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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 9 / 0 / 18 it is the complementary color CMYK 0 / 13 / 39 / 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 9 / 0 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 9 / 0 / 18: CMYK 9 / 7 / 0 / 20, CMYK 9 / 7 / 0 / 13, CMYK 10 / 7 / 0 / 5, CMYK 7 / 4 / 0 / 0 and CMYK 1 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 9 / 0 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 9 / 0 / 18: CMYK 14 / 9 / 0 / 18, CMYK 14 / 9 / 0 / 25, CMYK 15 / 10 / 0 / 33, CMYK 15 / 11 / 0 / 40 and CMYK 16 / 11 / 0 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

Complementary color

CMYK 0 / 13 / 39 / 71

HEX #4B412E

RGB 75 65 46

HSL 39.31, 0.24%, 0.24%

LAB 28.04, 1, 13.19

 

CMYK 9 / 7 / 0 / 20

HEX #B9BECC

RGB 185 190 204

HSL 224.21, 0.16%, 0.76%

LAB 76.98, 1.01, -7.63

 

CMYK 9 / 7 / 0 / 13

HEX #CAD0DF

RGB 202 208 223

HSL 222.86, 0.25%, 0.83%

LAB 83.44, 0.85, -8.11

 

CMYK 10 / 7 / 0 / 5

HEX #DBE2F2

RGB 219 226 242

HSL 221.74, 0.47%, 0.9%

LAB 89.8, 0.7, -8.59

 

CMYK 7 / 4 / 0 / 0

HEX #ECF4FF

RGB 236 244 255

HSL 214.74, 1%, 0.96%

LAB 95.89, -0.6, -6.2

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

CMYK 14 / 9 / 0 / 25

HEX #A3ACBE

RGB 163 172 190

HSL 220, 0.17%, 0.69%

LAB 70.18, 0.55, -10.27

 

CMYK 15 / 10 / 0 / 33

HEX #929AAB

RGB 146 154 171

HSL 220.8, 0.13%, 0.62%

LAB 63.48, 0.71, -9.84

 

CMYK 15 / 11 / 0 / 40

HEX #818898

RGB 129 136 152

HSL 221.74, 0.1%, 0.55%

LAB 56.63, 0.88, -9.4

 

CMYK 16 / 11 / 0 / 48

HEX #707685

RGB 112 118 133

HSL 222.86, 0.09%, 0.48%

LAB 49.61, 1.07, -8.96

 

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

CMYK 14 / 12 / 0 / 18

HEX #B3B8D0

RGB 179 184 208

HSL 229.66, 0.24%, 0.76%

LAB 75.09, 3.09, -12.67

 

CMYK 14 / 14 / 0 / 18

HEX #B3B3D0

RGB 179 179 208

HSL 240, 0.24%, 0.76%

LAB 73.79, 5.81, -14.62

 

CMYK 12 / 14 / 0 / 18

HEX #B7B3D0

RGB 183 179 208

HSL 248.28, 0.24%, 0.76%

LAB 74.1, 7.12, -14.12

 

CMYK 10 / 14 / 0 / 18

HEX #BCB3D0

RGB 188 179 208

HSL 258.62, 0.24%, 0.76%

LAB 74.5, 8.76, -13.48

 

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

CMYK 20 / 0 / 0 / 98

HEX #040505

RGB 4 5 5

HSL 180, 0.11%, 0.02%

LAB 1.31, -0.26, -0.09

 

CMYK 14 / 9 / 0 / 78

HEX #303338

RGB 48 51 56

HSL 217.5, 0.08%, 0.2%

LAB 21.14, -0.04, -3.6

 

CMYK 14 / 9 / 0 / 58

HEX #5C616B

RGB 92 97 107

HSL 220, 0.08%, 0.39%

LAB 41.03, 0.32, -6.33

 

CMYK 14 / 9 / 0 / 38

HEX #88909E

RGB 136 144 158

HSL 218.18, 0.1%, 0.58%

LAB 59.57, 0.08, -8.38

 

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

CMYK 2 / 14 / 0 / 18

HEX #CCB3D0

RGB 204 179 208

HSL 291.72, 0.24%, 0.76%

LAB 75.84, 14.13, -11.33

 

CMYK 3 / 0 / 14 / 18

HEX #C9D0B3

RGB 201 208 179

HSL 74.48, 0.24%, 0.76%

LAB 82.26, -7.45, 13.6

 

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

CMYK 0 / 14 / 9 / 18

HEX #D0B3BD

RGB 208 179 189

HSL 339.31, 0.24%, 0.76%

LAB 75.65, 12.09, -1.22

 

CMYK 9 / 0 / 14 / 18

HEX #BDD0B3

RGB 189 208 179

HSL 99.31, 0.24%, 0.76%

LAB 81.39, -11.7, 12.24

 

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

CMYK 2 / 14 / 0 / 18

HEX #CCB3D0

RGB 204 179 208

HSL 291.72, 0.24%, 0.76%

LAB 75.84, 14.13, -11.33

 

CMYK 0 / 5 / 14 / 18

HEX #D0C6B3

RGB 208 198 179

HSL 39.31, 0.24%, 0.76%

LAB 80.21, 0.3, 10.76

 

CMYK 12 / 0 / 14 / 18

HEX #B7D0B3

RGB 183 208 179

HSL 111.72, 0.24%, 0.76%

LAB 80.98, -13.79, 11.6

 

CMYK 14 / 9 / 0 / 18

HEX #B4BED1

RGB 180 190 209

HSL 219.31, 0.24%, 0.76%

LAB 76.76, 0.39, -10.71

 

CMYK 0 / 14 / 2 / 18

HEX #D0B3CC

RGB 208 179 204

HSL 308.28, 0.24%, 0.76%

LAB 76.08, 14.75, -8.77

 

CMYK 0 / 5 / 14 / 18

HEX #D0C6B3

RGB 208 198 179

HSL 39.31, 0.24%, 0.76%

LAB 80.21, 0.3, 10.76

 

CMYK 14 / 0 / 12 / 18

HEX #B3D0B7

RGB 179 208 183

HSL 128.28, 0.24%, 0.76%

LAB 80.8, -14.45, 9.18

 

Description

Color code: CMYK 14 / 9 / 0 / 18 | qconv.com Color code: CMYK 14 / 9 / 0 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 190 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 190 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 9 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 9% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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