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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CB9F84C it is the complementary color #7346074C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CB9F84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CB9F84C shade: #91B9F34C, #A2CBFF4C, #B3DDFF4C, #C4EFFF4C and #D5FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CB9F84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CB9F84C shade: #8CB9F84C, #7BA7E54C, #6A95D24C, #5983BF4C and #4871AC4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CB9F84C shade: #8BB9F8, #8B9BF8, #998BF8, #B68BF8 and #D38BF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CB9F84C shade: #8BB9F8, #8B9BF8 and #8B8BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CB9F84C shade matches the following richer shades: #8BB9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CB9F84C shade: #8BB9F8, #95BAEE, #9FBCE4, #A9BEDB and #B3BFD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CB9F84C shade: #8BF3F8, #8BD6F8, #8BB9F8, #8B9CF8 and #988BF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CB9F84C shade: #3D89F4, #64A1F6, #8BB9F8, #B2D0FB and #D9E8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CB9F84C shade: #8CB9F8, #E18BF8 and #E4F88B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CB9F84C shade: #8CB9F8, #F88BB9 and #B9F88B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CB9F84C shade: #8CB9F8, #E18BF8, #F8CB8B and #A3F88B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CB9F84C shade: #8CB9F8, #F88BEF, #F8CB8B and #8BF894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 1

HEX #8CB9F84C

RGBA 140 185 248 0.3

HSLA 215, 0.89%, 0.76%, 0.3

LABA 74.22, 1.12, -35.9, 0.3

 

Complementary color

CMYK 0 / 12 / 28 / 16

HEX #7346074C

RGBA 115 70 7 0.3

HSLA 35, 0.89%, 0.24%, 0.3

LABA 34.07, 14.58, 41.05, 0.3

 

CMYK 12 / 7 / 0 / 1

HEX #91B9F34C

RGBA 145 185 243 0.3

HSLA 215.51, 0.8%, 0.76%, 0.3

LABA 74.31, 1.02, -33.04, 0.3

 

CMYK 11 / 6 / 0 / 0

HEX #A2CBFF4C

RGBA 162 203 255 0.3

HSLA 213.55, 1%, 0.82%, 0.3

LABA 80.52, -1.15, -29.83, 0.3

 

CMYK 9 / 4 / 0 / 0

HEX #B3DDFF4C

RGBA 179 221 255 0.3

HSLA 206.84, 1%, 0.85%, 0.3

LABA 86.26, -6.01, -20.99, 0.3

 

CMYK 7 / 2 / 0 / 0

HEX #C4EFFF4C

RGBA 196 239 255 0.3

HSLA 196.27, 1%, 0.88%, 0.3

LABA 91.99, -10.37, -12.28, 0.3

 

CMYK 5 / 0 / 0 / 0

HEX #D5FFFF4C

RGBA 213 255 255 0.3

HSLA 180, 1%, 0.92%, 0.3

LABA 97.18, -13.32, -4.47, 0.3

 

CMYK 13 / 8 / 0 / 1

HEX #8CB9F84C

RGBA 140 185 248 0.3

HSLA 215, 0.89%, 0.76%, 0.3

LABA 74.22, 1.12, -35.9, 0.3

 

CMYK 14 / 8 / 0 / 3

HEX #7BA7E54C

RGBA 123 167 229 0.3

HSLA 215.09, 0.67%, 0.69%, 0.3

LABA 67.65, 1.62, -35.83, 0.3

 

CMYK 15 / 9 / 0 / 5

HEX #6A95D24C

RGBA 106 149 210 0.3

HSLA 215.19, 0.54%, 0.62%, 0.3

LABA 60.97, 2.21, -35.8, 0.3

 

CMYK 16 / 9 / 0 / 8

HEX #5983BF4C

RGBA 89 131 191 0.3

HSLA 215.29, 0.44%, 0.55%, 0.3

LABA 54.15, 2.93, -35.8, 0.3

 

