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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CBCDE it is the complementary color #734321. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CBCDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CBCDE shade: #91BCD9, #A2CEEC, #B3E0FF, #C4F2FF and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CBCDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CBCDE shade: #8CBCDE, #7BAACB, #6A98B8, #5986A5 and #487492

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CBCDE shade: #8CBCDE, #8CA6DE, #8C90DE, #9F8CDE and #B58CDE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CBCDE shade: #8CBCDE, #8CA6DE, #8C90DE and #8C8CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CBCDE shade matches the following richer shades: #8CBCDE, #80BEEA and #74C0F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CBCDE shade: #8CBCDE, #98BAD2, #A4B8C6, #B0B6BA and #BCB4AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CBCDE shade: #8CDED3, #8CD3DE, #8CBDDE, #8CA7DE and #8C92DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CBCDE shade: #4C97CB, #6CA9D4, #8CBCDE, #ACCFE7 and #CCE1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CBCDE shade: #8CBCDE, #BD8CDE and #DEDE8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CBCDE shade: #8CBCDE, #DE8CBD and #BDDE8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CBCDE shade: #8CBCDE, #BD8CDE, #DEAD8C and #ADDE8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CBCDE shade: #8CBCDE, #D68CDE, #DEAD8C and #95DE8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

Complementary color

CMYK 0 / 42 / 71 / 55

HEX #734321

RGB 115 67 33

HSL 24.88, 0.55%, 0.29%

LAB 33.5, 17.48, 28.91

 

CMYK 33 / 13 / 0 / 15

HEX #91BCD9

RGB 145 188 217

HSL 204.17, 0.49%, 0.71%

LAB 74.19, -7.34, -19.14

 

CMYK 31 / 13 / 0 / 7

HEX #A2CEEC

RGB 162 206 236

HSL 204.32, 0.66%, 0.78%

LAB 80.67, -7.46, -19.47

 

CMYK 30 / 12 / 0 / 0

HEX #B3E0FF

RGB 179 224 255

HSL 204.47, 1%, 0.85%

LAB 87.05, -7.56, -19.79

 

CMYK 23 / 5 / 0 / 0

HEX #C4F2FF

RGB 196 242 255

HSL 193.22, 1%, 0.88%

LAB 92.78, -11.88, -11.11

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 39 / 16 / 0 / 20

HEX #7BAACB

RGB 123 170 203

HSL 204.75, 0.43%, 0.64%

LAB 67.48, -7.27, -21.78

 

CMYK 42 / 17 / 0 / 28

HEX #6A98B8

RGB 106 152 184

HSL 204.62, 0.35%, 0.57%

LAB 60.77, -7.04, -21.51

 

CMYK 46 / 19 / 0 / 35

HEX #5986A5

RGB 89 134 165

HSL 204.47, 0.3%, 0.5%

LAB 53.91, -6.76, -21.25

 

CMYK 51 / 21 / 0 / 43

HEX #487492

RGB 72 116 146

HSL 204.32, 0.34%, 0.43%

LAB 46.9, -6.4, -21.01

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 37 / 25 / 0 / 13

HEX #8CA6DE

RGB 140 166 222

HSL 220.98, 0.55%, 0.71%

LAB 68.11, 4.62, -31.2

 

CMYK 37 / 35 / 0 / 13

HEX #8C90DE

RGB 140 144 222

HSL 237.07, 0.55%, 0.71%

LAB 62.33, 17.19, -40.19

 

CMYK 28 / 37 / 0 / 13

HEX #9F8CDE

RGB 159 140 222

HSL 253.9, 0.55%, 0.71%

LAB 62.84, 24.78, -39.29

 

CMYK 18 / 37 / 0 / 13

HEX #B58CDE

RGB 181 140 222

HSL 270, 0.55%, 0.71%

LAB 64.85, 31.21, -36.01

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 37 / 25 / 0 / 13

HEX #8CA6DE

RGB 140 166 222

HSL 220.98, 0.55%, 0.71%

LAB 68.11, 4.62, -31.2

 

CMYK 37 / 35 / 0 / 13

HEX #8C90DE

RGB 140 144 222

HSL 237.07, 0.55%, 0.71%

LAB 62.33, 17.19, -40.19

 

CMYK 37 / 37 / 0 / 13

HEX #8C8CDE

RGB 140 140 222

HSL 240, 0.55%, 0.71%

LAB 61.31, 19.52, -41.8

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 45 / 19 / 0 / 8

HEX #80BEEA

RGB 128 190 234

HSL 204.91, 0.72%, 0.71%

LAB 74.42, -8.39, -28.09

 

