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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CEAFFCE it is the complementary color #731500CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CEAFFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CEAFFCE shade: #91EAFACE, #A2FCFFCE, #B3FFFFCE, #C4FFFFCE and #D5FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CEAFFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CEAFFCE shade: #8CEAFFCE, #7BD8ECCE, #6AC6D9CE, #59B4C6CE and #48A2B3CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CEAFFCE shade: #8AEAFF, #8ACAFF, #8AAAFF, #8A8BFF and #A88AFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CEAFFCE shade: #8AEAFF, #8ACAFF, #8AAAFF, #8A8BFF and #8A8AFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CEAFFCE shade matches the following richer shades: #8AEAFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CEAFFCE shade: #8AEAFF, #93E4F6, #9DDEEC, #A6D8E3 and #B0D1D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CEAFFCE shade: #8AFFD4, #8AFFF3, #8AEBFF, #8ACCFF and #8AADFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CEAFFCE shade: #37DAFF, #60E2FF, #8AEAFF, #B3F1FF and #DCF9FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CEAFFCE shade: #8CEAFF, #B58AFF and #FFE48A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CEAFFCE shade: #8CEAFF, #FF8AEB and #EBFF8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CEAFFCE shade: #8CEAFF, #B58AFF, #FF9D8A and #D4FF8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CEAFFCE shade: #8CEAFF, #D88AFF, #FF9D8A and #B1FF8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 7 / 0 / 0

HEX #8CEAFFCE

RGBA 140 234 255 0.81

HSLA 190.96, 1%, 0.77%, 0.81

LABA 87.8, -22.6, -18.86, 0.81

 

Complementary color

CMYK 0 / 66 / 81 / 44

HEX #731500CE

RGBA 115 21 0 0.81

HSLA 10.96, 1%, 0.23%, 0.81

LABA 24.26, 39.37, 35.82, 0.81

 

CMYK 34 / 5 / 0 / 2

HEX #91EAFACE

RGBA 145 234 250 0.81

HSLA 189.14, 0.91%, 0.77%, 0.81

LABA 87.86, -22.7, -16.13, 0.81

 

CMYK 30 / 1 / 0 / 0

HEX #A2FCFFCE

RGBA 162 252 255 0.81

HSLA 181.94, 1%, 0.82%, 0.81

LABA 93.68, -26.08, -9.96, 0.81

 

CMYK 24 / 0 / 0 / 0

HEX #B3FFFFCE

RGBA 179 255 255 0.81

HSLA 180, 1%, 0.85%, 0.81

LABA 95.3, -23.09, -7.47, 0.81

 

CMYK 19 / 0 / 0 / 0

HEX #C4FFFFCE

RGBA 196 255 255 0.81

HSLA 180, 1%, 0.88%, 0.81

LABA 96.19, -18.34, -6.04, 0.81

 

CMYK 13 / 0 / 0 / 0

HEX #D5FFFFCE

RGBA 213 255 255 0.81

HSLA 180, 1%, 0.92%, 0.81

LABA 97.18, -13.32, -4.47, 0.81

 

CMYK 37 / 7 / 0 / 0

HEX #8CEAFFCE

RGBA 140 234 255 0.81

HSLA 190.96, 1%, 0.77%, 0.81

LABA 87.8, -22.6, -18.86, 0.81

 

CMYK 39 / 7 / 0 / 6

HEX #7BD8ECCE

RGBA 123 216 236 0.81

HSLA 190.62, 0.75%, 0.7%, 0.81

LABA 81.5, -22.46, -18.4, 0.81

 

CMYK 41 / 7 / 0 / 12

HEX #6AC6D9CE

RGBA 106 198 217 0.81

HSLA 190.27, 0.59%, 0.63%, 0.81

LABA 75.12, -22.27, -17.92, 0.81

 

CMYK 45 / 7 / 0 / 18

HEX #59B4C6CE

RGBA 89 180 198 0.81

HSLA 189.91, 0.49%, 0.56%, 0.81

LABA 68.64, -22, -17.41, 0.81

 