CMYK 17 / 10 / 0 / 10

HEX #4871AC4C

RGBA 72 113 172 0.3

HSLA 215.4, 0.41%, 0.48%, 0.3

LABA 47.19, 3.83, -35.83, 0.3

 

CMYK 44 / 25 / 0 / 3

HEX #8BB9F8

RGB 139 185 248

HSL 214.68, 0.89%, 0.76%

LAB 74.17, 0.87, -35.99

 

CMYK 44 / 38 / 0 / 3

HEX #8B9BF8

RGB 139 155 248

HSL 231.19, 0.89%, 0.76%

LAB 66.3, 17.81, -48.29

 

CMYK 38 / 44 / 0 / 3

HEX #998BF8

RGB 153 139 248

HSL 247.71, 0.89%, 0.76%

LAB 63.36, 30.49, -52.88

 

CMYK 27 / 44 / 0 / 3

HEX #B68BF8

RGB 182 139 248

HSL 263.67, 0.89%, 0.76%

LAB 65.89, 38.05, -48.7

 

CMYK 15 / 44 / 0 / 3

HEX #D38BF8

RGB 211 139 248

HSL 279.63, 0.89%, 0.76%

LAB 68.82, 46.05, -43.9

 

CMYK 44 / 25 / 0 / 3

HEX #8BB9F8

RGB 139 185 248

HSL 214.68, 0.89%, 0.76%

LAB 74.17, 0.87, -35.99

 

CMYK 44 / 38 / 0 / 3

HEX #8B9BF8

RGB 139 155 248

HSL 231.19, 0.89%, 0.76%

LAB 66.3, 17.81, -48.29

 

CMYK 44 / 44 / 0 / 3

HEX #8B8BF8

RGB 139 139 248

HSL 240, 0.89%, 0.76%

LAB 62.28, 27.09, -54.66

 

CMYK 44 / 25 / 0 / 3

HEX #8BB9F8

RGB 139 185 248

HSL 214.68, 0.89%, 0.76%

LAB 74.17, 0.87, -35.99

 

CMYK 44 / 25 / 0 / 3

HEX #8BB9F8

RGB 139 185 248

HSL 214.68, 0.89%, 0.76%

LAB 74.17, 0.87, -35.99

 

CMYK 37 / 22 / 0 / 7

HEX #95BAEE

RGB 149 186 238

HSL 215.06, 0.72%, 0.76%

LAB 74.62, 0.19, -29.84

 

CMYK 30 / 18 / 0 / 11

HEX #9FBCE4

RGB 159 188 228

HSL 214.78, 0.56%, 0.76%

LAB 75.41, -0.65, -23.17

 

CMYK 23 / 13 / 0 / 14

HEX #A9BEDB

RGB 169 190 219

HSL 214.8, 0.41%, 0.76%

LAB 76.3, -0.89, -16.89

 

CMYK 14 / 9 / 0 / 18

HEX #B3BFD1

RGB 179 191 209

HSL 216, 0.25%, 0.76%

LAB 76.95, -0.47, -10.43

 

CMYK 44 / 2 / 0 / 3

HEX #8BF3F8

RGB 139 243 248

HSL 182.75, 0.89%, 0.76%

LAB 90.03, -28.96, -11.86

 

CMYK 44 / 14 / 0 / 3

HEX #8BD6F8

RGB 139 214 248

HSL 198.72, 0.89%, 0.76%

LAB 82.03, -14.57, -23.91

 

CMYK 44 / 25 / 0 / 3

HEX #8BB9F8

RGB 139 185 248

HSL 214.68, 0.89%, 0.76%

LAB 74.17, 0.87, -35.99

 

CMYK 44 / 37 / 0 / 3

HEX #8B9CF8

RGB 139 156 248

HSL 230.64, 0.89%, 0.76%

LAB 66.55, 17.23, -47.89

 

CMYK 39 / 44 / 0 / 3

HEX #988BF8

RGB 152 139 248

HSL 247.16, 0.89%, 0.76%

LAB 63.28, 30.24, -53.01

 

