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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C92AC it is the complementary color #736D53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C92AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C92AC shade: #9192A7, #A2A4BA, #B3B6CD, #C4C8E0 and #D5DAF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C92AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C92AC shade: #8C92AC, #7B8099, #6A6E86, #595C73 and #484A60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C92AC shade: #8B91AB, #8E8BAB, #968BAB, #9F8BAB and #A78BAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C92AC shade: #8B91AB and #8B8BAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C92AC shade matches the following richer shades: #8B91AB, #7B87BB, #6B7DCB, #5B73DB and #4B69EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C92AC shade: #8B91AB, #9B9B9B, #ABA58B, #BBAF7B and #CCB96B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C92AC shade: #8BA2AB, #8B9AAB, #8B92AB, #8D8BAB and #968BAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C92AC shade: #606684, #737A9A, #8B91AB, #A3A8BC and #BBBECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C92AC shade: #8C92AC, #AB8BAB and #9EAB8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C92AC shade: #8C92AC, #AB8B92 and #92AB8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C92AC shade: #8C92AC, #AB8BAB, #ABA58B and #8BAB8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C92AC shade: #8C92AC, #AB8BA1, #ABA58B and #8BAB95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 15 / 0 / 33

HEX #8C92AC

RGB 140 146 172

HSL 228.75, 0.16%, 0.61%

LAB 60.88, 3.44, -14.35

 

Complementary color

CMYK 0 / 5 / 28 / 55

HEX #736D53

RGB 115 109 83

HSL 48.75, 0.16%, 0.39%

LAB 45.92, -2.19, 15.4

 

CMYK 13 / 13 / 0 / 35

HEX #9192A7

RGB 145 146 167

HSL 237.27, 0.11%, 0.61%

LAB 61.1, 3.99, -11.13

 

CMYK 13 / 12 / 0 / 27

HEX #A2A4BA

RGB 162 164 186

HSL 235, 0.15%, 0.68%

LAB 67.86, 3.76, -11.54

 

CMYK 13 / 11 / 0 / 20

HEX #B3B6CD

RGB 179 182 205

HSL 233.08, 0.21%, 0.75%

LAB 74.48, 3.54, -11.95

 

CMYK 13 / 11 / 0 / 12

HEX #C4C8E0

RGB 196 200 224

HSL 231.43, 0.31%, 0.82%

LAB 80.98, 3.34, -12.37

 

CMYK 12 / 10 / 0 / 5

HEX #D5DAF3

RGB 213 218 243

HSL 230, 0.56%, 0.89%

LAB 87.37, 3.15, -12.78

 

CMYK 19 / 15 / 0 / 33

HEX #8C92AC

RGB 140 146 172

HSL 228.75, 0.16%, 0.61%

LAB 60.88, 3.44, -14.35

 

CMYK 20 / 16 / 0 / 40

HEX #7B8099

RGB 123 128 153

HSL 230, 0.13%, 0.54%

LAB 53.97, 3.69, -14.02

 

CMYK 21 / 18 / 0 / 47

HEX #6A6E86

RGB 106 110 134

HSL 231.43, 0.12%, 0.47%

LAB 46.89, 3.97, -13.7

 

CMYK 23 / 20 / 0 / 55

HEX #595C73

RGB 89 92 115

HSL 233.08, 0.13%, 0.4%

LAB 39.61, 4.28, -13.41

 

CMYK 25 / 23 / 0 / 62

HEX #484A60

RGB 72 74 96

HSL 235, 0.14%, 0.33%

LAB 32.08, 4.65, -13.15

 

CMYK 19 / 15 / 0 / 33

HEX #8B91AB

RGB 139 145 171

HSL 228.75, 0.16%, 0.61%

LAB 60.5, 3.45, -14.36

 

CMYK 17 / 19 / 0 / 33

HEX #8E8BAB

RGB 142 139 171

HSL 245.63, 0.16%, 0.61%

LAB 59.12, 7.87, -16.43

 