CMYK 53 / 22 / 0 / 4

HEX #74C0F6

RGB 116 192 246

HSL 204.92, 0.88%, 0.71%

LAB 74.87, -8.76, -33.92

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 28 / 11 / 0 / 18

HEX #98BAD2

RGB 152 186 210

HSL 204.83, 0.39%, 0.71%

LAB 73.83, -5.95, -15.83

 

CMYK 17 / 7 / 0 / 22

HEX #A4B8C6

RGB 164 184 198

HSL 204.71, 0.23%, 0.71%

LAB 73.71, -3.9, -9.4

 

CMYK 5 / 2 / 0 / 27

HEX #B0B6BA

RGB 176 182 186

HSL 204, 0.07%, 0.71%

LAB 73.7, -1.31, -2.76

 

CMYK 0 / 4 / 7 / 26

HEX #BCB4AE

RGB 188 180 174

HSL 25.71, 0.09%, 0.71%

LAB 73.8, 1.77, 4.06

 

CMYK 37 / 0 / 5 / 13

HEX #8CDED3

RGB 140 222 211

HSL 171.95, 0.55%, 0.71%

LAB 83.19, -27.46, -2.52

 

CMYK 37 / 5 / 0 / 13

HEX #8CD3DE

RGB 140 211 222

HSL 188.05, 0.55%, 0.71%

LAB 80.43, -19.41, -12.47

 

CMYK 37 / 15 / 0 / 13

HEX #8CBDDE

RGB 140 189 222

HSL 204.15, 0.55%, 0.71%

LAB 74.35, -7.99, -21.64

 

CMYK 37 / 25 / 0 / 13

HEX #8CA7DE

RGB 140 167 222

HSL 220.24, 0.55%, 0.71%

LAB 68.38, 4.06, -30.79

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 63 / 26 / 0 / 20

HEX #4C97CB

RGB 76 151 203

HSL 204.57, 0.55%, 0.55%

LAB 59.87, -7.42, -33.69

 

CMYK 49 / 20 / 0 / 17

HEX #6CA9D4

RGB 108 169 212

HSL 204.81, 0.55%, 0.63%

LAB 66.76, -7.97, -27.92

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 26 / 10 / 0 / 9

HEX #ACCFE7

RGB 172 207 231

HSL 204.41, 0.55%, 0.79%

LAB 81.38, -6.28, -15.67

 

CMYK 15 / 6 / 0 / 6

HEX #CCE1F0

RGB 204 225 240

HSL 205, 0.55%, 0.87%

LAB 88.44, -3.95, -9.67

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 15 / 37 / 0 / 13

HEX #BD8CDE

RGB 189 140 222

HSL 275.85, 0.55%, 0.71%

LAB 65.63, 33.61, -34.73

 

CMYK 0 / 0 / 37 / 13

HEX #DEDE8C

RGB 222 222 140

HSL 60, 0.55%, 0.71%

LAB 86.83, -12.01, 40.24

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 0 / 37 / 15 / 13

HEX #DE8CBD

RGB 222 140 189

HSL 324.15, 0.55%, 0.71%

LAB 67.99, 38.03, -12.42

 

CMYK 15 / 0 / 37 / 13

HEX #BDDE8C

RGB 189 222 140

HSL 84.15, 0.55%, 0.71%

LAB 84.46, -24.5, 36.71

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 15 / 37 / 0 / 13

HEX #BD8CDE

RGB 189 140 222

HSL 275.85, 0.55%, 0.71%

LAB 65.63, 33.61, -34.73

 

CMYK 0 / 22 / 37 / 13

HEX #DEAD8C

RGB 222 173 140

HSL 24.15, 0.55%, 0.71%

LAB 74.39, 13.49, 23.82

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 37 / 15 / 0 / 13

HEX #8CBCDE

RGB 140 188 222

HSL 204.88, 0.55%, 0.71%

LAB 74.07, -7.45, -22.06

 

CMYK 4 / 37 / 0 / 13

HEX #D68CDE

RGB 214 140 222

HSL 294.15, 0.55%, 0.71%

LAB 68.26, 41.23, -30.45

 

CMYK 0 / 22 / 37 / 13

HEX #DEAD8C

RGB 222 173 140

HSL 24.15, 0.55%, 0.71%

LAB 74.39, 13.49, 23.82

 

CMYK 33 / 0 / 37 / 13

HEX #95DE8C

RGB 149 222 140

HSL 113.41, 0.55%, 0.71%

LAB 82.12, -38.37, 33.21

 

Description

Color code: HEX #8CBCDE | qconv.com Color code: HEX #8CBCDE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 188 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 188 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 15 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 15% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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