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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C98A8 it is the complementary color #736757. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C98A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C98A8 shade: #9198A3, #A2AAB6, #B3BCC9, #C4CEDC and #D5E0EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C98A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C98A8 shade: #8C98A8, #7B8695, #6A7482, #59626F and #48505C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C98A8 shade: #8B97A7, #8B8FA7, #8E8BA7, #968BA7 and #9D8BA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C98A8 shade: #8B97A7, #8B8FA7 and #8B8BA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C98A8 shade matches the following richer shades: #8B97A7, #7A95B8, #6A92C8, #5990D9 and #498EE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C98A8 shade: #8B97A7, #9B9997, #AC9C86, #BC9E76 and #CDA065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C98A8 shade: #8BA6A7, #8B9FA7, #8B97A7, #8B8FA7 and #8E8BA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C98A8 shade: #606E7F, #738296, #8B97A7, #A2ACB9 and #BAC1CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C98A8 shade: #8C98A8, #A18BA7 and #A3A78B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C98A8 shade: #8C98A8, #A78B97 and #97A78B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C98A8 shade: #8C98A8, #A18BA7, #A79B8B and #91A78B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C98A8 shade: #8C98A8, #A78BA5, #A79B8B and #8BA78D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 10 / 0 / 34

HEX #8C98A8

RGB 140 152 168

HSL 214.29, 0.14%, 0.6%

LAB 62.39, -0.84, -9.82

 

Complementary color

CMYK 0 / 10 / 24 / 55

HEX #736757

RGB 115 103 87

HSL 34.29, 0.14%, 0.4%

LAB 44.28, 1.95, 10.77

 

CMYK 11 / 7 / 0 / 36

HEX #9198A3

RGB 145 152 163

HSL 216.67, 0.09%, 0.6%

LAB 62.61, -0.24, -6.63

 

CMYK 11 / 7 / 0 / 29

HEX #A2AAB6

RGB 162 170 182

HSL 216, 0.12%, 0.67%

LAB 69.33, -0.38, -7.13

 

CMYK 11 / 6 / 0 / 21

HEX #B3BCC9

RGB 179 188 201

HSL 215.45, 0.17%, 0.75%

LAB 75.93, -0.52, -7.62

 

CMYK 11 / 6 / 0 / 14

HEX #C4CEDC

RGB 196 206 220

HSL 215, 0.26%, 0.82%

LAB 82.4, -0.65, -8.1

 

CMYK 11 / 6 / 0 / 6

HEX #D5E0EF

RGB 213 224 239

HSL 214.62, 0.45%, 0.89%

LAB 88.78, -0.78, -8.58

 

CMYK 17 / 10 / 0 / 34

HEX #8C98A8

RGB 140 152 168

HSL 214.29, 0.14%, 0.6%

LAB 62.39, -0.84, -9.82

 

CMYK 17 / 10 / 0 / 42

HEX #7B8695

RGB 123 134 149

HSL 214.62, 0.11%, 0.53%

LAB 55.51, -0.7, -9.38

 

CMYK 18 / 11 / 0 / 49

HEX #6A7482

RGB 106 116 130

HSL 215, 0.1%, 0.46%

LAB 48.47, -0.56, -8.95

 

CMYK 20 / 12 / 0 / 56

HEX #59626F

RGB 89 98 111

HSL 215.45, 0.11%, 0.39%

LAB 41.23, -0.4, -8.51

 

CMYK 22 / 13 / 0 / 64

HEX #48505C

RGB 72 80 92

HSL 216, 0.12%, 0.32%

LAB 33.75, -0.23, -8.09

 

CMYK 17 / 10 / 0 / 35

HEX #8B97A7

RGB 139 151 167

HSL 214.29, 0.14%, 0.6%

LAB 62.01, -0.84, -9.83

 

CMYK 17 / 14 / 0 / 35

HEX #8B8FA7

RGB 139 143 167

HSL 231.43, 0.14%, 0.6%

LAB 59.82, 3.67, -13.11

 

