B37C9, #5A25B6 and #4913A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

Complementary color

CMYK 30 / 0 / 90 / 36

HEX #72A410

RGB 114 164 16

HSL 80.27, 0.82%, 0.35%

LAB 61.8, -36.42, 61.37

 

CMYK 38 / 61 / 0 / 8

HEX #925BEA

RGB 146 91 234

HSL 263.08, 0.77%, 0.64%

LAB 51.31, 52, -64.43

 

CMYK 36 / 57 / 0 / 1

HEX #A36DFD

RGB 163 109 253

HSL 262.5, 0.97%, 0.71%

LAB 57.86, 50.95, -64.36

 

CMYK 29 / 50 / 0 / 0

HEX #B47FFF

RGB 180 127 255

HSL 264.84, 1%, 0.75%

LAB 63.43, 45.78, -56.46

 

CMYK 23 / 43 / 0 / 0

HEX #C591FF

RGB 197 145 255

HSL 268.36, 1%, 0.78%

LAB 69, 40.47, -47.54

 

CMYK 16 / 36 / 0 / 0

HEX #D6A3FF

RGB 214 163 255

HSL 273.26, 1%, 0.82%

LAB 74.64, 35.53, -38.59

 

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

CMYK 44 / 67 / 0 / 14

HEX #7C49DC

RGB 124 73 220

HSL 260.82, 0.68%, 0.57%

LAB 44.54, 53.36, -67.58

 

CMYK 47 / 73 / 0 / 21

HEX #6B37C9

RGB 107 55 201

HSL 261.37, 0.57%, 0.5%

LAB 37.98, 54.32, -67.42

 

CMYK 51 / 80 / 0 / 29

HEX #5A25B6

RGB 90 37 182

HSL 261.93, 0.66%, 0.43%

LAB 31.52, 54.9, -66.91

 

CMYK 55 / 88 / 0 / 36

HEX #4913A3

RGB 73 19 163

HSL 262.5, 0.79%, 0.36%

LAB 25.34, 54.59, -65.75

 

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

CMYK 31 / 61 / 0 / 7

HEX #A55CEE

RGB 165 92 238

HSL 270, 0.81%, 0.65%

LAB 53.84, 56.57, -62.48

 

CMYK 20 / 61 / 0 / 7

HEX #BE5CEE

RGB 190 92 238

HSL 280.27, 0.81%, 0.65%

LAB 56.86, 62.2, -57.48

 

CMYK 10 / 61 / 0 / 7

HEX #D65CEE

RGB 214 92 238

HSL 290.14, 0.81%, 0.65%

LAB 60, 67.78, -52.28

 

CMYK 0 / 61 / 0 / 7

HEX #EE5CEE

RGB 238 92 238

HSL 300, 0.81%, 0.65%

LAB 63.35, 73.43, -46.77

 

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

CMYK 40 / 63 / 0 / 86

HEX #150D23

RGB 21 13 35

HSL 261.82, 0.46%, 0.09%

LAB 5.14, 8.85, -13.15

 

CMYK 41 / 62 / 0 / 66

HEX #332156

RGB 51 33 86

HSL 260.38, 0.45%, 0.23%

LAB 17.75, 22.26, -29.22

 

CMYK 41 / 62 / 0 / 46

HEX #513489

RGB 81 52 137

HSL 260.47, 0.45%, 0.37%

LAB 29.44, 33.18, -43.04

 

CMYK 41 / 62 / 0 / 26

HEX #6F48BC

RGB 111 72 188

HSL 260.17, 0.46%, 0.51%

LAB 40.65, 42.7, -55.47

 

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

CMYK 0 / 61 / 33 / 7

HEX #EE5CA0

RGB 238 92 160

HSL 332.05, 0.81%, 0.65%

LAB 60.22, 62.4, -7.31

 

CMYK 57 / 0 / 61 / 7

HEX #66EE5C

RGB 102 238 92

HSL 115.89, 0.81%, 0.65%

LAB 84.35, -64.26, 58.17

 

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

CMYK 0 / 41 / 61 / 7

HEX #EE8D5C

RGB 238 141 92

HSL 20.14, 0.81%, 0.65%

LAB 68.02, 32.43, 41.57

 

CMYK 61 / 0 / 41 / 7

HEX #5CEE8D

RGB 92 238 141

HSL 140.14, 0.81%, 0.65%

LAB 84.66, -59.83, 35.63

 

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

CMYK 0 / 61 / 33 / 7

HEX #EE5CA0

RGB 238 92 160

HSL 332.05, 0.81%, 0.65%

LAB 60.22, 62.4, -7.31

 

CMYK 20 / 0 / 61 / 7

HEX #BEEE5C

RGB 190 238 92

HSL 79.73, 0.81%, 0.65%

LAB 88.39, -36.48, 63.77

 

CMYK 61 / 0 / 29 / 7

HEX #5CEEAA

RGB 92 238 170

HSL 152.05, 0.81%, 0.65%

LAB 85.16, -54.47, 21.57

 

CMYK 41 / 62 / 0 / 6

HEX #8D5BEF

RGB 141 91 239

HSL 260.27, 0.82%, 0.65%

LAB 51.13, 52.25, -67.55

 

CMYK 0 / 61 / 51 / 7

HEX #EE5C74

RGB 238 92 116

HSL 350.14, 0.81%, 0.65%

LAB 59.06, 58.03, 16.63

 

CMYK 20 / 0 / 61 / 7

HEX #BEEE5C

RGB 190 238 92

HSL 79.73, 0.81%, 0.65%

LAB 88.39, -36.48, 63.77

 

CMYK 61 / 0 / 10 / 7

HEX #5CEED6

RGB 92 238 214

HSL 170.14, 0.81%, 0.65%

LAB 86.15, -44.54, 0.02

 

Description

Color code: HEX #8D5BEF | qconv.com Color code: HEX #8D5BEF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 91 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 91 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 62 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 62% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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