CMYK 75 / 44 / 0 / 4

HEX #3D89F4

RGB 61 137 244

HSL 215.08, 0.89%, 0.6%

LAB 57.48, 12.78, -60.36

 

CMYK 59 / 35 / 0 / 4

HEX #64A1F6

RGB 100 161 246

HSL 214.93, 0.89%, 0.68%

LAB 65.63, 5.26, -48.39

 

CMYK 44 / 25 / 0 / 3

HEX #8BB9F8

RGB 139 185 248

HSL 214.68, 0.89%, 0.76%

LAB 74.17, 0.87, -35.99

 

CMYK 29 / 17 / 0 / 2

HEX #B2D0FB

RGB 178 208 251

HSL 215.34, 0.9%, 0.84%

LAB 82.67, -0.4, -24.33

 

CMYK 14 / 8 / 0 / 1

HEX #D9E8FD

RGB 217 232 253

HSL 215, 0.9%, 0.92%

LAB 91.49, -0.85, -11.85

 

CMYK 44 / 25 / 0 / 3

HEX #8CB9F8

RGB 140 185 248

HSL 215, 0.89%, 0.76%

LAB 74.22, 1.12, -35.9

 

CMYK 9 / 44 / 0 / 3

HEX #E18BF8

RGB 225 139 248

HSL 287.34, 0.89%, 0.76%

LAB 70.35, 50, -41.39

 

CMYK 8 / 0 / 44 / 3

HEX #E4F88B

RGB 228 248 139

HSL 71.01, 0.89%, 0.76%

LAB 94.1, -22.54, 49.97

 

CMYK 44 / 25 / 0 / 3

HEX #8CB9F8

RGB 140 185 248

HSL 215, 0.89%, 0.76%

LAB 74.22, 1.12, -35.9

 

CMYK 0 / 44 / 25 / 3

HEX #F88BB9

RGB 248 139 185

HSL 334.68, 0.89%, 0.76%

LAB 70.82, 46.69, -5.64

 

CMYK 25 / 0 / 44 / 3

HEX #B9F88B

RGB 185 248 139

HSL 94.68, 0.89%, 0.76%

LAB 91.38, -38.16, 45.99

 

CMYK 44 / 25 / 0 / 3

HEX #8CB9F8

RGB 140 185 248

HSL 215, 0.89%, 0.76%

LAB 74.22, 1.12, -35.9

 

CMYK 9 / 44 / 0 / 3

HEX #E18BF8

RGB 225 139 248

HSL 287.34, 0.89%, 0.76%

LAB 70.35, 50, -41.39

 

CMYK 0 / 18 / 44 / 3

HEX #F8CB8B

RGB 248 203 139

HSL 35.23, 0.89%, 0.76%

LAB 84.24, 7.82, 37.85

 

CMYK 34 / 0 / 44 / 3

HEX #A3F88B

RGB 163 248 139

HSL 106.79, 0.89%, 0.76%

LAB 90.22, -45.46, 44.29

 

CMYK 44 / 25 / 0 / 3

HEX #8CB9F8

RGB 140 185 248

HSL 215, 0.89%, 0.76%

LAB 74.22, 1.12, -35.9

 

CMYK 0 / 44 / 4 / 3

HEX #F88BEF

RGB 248 139 239

HSL 304.95, 0.89%, 0.76%

LAB 72.66, 54.99, -32.67

 

CMYK 0 / 18 / 44 / 3

HEX #F8CB8B

RGB 248 203 139

HSL 35.23, 0.89%, 0.76%

LAB 84.24, 7.82, 37.85

 

CMYK 44 / 0 / 40 / 3

HEX #8BF894

RGB 139 248 148

HSL 124.95, 0.89%, 0.76%

LAB 89.28, -51.36, 38.48

 

Description

Color code: HEX #8CB9F84C | qconv.com Color code: HEX #8CB9F84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 185 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 185 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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