CMYK 15 / 17 / 0 / 35

HEX #8E8BA7

RGB 142 139 167

HSL 246.43, 0.14%, 0.6%

LAB 58.98, 6.96, -14.36

 

CMYK 10 / 17 / 0 / 35

HEX #968BA7

RGB 150 139 167

HSL 263.57, 0.14%, 0.6%

LAB 59.65, 9.69, -13.28

 

CMYK 6 / 17 / 0 / 35

HEX #9D8BA7

RGB 157 139 167

HSL 278.57, 0.14%, 0.6%

LAB 60.27, 12.11, -12.29

 

CMYK 17 / 10 / 0 / 35

HEX #8B97A7

RGB 139 151 167

HSL 214.29, 0.14%, 0.6%

LAB 62.01, -0.84, -9.83

 

CMYK 17 / 14 / 0 / 35

HEX #8B8FA7

RGB 139 143 167

HSL 231.43, 0.14%, 0.6%

LAB 59.82, 3.67, -13.11

 

CMYK 17 / 17 / 0 / 35

HEX #8B8BA7

RGB 139 139 167

HSL 240, 0.14%, 0.6%

LAB 58.74, 5.95, -14.75

 

CMYK 17 / 10 / 0 / 35

HEX #8B97A7

RGB 139 151 167

HSL 214.29, 0.14%, 0.6%

LAB 62.01, -0.84, -9.83

 

CMYK 34 / 19 / 0 / 28

HEX #7A95B8

RGB 122 149 184

HSL 213.87, 0.3%, 0.6%

LAB 60.86, -0.91, -21.28

 

CMYK 47 / 27 / 0 / 22

HEX #6A92C8

RGB 106 146 200

HSL 214.47, 0.46%, 0.6%

LAB 59.7, 0.95, -32.17

 

CMYK 59 / 34 / 0 / 15

HEX #5990D9

RGB 89 144 217

HSL 214.22, 0.63%, 0.6%

LAB 59.05, 3.64, -42.78

 

CMYK 69 / 39 / 0 / 9

HEX #498EE9

RGB 73 142 233

HSL 214.13, 0.78%, 0.6%

LAB 58.64, 7.46, -52.38

 

CMYK 17 / 10 / 0 / 35

HEX #8B97A7

RGB 139 151 167

HSL 214.29, 0.14%, 0.6%

LAB 62.01, -0.84, -9.83

 

CMYK 0 / 1 / 3 / 39

HEX #9B9997

RGB 155 153 151

HSL 30, 0.02%, 0.6%

LAB 63.33, 0.35, 1.3

 

CMYK 0 / 9 / 22 / 33

HEX #AC9C86

RGB 172 156 134

HSL 34.74, 0.19%, 0.6%

LAB 65.18, 2.25, 13.66

 

CMYK 0 / 16 / 37 / 26

HEX #BC9E76

RGB 188 158 118

HSL 34.29, 0.34%, 0.6%

LAB 66.86, 5.38, 25.04

 

CMYK 0 / 22 / 51 / 20

HEX #CDA065

RGB 205 160 101

HSL 34.04, 0.51%, 0.6%

LAB 68.79, 9.5, 36.97

 

CMYK 17 / 1 / 0 / 35

HEX #8BA6A7

RGB 139 166 167

HSL 182.14, 0.14%, 0.6%

LAB 66.18, -9.08, -3.64

 

CMYK 17 / 5 / 0 / 35

HEX #8B9FA7

RGB 139 159 167

HSL 197.14, 0.14%, 0.6%

LAB 64.22, -5.27, -6.53

 

CMYK 17 / 10 / 0 / 35

HEX #8B97A7

RGB 139 151 167

HSL 214.29, 0.14%, 0.6%

LAB 62.01, -0.84, -9.83

 

CMYK 17 / 14 / 0 / 35

HEX #8B8FA7

RGB 139 143 167

HSL 231.43, 0.14%, 0.6%

LAB 59.82, 3.67, -13.11

 

