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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 7 / 0 / 4 it is the complementary color CMYK 0 / 75 / 91 / 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 7 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 40 / 7 / 0 / 4: CMYK 37 / 5 / 0 / 6, CMYK 34 / 4 / 0 / 0, CMYK 27 / 0 / 0 / 0, CMYK 20 / 0 / 0 / 0 and CMYK 14 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 7 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 40 / 7 / 0 / 4: CMYK 40 / 7 / 0 / 4, CMYK 42 / 7 / 0 / 11, CMYK 45 / 7 / 0 / 19, CMYK 49 / 7 / 0 / 26 and CMYK 53 / 8 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

Complementary color

CMYK 0 / 75 / 91 / 58

HEX #6C1B0A

RGB 108 27 10

HSL 10.41, 0.83%, 0.23%

LAB 23.65, 34.92, 30.64

 

CMYK 37 / 5 / 0 / 6

HEX #98E4F0

RGB 152 228 240

HSL 188.18, 0.75%, 0.77%

LAB 86.23, -20.45, -13.28

 

CMYK 34 / 4 / 0 / 0

HEX #A9F6FF

RGB 169 246 255

HSL 186.28, 1%, 0.83%

LAB 92.38, -21.37, -11.85

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

CMYK 42 / 7 / 0 / 11

HEX #82D2E2

RGB 130 210 226

HSL 190, 0.62%, 0.7%

LAB 79.8, -20.43, -15.6

 

CMYK 45 / 7 / 0 / 19

HEX #71C0CF

RGB 113 192 207

HSL 189.57, 0.49%, 0.63%

LAB 73.36, -20.35, -15.11

 

CMYK 49 / 7 / 0 / 26

HEX #60AEBC

RGB 96 174 188

HSL 189.13, 0.41%, 0.56%

LAB 66.82, -20.22, -14.61

 

CMYK 53 / 8 / 0 / 34

HEX #4F9CA9

RGB 79 156 169

HSL 188.67, 0.36%, 0.49%

LAB 60.16, -20.02, -14.07

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

CMYK 40 / 13 / 0 / 4

HEX #93D4F5

RGB 147 212 245

HSL 200.2, 0.83%, 0.77%

LAB 81.77, -12.35, -22.67

 

CMYK 40 / 20 / 0 / 4

HEX #93C4F5

RGB 147 196 245

HSL 210, 0.83%, 0.77%

LAB 77.45, -3.91, -29.28

 

CMYK 40 / 27 / 0 / 4

HEX #93B4F5

RGB 147 180 245

HSL 219.8, 0.83%, 0.77%

LAB 73.18, 4.83, -35.86

 

CMYK 40 / 33 / 0 / 4

HEX #93A3F5

RGB 147 163 245

HSL 230.2, 0.83%, 0.77%

LAB 68.74, 14.38, -42.77

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

CMYK 39 / 7 / 0 / 84

HEX #192629

RGB 25 38 41

HSL 191.25, 0.24%, 0.13%

LAB 14.13, -4.63, -3.79

 

CMYK 40 / 7 / 0 / 64

HEX #37565C

RGB 55 86 92

HSL 189.73, 0.25%, 0.29%

LAB 34.48, -9.66, -7.11

 

CMYK 40 / 7 / 0 / 44

HEX #56858F

RGB 86 133 143

HSL 190.53, 0.25%, 0.45%

LAB 52.66, -13.23, -10.42

 

CMYK 40 / 7 / 0 / 24

HEX #74B5C2

RGB 116 181 194

HSL 190, 0.39%, 0.61%

LAB 69.93, -17.34, -13.14

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

CMYK 25 / 40 / 0 / 4

HEX #B793F5

RGB 183 147 245

HSL 262.04, 0.83%, 0.77%

LAB 67.67, 33.17, -44.26

 

CMYK 0 / 9 / 40 / 4

HEX #F5DE93

RGB 245 222 147

HSL 45.92, 0.83%, 0.77%

LAB 88.81, -2.3, 39.65

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

CMYK 0 / 40 / 7 / 4

HEX #F593E4

RGB 245 147 228

HSL 310.41, 0.83%, 0.77%

LAB 73.47, 48.21, -25.45

 

CMYK 7 / 0 / 40 / 4

HEX #E4F593

RGB 228 245 147

HSL 70.41, 0.83%, 0.77%

LAB 93.41, -20.24, 45.26

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

CMYK 25 / 40 / 0 / 4

HEX #B793F5

RGB 183 147 245

HSL 262.04, 0.83%, 0.77%

LAB 67.67, 33.17, -44.26

 

CMYK 0 / 33 / 40 / 4

HEX #F5A393

RGB 245 163 147

HSL 9.8, 0.83%, 0.77%

LAB 74.64, 28.51, 20.78

 

CMYK 15 / 0 / 40 / 4

HEX #D1F593

RGB 209 245 147

HSL 82.04, 0.83%, 0.77%

LAB 92.12, -27.29, 43.35

 

CMYK 40 / 7 / 0 / 4

HEX #93E4F5

RGB 147 228 245

HSL 190.41, 0.83%, 0.77%

LAB 86.15, -20.48, -16.06

 

CMYK 13 / 40 / 0 / 4

HEX #D493F5

RGB 212 147 245

HSL 279.8, 0.83%, 0.77%

LAB 70.49, 41.46, -39.63

 

CMYK 0 / 33 / 40 / 4

HEX #F5A393

RGB 245 163 147

HSL 9.8, 0.83%, 0.77%

LAB 74.64, 28.51, 20.78

 

CMYK 27 / 0 / 40 / 4

HEX #B4F593

RGB 180 245 147

HSL 99.8, 0.83%, 0.77%

LAB 90.37, -37.5, 40.77

 

Description

Color code: CMYK 40 / 7 / 0 / 4 | qconv.com Color code: CMYK 40 / 7 / 0 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 228 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 228 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 7 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 7% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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