CMYK 12 / 19 / 0 / 33

HEX #968BAB

RGB 150 139 171

HSL 260.63, 0.16%, 0.61%

LAB 59.79, 10.55, -15.35

 

CMYK 7 / 19 / 0 / 33

HEX #9F8BAB

RGB 159 139 171

HSL 277.5, 0.16%, 0.61%

LAB 60.58, 13.63, -14.07

 

CMYK 2 / 19 / 0 / 33

HEX #A78BAB

RGB 167 139 171

HSL 292.5, 0.16%, 0.61%

LAB 61.33, 16.41, -12.88

 

CMYK 19 / 15 / 0 / 33

HEX #8B91AB

RGB 139 145 171

HSL 228.75, 0.16%, 0.61%

LAB 60.5, 3.45, -14.36

 

CMYK 19 / 19 / 0 / 33

HEX #8B8BAB

RGB 139 139 171

HSL 240, 0.16%, 0.61%

LAB 58.88, 6.87, -16.82

 

CMYK 19 / 15 / 0 / 33

HEX #8B91AB

RGB 139 145 171

HSL 228.75, 0.16%, 0.61%

LAB 60.5, 3.45, -14.36

 

CMYK 34 / 28 / 0 / 27

HEX #7B87BB

RGB 123 135 187

HSL 228.75, 0.32%, 0.61%

LAB 57.2, 8.24, -28.61

 

CMYK 47 / 38 / 0 / 20

HEX #6B7DCB

RGB 107 125 203

HSL 228.75, 0.48%, 0.61%

LAB 54.14, 14.48, -42.58

 

CMYK 58 / 47 / 0 / 14

HEX #5B73DB

RGB 91 115 219

HSL 228.75, 0.64%, 0.61%

LAB 51.38, 22.18, -56.09

 

CMYK 68 / 55 / 0 / 8

HEX #4B69EB

RGB 75 105 235

HSL 228.75, 0.8%, 0.61%

LAB 49, 31.16, -68.98

 

CMYK 19 / 15 / 0 / 33

HEX #8B91AB

RGB 139 145 171

HSL 228.75, 0.16%, 0.61%

LAB 60.5, 3.45, -14.36

 

CMYK 0 / 0 / 0 / 39

HEX #9B9B9B

RGB 155 155 155

HSL 0, 0%, 0.61%

LAB 63.98, 0, -0.01

 

CMYK 0 / 4 / 19 / 33

HEX #ABA58B

RGB 171 165 139

HSL 48.75, 0.16%, 0.61%

LAB 67.6, -2.27, 14.27

 

CMYK 0 / 6 / 34 / 27

HEX #BBAF7B

RGB 187 175 123

HSL 48.75, 0.32%, 0.61%

LAB 71.32, -3.57, 28.25

 

CMYK 0 / 9 / 48 / 20

HEX #CCB96B

RGB 204 185 107

HSL 48.25, 0.49%, 0.61%

LAB 75.2, -3.68, 41.83

 

CMYK 19 / 5 / 0 / 33

HEX #8BA2AB

RGB 139 162 171

HSL 196.88, 0.16%, 0.61%

LAB 65.18, -6.03, -7.36

 

CMYK 19 / 10 / 0 / 33

HEX #8B9AAB

RGB 139 154 171

HSL 211.88, 0.16%, 0.61%

LAB 62.96, -1.61, -10.66

 

CMYK 19 / 15 / 0 / 33

HEX #8B92AB

RGB 139 146 171

HSL 226.88, 0.16%, 0.61%

LAB 60.77, 2.88, -13.95

 

CMYK 18 / 19 / 0 / 33

HEX #8D8BAB

RGB 141 139 171

HSL 243.75, 0.16%, 0.61%

LAB 59.04, 7.53, -16.56

 

CMYK 12 / 19 / 0 / 33

HEX #968BAB

RGB 150 139 171

HSL 260.63, 0.16%, 0.61%

LAB 59.79, 10.55, -15.35

 