CMYK 48 / 8 / 0 / 24

HEX #48A2B3CE

RGBA 72 162 179 0.81

HSLA 189.53, 0.43%, 0.49%, 0.81

LABA 62.06, -21.63, -16.86, 0.81

 

CMYK 46 / 8 / 0 / 0

HEX #8AEAFF

RGB 138 234 255

HSL 190.77, 1%, 0.77%

LAB 87.71, -23.05, -19

 

CMYK 46 / 21 / 0 / 0

HEX #8ACAFF

RGB 138 202 255

HSL 207.18, 1%, 0.77%

LAB 78.96, -6.64, -32.33

 

CMYK 46 / 33 / 0 / 0

HEX #8AAAFF

RGB 138 170 255

HSL 223.59, 1%, 0.77%

LAB 70.44, 10.99, -45.59

 

CMYK 46 / 45 / 0 / 0

HEX #8A8BFF

RGB 138 139 255

HSL 239.49, 1%, 0.77%

LAB 62.58, 28.86, -58.02

 

CMYK 34 / 46 / 0 / 0

HEX #A88AFF

RGB 168 138 255

HSL 255.38, 1%, 0.77%

LAB 64.74, 36.67, -54.44

 

CMYK 46 / 8 / 0 / 0

HEX #8AEAFF

RGB 138 234 255

HSL 190.77, 1%, 0.77%

LAB 87.71, -23.05, -19

 

CMYK 46 / 21 / 0 / 0

HEX #8ACAFF

RGB 138 202 255

HSL 207.18, 1%, 0.77%

LAB 78.96, -6.64, -32.33

 

CMYK 46 / 33 / 0 / 0

HEX #8AAAFF

RGB 138 170 255

HSL 223.59, 1%, 0.77%

LAB 70.44, 10.99, -45.59

 

CMYK 46 / 45 / 0 / 0

HEX #8A8BFF

RGB 138 139 255

HSL 239.49, 1%, 0.77%

LAB 62.58, 28.86, -58.02

 

CMYK 46 / 46 / 0 / 0

HEX #8A8AFF

RGB 138 138 255

HSL 240, 1%, 0.77%

LAB 62.34, 29.44, -58.41

 

CMYK 46 / 8 / 0 / 0

HEX #8AEAFF

RGB 138 234 255

HSL 190.77, 1%, 0.77%

LAB 87.71, -23.05, -19

 

CMYK 46 / 8 / 0 / 0

HEX #8AEAFF

RGB 138 234 255

HSL 190.77, 1%, 0.77%

LAB 87.71, -23.05, -19

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F6

RGB 147 228 246

HSL 190.91, 0.85%, 0.77%

LAB 86.18, -20.23, -16.54

 

CMYK 33 / 6 / 0 / 7

HEX #9DDEEC

RGB 157 222 236

HSL 190.63, 0.68%, 0.77%

LAB 84.72, -17.08, -13.4

 

CMYK 27 / 5 / 0 / 11

HEX #A6D8E3

RGB 166 216 227

HSL 190.82, 0.52%, 0.77%

LAB 83.32, -13.61, -10.67

 

CMYK 19 / 4 / 0 / 15

HEX #B0D1D9

RGB 176 209 217

HSL 191.71, 0.35%, 0.77%

LAB 81.75, -9.21, -7.61

 

CMYK 46 / 0 / 17 / 0

HEX #8AFFD4

RGB 138 255 212

HSL 157.95, 1%, 0.77%

LAB 92.43, -42.98, 10.33

 

CMYK 46 / 0 / 5 / 0

HEX #8AFFF3

RGB 138 255 243

HSL 173.85, 1%, 0.77%

LAB 93.19, -36.03, -4.59

 

CMYK 46 / 8 / 0 / 0

HEX #8AEBFF

RGB 138 235 255

HSL 190.26, 1%, 0.77%

LAB 87.99, -23.54, -18.58

 

CMYK 46 / 20 / 0 / 0

HEX #8ACCFF

RGB 138 204 255

HSL 206.15, 1%, 0.77%

LAB 79.5, -7.7, -31.5

 