CMYK 15 / 17 / 0 / 35

HEX #8E8BA7

RGB 142 139 167

HSL 246.43, 0.14%, 0.6%

LAB 58.98, 6.96, -14.36

 

CMYK 24 / 13 / 0 / 50

HEX #606E7F

RGB 96 110 127

HSL 212.9, 0.14%, 0.44%

LAB 45.87, -1.17, -11.15

 

CMYK 23 / 13 / 0 / 41

HEX #738296

RGB 115 130 150

HSL 214.29, 0.14%, 0.52%

LAB 53.83, -0.84, -12.55

 

CMYK 17 / 10 / 0 / 35

HEX #8B97A7

RGB 139 151 167

HSL 214.29, 0.14%, 0.6%

LAB 62.01, -0.84, -9.83

 

CMYK 12 / 7 / 0 / 27

HEX #A2ACB9

RGB 162 172 185

HSL 213.91, 0.14%, 0.68%

LAB 69.96, -0.85, -7.86

 

CMYK 8 / 5 / 0 / 20

HEX #BAC1CB

RGB 186 193 203

HSL 215.29, 0.14%, 0.76%

LAB 77.81, -0.46, -5.85

 

CMYK 17 / 10 / 0 / 34

HEX #8C98A8

RGB 140 152 168

HSL 214.29, 0.14%, 0.6%

LAB 62.39, -0.84, -9.82

 

CMYK 4 / 17 / 0 / 35

HEX #A18BA7

RGB 161 139 167

HSL 287.14, 0.14%, 0.6%

LAB 60.63, 13.51, -11.7

 

CMYK 2 / 0 / 17 / 35

HEX #A3A78B

RGB 163 167 139

HSL 68.57, 0.14%, 0.6%

LAB 67.49, -6.4, 14.02

 

CMYK 17 / 10 / 0 / 34

HEX #8C98A8

RGB 140 152 168

HSL 214.29, 0.14%, 0.6%

LAB 62.39, -0.84, -9.82

 

CMYK 0 / 17 / 10 / 35

HEX #A78B97

RGB 167 139 151

HSL 334.29, 0.14%, 0.6%

LAB 60.71, 12.63, -2.41

 

CMYK 10 / 0 / 17 / 35

HEX #97A78B

RGB 151 167 139

HSL 94.29, 0.14%, 0.6%

LAB 66.58, -10.89, 12.61

 

CMYK 17 / 10 / 0 / 34

HEX #8C98A8

RGB 140 152 168

HSL 214.29, 0.14%, 0.6%

LAB 62.39, -0.84, -9.82

 

CMYK 4 / 17 / 0 / 35

HEX #A18BA7

RGB 161 139 167

HSL 287.14, 0.14%, 0.6%

LAB 60.63, 13.51, -11.7

 

CMYK 0 / 7 / 17 / 35

HEX #A79B8B

RGB 167 155 139

HSL 34.29, 0.14%, 0.6%

LAB 64.58, 1.65, 9.97

 

CMYK 13 / 0 / 17 / 35

HEX #91A78B

RGB 145 167 139

HSL 107.14, 0.14%, 0.6%

LAB 66.15, -13.08, 11.95

 

CMYK 17 / 10 / 0 / 34

HEX #8C98A8

RGB 140 152 168

HSL 214.29, 0.14%, 0.6%

LAB 62.39, -0.84, -9.82

 

CMYK 0 / 17 / 1 / 35

HEX #A78BA5

RGB 167 139 165

HSL 304.29, 0.14%, 0.6%

LAB 61.13, 15.23, -9.76

 

CMYK 0 / 7 / 17 / 35

HEX #A79B8B

RGB 167 155 139

HSL 34.29, 0.14%, 0.6%

LAB 64.58, 1.65, 9.97

 

CMYK 17 / 0 / 16 / 35

HEX #8BA78D

RGB 139 167 141

HSL 124.29, 0.14%, 0.6%

LAB 65.79, -14.87, 10.26

 

Description

Color code: HEX #8C98A8 | qconv.com Color code: HEX #8C98A8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 152 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 152 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 10 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 10% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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