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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 69 / 39 / 0 / 9 it is the complementary color CMYK 0 / 38 / 87 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 69 / 39 / 0 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 69 / 39 / 0 / 9: CMYK 66 / 37 / 0 / 11, CMYK 62 / 35 / 0 / 4, CMYK 56 / 30 / 0 / 0, CMYK 50 / 23 / 0 / 0 and CMYK 43 / 16 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 69 / 39 / 0 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 69 / 39 / 0 / 9: CMYK 69 / 39 / 0 / 9, CMYK 74 / 42 / 0 / 16, CMYK 80 / 45 / 0 / 24, CMYK 88 / 50 / 0 / 31 and CMYK 97 / 55 / 0 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

Complementary color

CMYK 0 / 38 / 87 / 28

HEX #B77117

RGB 183 113 23

HSL 33.75, 0.78%, 0.4%

LAB 53.96, 21.29, 55.86

 

CMYK 66 / 37 / 0 / 11

HEX #4D8EE3

RGB 77 142 227

HSL 214, 0.73%, 0.6%

LAB 58.48, 6.01, -49.29

 

CMYK 62 / 35 / 0 / 4

HEX #5EA0F6

RGB 94 160 246

HSL 213.95, 0.89%, 0.67%

LAB 65.1, 4.74, -49.25

 

CMYK 56 / 30 / 0 / 0

HEX #6FB2FF

RGB 111 178 255

HSL 212.08, 1%, 0.72%

LAB 71.17, 0.58, -44.54

 

CMYK 50 / 23 / 0 / 0

HEX #80C4FF

RGB 128 196 255

HSL 207.87, 1%, 0.75%

LAB 76.85, -5.71, -35.63

 

CMYK 43 / 16 / 0 / 0

HEX #91D6FF

RGB 145 214 255

HSL 202.36, 1%, 0.78%

LAB 82.56, -11.28, -26.79

 

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

CMYK 74 / 42 / 0 / 16

HEX #377CD5

RGB 55 124 213

HSL 213.8, 0.65%, 0.53%

LAB 51.87, 8.72, -52

 

CMYK 80 / 45 / 0 / 24

HEX #266AC2

RGB 38 106 194

HSL 213.85, 0.67%, 0.45%

LAB 45.1, 10.92, -52.01

 

CMYK 88 / 50 / 0 / 31

HEX #1558AF

RGB 21 88 175

HSL 213.9, 0.79%, 0.38%

LAB 38.26, 13.69, -51.95

 

CMYK 97 / 55 / 0 / 39

HEX #04469C

RGB 4 70 156

HSL 213.95, 0.95%, 0.31%

LAB 31.36, 17.15, -51.77

 

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

CMYK 69 / 49 / 0 / 9

HEX #4976E8

RGB 73 118 232

HSL 223.02, 0.78%, 0.6%

LAB 52.06, 21.74, -62.36

 

CMYK 69 / 60 / 0 / 9

HEX #495CE8

RGB 73 92 232

HSL 232.83, 0.78%, 0.6%

LAB 45.49, 37.89, -73.01

 

CMYK 65 / 69 / 0 / 9

HEX #5149E8

RGB 81 73 232

HSL 243.02, 0.78%, 0.6%

LAB 41.75, 50.14, -79.12

 

CMYK 54 / 69 / 0 / 9

HEX #6B49E8

RGB 107 73 232

HSL 252.83, 0.78%, 0.6%

LAB 43.82, 53.77, -75.64

 

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

CMYK 68 / 39 / 0 / 89

HEX #09111C

RGB 9 17 28

HSL 214.74, 0.51%, 0.07%

LAB 4.9, 0.28, -8.17

 

CMYK 68 / 39 / 0 / 69

HEX #19304F

RGB 25 48 79

HSL 214.44, 0.52%, 0.2%

LAB 19.58, 2.33, -21.73

 

CMYK 69 / 38 / 0 / 49

HEX #285082

RGB 40 80 130

HSL 213.33, 0.53%, 0.33%

LAB 33.56, 3.4, -32.29

 

CMYK 69 / 39 / 0 / 29

HEX #386FB5

RGB 56 111 181

HSL 213.6, 0.53%, 0.46%

LAB 46.37, 5.23, -42.41

 

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

CMYK 17 / 69 / 0 / 9

HEX #C049E8

RGB 192 73 232

HSL 284.91, 0.78%, 0.6%

LAB 53.81, 69.63, -58.98

 

CMYK 10 / 0 / 69 / 9

HEX #D0E849

RGB 208 232 73

HSL 69.06, 0.78%, 0.6%

LAB 87.78, -27.97, 70.88

 

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

CMYK 0 / 69 / 38 / 9

HEX #E84991

RGB 232 73 145

HSL 332.83, 0.78%, 0.6%

LAB 56.05, 66.52, -4.84

 

CMYK 38 / 0 / 69 / 9

HEX #91E849

RGB 145 232 73

HSL 92.83, 0.78%, 0.6%

LAB 84.08, -51.33, 65.92

 

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

CMYK 17 / 69 / 0 / 9

HEX #C049E8

RGB 192 73 232

HSL 284.91, 0.78%, 0.6%

LAB 53.81, 69.63, -58.98

 

CMYK 0 / 31 / 69 / 9

HEX #E8A049

RGB 232 160 73

HSL 32.83, 0.78%, 0.6%

LAB 71.4, 18.79, 54.59

 

CMYK 51 / 0 / 69 / 9

HEX #71E849

RGB 113 232 73

HSL 104.91, 0.78%, 0.6%

LAB 82.76, -61.02, 64.14

 

CMYK 69 / 39 / 0 / 9

HEX #488EE8

RGB 72 142 232

HSL 213.75, 0.78%, 0.6%

LAB 58.56, 6.96, -51.96

 

CMYK 0 / 69 / 3 / 9

HEX #E849E0

RGB 232 73 224

HSL 303.02, 0.78%, 0.6%

LAB 59.25, 76.87, -45.46

 

CMYK 0 / 31 / 69 / 9

HEX #E8A049

RGB 232 160 73

HSL 32.83, 0.78%, 0.6%

LAB 71.4, 18.79, 54.59

 

CMYK 69 / 0 / 65 / 9

HEX #49E851

RGB 73 232 81

HSL 123.02, 0.78%, 0.6%

LAB 81.69, -69.33, 59.55

 

Description

Color code: CMYK 69 / 39 / 0 / 9 | qconv.com Color code: CMYK 69 / 39 / 0 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 142 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 142 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 39 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 39% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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