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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C92DE it is the complementary color #736D21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C92DE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C92DE shade: #9192D9, #A2A4EC, #B3B6FF, #C4C8FF and #D5DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C92DE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C92DE shade: #8C92DE, #7B80CB, #6A6EB8, #595CA5 and #484A92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C92DE shade: #8C92DE, #9C8CDE, #B28CDE, #C88CDE and #DE8CDD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C92DE shade: #8C92DE and #8C8CDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C92DE shade matches the following richer shades: #8C92DE, #8088EA and #747EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C92DE shade: #8C92DE, #989DD2, #A4A7C6, #B0B1BA and #BCBBAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C92DE shade: #8CBFDE, #8CA9DE, #8C93DE, #9B8CDE and #B18CDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C92DE shade: #4C56CB, #6C74D4, #8C92DE, #ACB1E7 and #CCCFF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C92DE shade: #8C92DE, #DE8CD4 and #B4DE8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C92DE shade: #8C92DE, #DE8C93 and #93DE8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C92DE shade: #8C92DE, #DE8CD4, #DED78C and #8CDE96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C92DE shade: #8C92DE, #DE8CBC, #DED78C and #8CDEAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

Complementary color

CMYK 0 / 5 / 71 / 55

HEX #736D21

RGB 115 109 33

HSL 55.61, 0.55%, 0.29%

LAB 45.21, -7.46, 41.35

 

CMYK 33 / 33 / 0 / 15

HEX #9192D9

RGB 145 146 217

HSL 239.17, 0.49%, 0.71%

LAB 63, 16.08, -36.35

 

CMYK 31 / 31 / 0 / 7

HEX #A2A4EC

RGB 162 164 236

HSL 238.38, 0.66%, 0.78%

LAB 69.67, 15.49, -36.33

 

CMYK 30 / 29 / 0 / 0

HEX #B3B6FF

RGB 179 182 255

HSL 237.63, 1%, 0.85%

LAB 76.23, 14.96, -36.36

 

CMYK 23 / 22 / 0 / 0

HEX #C4C8FF

RGB 196 200 255

HSL 235.93, 1%, 0.88%

LAB 81.98, 10.06, -27.4

 

CMYK 16 / 15 / 0 / 0

HEX #D5DAFF

RGB 213 218 255

HSL 232.86, 1%, 0.92%

LAB 87.73, 5.62, -18.55

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 39 / 37 / 0 / 20

HEX #7B80CB

RGB 123 128 203

HSL 236.25, 0.43%, 0.64%

LAB 56.05, 16.77, -39.49

 

CMYK 42 / 40 / 0 / 28

HEX #6A6EB8

RGB 106 110 184

HSL 236.92, 0.35%, 0.57%

LAB 49.1, 17.63, -39.65

 

CMYK 46 / 44 / 0 / 35

HEX #595CA5

RGB 89 92 165

HSL 237.63, 0.3%, 0.5%

LAB 41.99, 18.66, -39.87

 

CMYK 51 / 49 / 0 / 43

HEX #484A92

RGB 72 74 146

HSL 238.38, 0.34%, 0.43%

LAB 34.7, 19.91, -40.16

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 30 / 37 / 0 / 13

HEX #9C8CDE

RGB 156 140 222

HSL 251.71, 0.55%, 0.71%

LAB 62.59, 23.93, -39.7

 

CMYK 20 / 37 / 0 / 13

HEX #B28CDE

RGB 178 140 222

HSL 267.8, 0.55%, 0.71%

LAB 64.56, 30.31, -36.48

 

CMYK 10 / 37 / 0 / 13

HEX #C88CDE

RGB 200 140 222

HSL 283.9, 0.55%, 0.71%

LAB 66.76, 36.94, -32.9

 

CMYK 0 / 37 / 0 / 13

HEX #DE8CDD

RGB 222 140 221

HSL 300.73, 0.55%, 0.71%

LAB 69.12, 43.5, -28.5

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 37 / 37 / 0 / 13

HEX #8C8CDE

RGB 140 140 222

HSL 240, 0.55%, 0.71%

LAB 61.31, 19.52, -41.8

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 45 / 42 / 0 / 8

HEX #8088EA

RGB 128 136 234

HSL 235.47, 0.72%, 0.71%

LAB 60.01, 22.2, -50.58

 

CMYK 53 / 49 / 0 / 4

HEX #747EF6

RGB 116 126 246

HSL 235.38, 0.88%, 0.71%

LAB 57.36, 29.09, -61.51

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 28 / 25 / 0 / 18

HEX #989DD2

RGB 152 157 210

HSL 234.83, 0.39%, 0.71%

LAB 66.09, 10.05, -27.62

 

