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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D332D it is the complementary color #72CCD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D332D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8D332D: #923328, #A3453B, #B4574E, #C56961 and #D67B74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D332D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8D332D: #8D332D, #7C211A, #6B0F07, #5A0000 and #490000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

Complementary color

CMYK 46 / 3 / 0 / 18

HEX #72CCD2

RGB 114 204 210

HSL 183.75, 0.52%, 0.64%

LAB 76.93, -25.35, -11.38

 

CMYK 0 / 65 / 73 / 43

HEX #923328

RGB 146 51 40

HSL 6.23, 0.57%, 0.36%

LAB 35.27, 39.39, 28.21

 

CMYK 0 / 58 / 64 / 36

HEX #A3453B

RGB 163 69 59

HSL 5.77, 0.47%, 0.44%

LAB 41.78, 38.19, 25.36

 

CMYK 0 / 52 / 57 / 29

HEX #B4574E

RGB 180 87 78

HSL 5.29, 0.4%, 0.51%

LAB 48.35, 36.93, 23

 

CMYK 0 / 47 / 51 / 23

HEX #C56961

RGB 197 105 97

HSL 4.8, 0.46%, 0.58%

LAB 54.9, 35.7, 21.01

 

CMYK 0 / 43 / 46 / 16

HEX #D67B74

RGB 214 123 116

HSL 4.29, 0.54%, 0.65%

LAB 61.41, 34.55, 19.3

 

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

CMYK 0 / 73 / 79 / 51

HEX #7C211A

RGB 124 33 26

HSL 4.29, 0.65%, 0.29%

LAB 27.97, 38.72, 27.32

 

CMYK 0 / 86 / 93 / 58

HEX #6B0F07

RGB 107 15 7

HSL 4.8, 0.88%, 0.22%

LAB 21.88, 38.77, 29.97

 

CMYK 0 / 100 / 100 / 65

HEX #5A0000

RGB 90 0 0

HSL 0, 1%, 0.18%

LAB 16.37, 37.46, 25.41

 

CMYK 0 / 100 / 100 / 71

HEX #490000

RGB 73 0 0

HSL 0, 1%, 0.14%

LAB 12.07, 32.48, 18.97

 

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

CMYK 0 / 54 / 68 / 45

HEX #8B402C

RGB 139 64 44

HSL 12.63, 0.52%, 0.36%

LAB 36.63, 30.35, 27.12

 

CMYK 0 / 42 / 68 / 45

HEX #8B502C

RGB 139 80 44

HSL 22.74, 0.52%, 0.36%

LAB 40.26, 21.38, 31.36

 

CMYK 0 / 31 / 68 / 45

HEX #8B602C

RGB 139 96 44

HSL 32.84, 0.52%, 0.36%

LAB 44.29, 12.05, 35.9

 

CMYK 0 / 19 / 68 / 45

HEX #8B702C

RGB 139 112 44

HSL 42.95, 0.52%, 0.36%

LAB 48.58, 2.76, 40.59

 

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

CMYK 0 / 64 / 68 / 25

HEX #C0453D

RGB 192 69 61

HSL 3.66, 0.52%, 0.5%

LAB 46.71, 48.81, 31.33

 

CMYK 0 / 64 / 68 / 5

HEX #F3584E

RGB 243 88 78

HSL 3.64, 0.87%, 0.63%

LAB 58.59, 58.82, 37.96

 

CMYK 0 / 64 / 69 / 85

HEX #270E0C

RGB 39 14 12

HSL 4.44, 0.53%, 0.1%

LAB 6.97, 12.69, 5.72

 

CMYK 0 / 63 / 68 / 65

HEX #5A211D

RGB 90 33 29

HSL 3.93, 0.51%, 0.23%

LAB 21.39, 25.94, 16.04

 

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

CMYK 17 / 0 / 68 / 45

HEX #738B2C

RGB 115 139 44

HSL 75.16, 0.52%, 0.36%

LAB 54.34, -22.8, 46.01

 

CMYK 68 / 45 / 0 / 45

HEX #2C4D8B

RGB 44 77 139

HSL 219.16, 0.52%, 0.36%

LAB 33.37, 9.51, -38.12

 

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

CMYK 68 / 0 / 65 / 45

HEX #2C8B30

RGB 44 139 48

HSL 122.53, 0.52%, 0.36%

LAB 50.94, -46.31, 39.57

 

CMYK 65 / 68 / 0 / 45

HEX #302C8B

RGB 48 44 139

HSL 242.53, 0.52%, 0.36%

LAB 24.62, 32.28, -52.27

 

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

CMYK 17 / 0 / 68 / 45

HEX #738B2C

RGB 115 139 44

HSL 75.16, 0.52%, 0.36%

LAB 54.34, -22.8, 46.01

 

CMYK 68 / 4 / 0 / 45

HEX #2C868B

RGB 44 134 139

HSL 183.16, 0.52%, 0.36%

LAB 51.21, -24.24, -10.44

 

CMYK 52 / 68 / 0 / 45

HEX #432C8B

RGB 67 44 139

HSL 254.53, 0.52%, 0.36%

LAB 26.33, 35.53, -49.4

 

CMYK 0 / 64 / 68 / 45

HEX #8D332D

RGB 141 51 45

HSL 3.75, 0.52%, 0.36%

LAB 34.44, 37.83, 23.96

 

CMYK 37 / 0 / 68 / 45

HEX #578B2C

RGB 87 139 44

HSL 92.84, 0.52%, 0.36%

LAB 52.59, -34.01, 43.64

 

CMYK 68 / 4 / 0 / 45

HEX #2C868B

RGB 44 134 139

HSL 183.16, 0.52%, 0.36%

LAB 51.21, -24.24, -10.44

 

CMYK 31 / 68 / 0 / 45

HEX #602C8B

RGB 96 44 139

HSL 272.84, 0.52%, 0.36%

LAB 29.79, 41.65, -43.62

 

Description

Color code: HEX #8D332D | qconv.com Color code: HEX #8D332D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 51 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 51 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 68 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 68% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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