CMYK 27 / 23 / 0 / 48

HEX #606684

RGB 96 102 132

HSL 230, 0.16%, 0.45%

LAB 43.73, 4.94, -17.39

 

CMYK 25 / 21 / 0 / 40

HEX #737A9A

RGB 115 122 154

HSL 229.23, 0.16%, 0.53%

LAB 51.72, 4.81, -18.08

 

CMYK 19 / 15 / 0 / 33

HEX #8B91AB

RGB 139 145 171

HSL 228.75, 0.16%, 0.61%

LAB 60.5, 3.45, -14.36

 

CMYK 13 / 11 / 0 / 26

HEX #A3A8BC

RGB 163 168 188

HSL 228, 0.16%, 0.69%

LAB 69.06, 2.31, -10.85

 

CMYK 9 / 8 / 0 / 19

HEX #BBBECE

RGB 187 190 206

HSL 230.53, 0.16%, 0.77%

LAB 77.19, 2.07, -8.39

 

CMYK 19 / 15 / 0 / 33

HEX #8C92AC

RGB 140 146 172

HSL 228.75, 0.16%, 0.61%

LAB 60.88, 3.44, -14.35

 

CMYK 0 / 19 / 0 / 33

HEX #AB8BAB

RGB 171 139 171

HSL 300, 0.16%, 0.61%

LAB 61.71, 17.81, -12.26

 

CMYK 8 / 0 / 19 / 33

HEX #9EAB8B

RGB 158 171 139

HSL 84.38, 0.16%, 0.61%

LAB 68.21, -10.41, 14.97

 

CMYK 19 / 15 / 0 / 33

HEX #8C92AC

RGB 140 146 172

HSL 228.75, 0.16%, 0.61%

LAB 60.88, 3.44, -14.35

 

CMYK 0 / 19 / 15 / 33

HEX #AB8B92

RGB 171 139 146

HSL 346.88, 0.16%, 0.61%

LAB 60.96, 13.26, 0.85

 

CMYK 15 / 0 / 19 / 33

HEX #92AB8B

RGB 146 171 139

HSL 106.88, 0.16%, 0.61%

LAB 67.35, -14.82, 13.64

 

CMYK 19 / 15 / 0 / 33

HEX #8C92AC

RGB 140 146 172

HSL 228.75, 0.16%, 0.61%

LAB 60.88, 3.44, -14.35

 

CMYK 0 / 19 / 0 / 33

HEX #AB8BAB

RGB 171 139 171

HSL 300, 0.16%, 0.61%

LAB 61.71, 17.81, -12.26

 

CMYK 0 / 4 / 19 / 33

HEX #ABA58B

RGB 171 165 139

HSL 48.75, 0.16%, 0.61%

LAB 67.6, -2.27, 14.27

 

CMYK 19 / 0 / 19 / 33

HEX #8BAB8B

RGB 139 171 139

HSL 120, 0.16%, 0.61%

LAB 66.88, -17.32, 12.92

 

CMYK 19 / 15 / 0 / 33

HEX #8C92AC

RGB 140 146 172

HSL 228.75, 0.16%, 0.61%

LAB 60.88, 3.44, -14.35

 

CMYK 0 / 19 / 6 / 33

HEX #AB8BA1

RGB 171 139 161

HSL 318.75, 0.16%, 0.61%

LAB 61.39, 15.91, -7.06

 

CMYK 0 / 4 / 19 / 33

HEX #ABA58B

RGB 171 165 139

HSL 48.75, 0.16%, 0.61%

LAB 67.6, -2.27, 14.27

 

CMYK 19 / 0 / 13 / 33

HEX #8BAB95

RGB 139 171 149

HSL 138.75, 0.16%, 0.61%

LAB 67.12, -15.44, 7.72

 

Description

Color code: HEX #8C92AC | qconv.com Color code: HEX #8C92AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 146 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 146 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 15 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 15% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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