CMYK 17 / 16 / 0 / 22

HEX #A4A7C6

RGB 164 167 198

HSL 234.71, 0.23%, 0.71%

LAB 69.19, 5.37, -16.17

 

CMYK 5 / 5 / 0 / 27

HEX #B0B1BA

RGB 176 177 186

HSL 234, 0.07%, 0.71%

LAB 72.38, 1.39, -4.71

 

CMYK 0 / 1 / 7 / 26

HEX #BCBBAE

RGB 188 187 174

HSL 55.71, 0.09%, 0.71%

LAB 75.63, -1.97, 6.7

 

CMYK 37 / 14 / 0 / 13

HEX #8CBFDE

RGB 140 191 222

HSL 202.68, 0.55%, 0.71%

LAB 74.89, -9.05, -20.81

 

CMYK 37 / 24 / 0 / 13

HEX #8CA9DE

RGB 140 169 222

HSL 218.78, 0.55%, 0.71%

LAB 68.91, 2.94, -29.96

 

CMYK 37 / 34 / 0 / 13

HEX #8C93DE

RGB 140 147 222

HSL 234.88, 0.55%, 0.71%

LAB 63.11, 15.46, -38.98

 

CMYK 30 / 37 / 0 / 13

HEX #9B8CDE

RGB 155 140 222

HSL 250.98, 0.55%, 0.71%

LAB 62.51, 23.64, -39.84

 

CMYK 20 / 37 / 0 / 13

HEX #B18CDE

RGB 177 140 222

HSL 267.07, 0.55%, 0.71%

LAB 64.47, 30.02, -36.64

 

CMYK 63 / 58 / 0 / 20

HEX #4C56CB

RGB 76 86 203

HSL 235.28, 0.55%, 0.55%

LAB 42.01, 32.17, -62.13

 

CMYK 49 / 45 / 0 / 17

HEX #6C74D4

RGB 108 116 212

HSL 235.38, 0.55%, 0.63%

LAB 52.32, 22.91, -50.56

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 26 / 23 / 0 / 9

HEX #ACB1E7

RGB 172 177 231

HSL 234.92, 0.55%, 0.79%

LAB 73.54, 9.9, -27.58

 

CMYK 15 / 14 / 0 / 6

HEX #CCCFF0

RGB 204 207 240

HSL 235, 0.55%, 0.87%

LAB 83.84, 5.48, -16.55

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 0 / 37 / 5 / 13

HEX #DE8CD4

RGB 222 140 212

HSL 307.32, 0.55%, 0.71%

LAB 68.78, 41.89, -24.04

 

CMYK 19 / 0 / 37 / 13

HEX #B4DE8C

RGB 180 222 140

HSL 90.73, 0.55%, 0.71%

LAB 83.88, -27.77, 35.84

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 0 / 37 / 34 / 13

HEX #DE8C93

RGB 222 140 147

HSL 354.88, 0.55%, 0.71%

LAB 66.82, 32.05, 9.45

 

CMYK 34 / 0 / 37 / 13

HEX #93DE8C

RGB 147 222 140

HSL 114.88, 0.55%, 0.71%

LAB 82.02, -39.01, 33.06

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 0 / 37 / 5 / 13

HEX #DE8CD4

RGB 222 140 212

HSL 307.32, 0.55%, 0.71%

LAB 68.78, 41.89, -24.04

 

CMYK 0 / 3 / 37 / 13

HEX #DED78C

RGB 222 215 140

HSL 54.88, 0.55%, 0.71%

LAB 85.01, -8.48, 37.89

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE96

RGB 140 222 150

HSL 127.32, 0.55%, 0.71%

LAB 81.85, -39.6, 27.64

 

CMYK 37 / 34 / 0 / 13

HEX #8C92DE

RGB 140 146 222

HSL 235.61, 0.55%, 0.71%

LAB 62.85, 16.03, -39.39

 

CMYK 0 / 37 / 15 / 13

HEX #DE8CBC

RGB 222 140 188

HSL 324.88, 0.55%, 0.71%

LAB 67.96, 37.88, -11.91

 

CMYK 0 / 3 / 37 / 13

HEX #DED78C

RGB 222 215 140

HSL 54.88, 0.55%, 0.71%

LAB 85.01, -8.48, 37.89

 

CMYK 37 / 0 / 22 / 13

HEX #8CDEAE

RGB 140 222 174

HSL 144.88, 0.55%, 0.71%

LAB 82.31, -35.28, 15.77

 

Description

Color code: HEX #8C92DE | qconv.com Color code: HEX #8C92DE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 146 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 146 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 34% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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