CMYK 46 / 32 / 0 / 0

HEX #8AADFF

RGB 138 173 255

HSL 222.05, 1%, 0.77%

LAB 71.22, 9.29, -44.36

 

CMYK 78 / 15 / 0 / 0

HEX #37DAFF

RGB 55 218 255

HSL 191.1, 1%, 0.61%

LAB 80.84, -28.58, -29.68

 

CMYK 62 / 11 / 0 / 0

HEX #60E2FF

RGB 96 226 255

HSL 190.94, 1%, 0.69%

LAB 84.02, -27.29, -24.74

 

CMYK 46 / 8 / 0 / 0

HEX #8AEAFF

RGB 138 234 255

HSL 190.77, 1%, 0.77%

LAB 87.71, -23.05, -19

 

CMYK 30 / 5 / 0 / 0

HEX #B3F1FF

RGB 179 241 255

HSL 191.05, 1%, 0.85%

LAB 91.56, -16.2, -13.03

 

CMYK 14 / 2 / 0 / 0

HEX #DCF9FF

RGB 220 249 255

HSL 190.29, 1%, 0.93%

LAB 96.07, -8.18, -6.06

 

CMYK 45 / 8 / 0 / 0

HEX #8CEAFF

RGB 140 234 255

HSL 190.96, 1%, 0.77%

LAB 87.8, -22.6, -18.86

 

CMYK 29 / 46 / 0 / 0

HEX #B58AFF

RGB 181 138 255

HSL 262.05, 1%, 0.77%

LAB 65.92, 40.01, -52.5

 

CMYK 0 / 11 / 46 / 0

HEX #FFE48A

RGB 255 228 138

HSL 46.15, 1%, 0.77%

LAB 91.04, -2.32, 47.12

 

CMYK 45 / 8 / 0 / 0

HEX #8CEAFF

RGB 140 234 255

HSL 190.96, 1%, 0.77%

LAB 87.8, -22.6, -18.86

 

CMYK 0 / 46 / 8 / 0

HEX #FF8AEB

RGB 255 138 235

HSL 310.26, 1%, 0.77%

LAB 73.18, 56.86, -29.62

 

CMYK 8 / 0 / 46 / 0

HEX #EBFF8A

RGB 235 255 138

HSL 70.26, 1%, 0.77%

LAB 96.42, -23.32, 53.41

 

CMYK 45 / 8 / 0 / 0

HEX #8CEAFF

RGB 140 234 255

HSL 190.96, 1%, 0.77%

LAB 87.8, -22.6, -18.86

 

CMYK 29 / 46 / 0 / 0

HEX #B58AFF

RGB 181 138 255

HSL 262.05, 1%, 0.77%

LAB 65.92, 40.01, -52.5

 

CMYK 0 / 38 / 46 / 0

HEX #FF9D8A

RGB 255 157 138

HSL 9.74, 1%, 0.77%

LAB 74.32, 34.49, 25.43

 

CMYK 17 / 0 / 46 / 0

HEX #D4FF8A

RGB 212 255 138

HSL 82.05, 1%, 0.77%

LAB 94.89, -31.87, 51.18

 

CMYK 45 / 8 / 0 / 0

HEX #8CEAFF

RGB 140 234 255

HSL 190.96, 1%, 0.77%

LAB 87.8, -22.6, -18.86

 

CMYK 15 / 46 / 0 / 0

HEX #D88AFF

RGB 216 138 255

HSL 280, 1%, 0.77%

LAB 69.47, 49.42, -46.66

 

CMYK 0 / 38 / 46 / 0

HEX #FF9D8A

RGB 255 157 138

HSL 9.74, 1%, 0.77%

LAB 74.32, 34.49, 25.43

 

CMYK 31 / 0 / 46 / 0

HEX #B1FF8A

RGB 177 255 138

HSL 100, 1%, 0.77%

LAB 92.88, -44.06, 48.26

 

Description

Color code: HEX #8CEAFFCE | qconv.com Color code: HEX #8CEAFFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 234 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 234 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 7 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 7% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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