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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C92AB it is the complementary color #736D54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C92AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C92AB shade: #9192A6, #A2A4B9, #B3B6CC, #C4C8DF and #D5DAF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C92AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C92AB shade: #8C92AB, #7B8098, #6A6E85, #595C72 and #484A5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C92AB shade: #8C92AB, #8E8CAB, #978CAB, #9F8CAB and #A88CAB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C92AB shade: #8C92AB and #8C8CAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C92AB shade matches the following richer shades: #8C92AB, #7C88BC, #6B7ECC, #5B74DC and #4B6AEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C92AB shade: #8C92AB, #9C9C9B, #ACA68B, #BCAF7B and #CCB96B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C92AB shade: #8CA3AB, #8C9AAB, #8C92AB, #8E8CAB and #968CAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C92AB shade: #606785, #747B9A, #8C92AB, #A4A8BD and #BBBFCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C92AB shade: #8C92AB, #AB8CAB and #9FAB8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C92AB shade: #8C92AB, #AB8C92 and #92AB8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C92AB shade: #8C92AB, #AB8CAB, #ABA58C and #8CAB8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C92AB shade: #8C92AB, #AB8CA2, #ABA58C and #8CAB95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

Complementary color

CMYK 0 / 5 / 27 / 55

HEX #736D54

RGB 115 109 84

HSL 48.39, 0.16%, 0.39%

LAB 45.94, -2.04, 14.84

 

CMYK 13 / 12 / 0 / 35

HEX #9192A6

RGB 145 146 166

HSL 237.14, 0.11%, 0.61%

LAB 61.07, 3.77, -10.62

 

CMYK 12 / 11 / 0 / 27

HEX #A2A4B9

RGB 162 164 185

HSL 234.78, 0.14%, 0.68%

LAB 67.82, 3.55, -11.04

 

CMYK 12 / 11 / 0 / 20

HEX #B3B6CC

RGB 179 182 204

HSL 232.8, 0.2%, 0.75%

LAB 74.44, 3.33, -11.46

 

CMYK 12 / 10 / 0 / 13

HEX #C4C8DF

RGB 196 200 223

HSL 231.11, 0.3%, 0.82%

LAB 80.95, 3.13, -11.87

 

CMYK 12 / 10 / 0 / 5

HEX #D5DAF2

RGB 213 218 242

HSL 229.66, 0.53%, 0.89%

LAB 87.34, 2.94, -12.29

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 19 / 16 / 0 / 40

HEX #7B8098

RGB 123 128 152

HSL 229.66, 0.12%, 0.54%

LAB 53.94, 3.45, -13.49

 

CMYK 20 / 17 / 0 / 48

HEX #6A6E85

RGB 106 110 133

HSL 231.11, 0.11%, 0.47%

LAB 46.86, 3.72, -13.16

 

CMYK 22 / 19 / 0 / 55

HEX #595C72

RGB 89 92 114

HSL 232.8, 0.12%, 0.4%

LAB 39.57, 4.03, -12.85

 

CMYK 24 / 22 / 0 / 63

HEX #484A5F

RGB 72 74 95

HSL 234.78, 0.14%, 0.33%

LAB 32.04, 4.38, -12.58

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 17 / 18 / 0 / 33

HEX #8E8CAB

RGB 142 140 171

HSL 243.87, 0.16%, 0.61%

LAB 59.39, 7.29, -16.02

 

CMYK 12 / 18 / 0 / 33

HEX #978CAB

RGB 151 140 171

HSL 261.29, 0.16%, 0.61%

LAB 60.14, 10.32, -14.81

 

CMYK 7 / 18 / 0 / 33

HEX #9F8CAB

RGB 159 140 171

HSL 276.77, 0.16%, 0.61%

LAB 60.84, 13.06, -13.68

 

CMYK 2 / 18 / 0 / 33

HEX #A88CAB

RGB 168 140 171

HSL 294.19, 0.16%, 0.61%

LAB 61.67, 16.19, -12.35

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 18 / 18 / 0 / 33

HEX #8C8CAB

RGB 140 140 171

HSL 240, 0.16%, 0.61%

LAB 59.23, 6.63, -16.28

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 34 / 28 / 0 / 26

HEX #7C88BC

RGB 124 136 188

HSL 228.75, 0.32%, 0.61%

LAB 57.58, 8.21, -28.58

 

CMYK 48 / 38 / 0 / 20

HEX #6B7ECC

RGB 107 126 204

HSL 228.25, 0.49%, 0.61%

LAB 54.46, 14.19, -42.64

 

CMYK 59 / 47 / 0 / 14

HEX #5B74DC

RGB 91 116 220

HSL 228.37, 0.65%, 0.61%

LAB 51.7, 21.89, -56.14

 

CMYK 68 / 55 / 0 / 7

HEX #4B6AEC

RGB 75 106 236

HSL 228.45, 0.81%, 0.61%

LAB 49.33, 30.88, -69.02

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9B

RGB 156 156 155

HSL 60, 0.01%, 0.61%

LAB 64.33, -0.19, 0.51

 

CMYK 0 / 3 / 19 / 33

HEX #ACA68B

RGB 172 166 139

HSL 49.09, 0.17%, 0.61%

LAB 67.95, -2.43, 14.77

 

CMYK 0 / 7 / 35 / 26

HEX #BCAF7B

RGB 188 175 123

HSL 48, 0.33%, 0.61%

LAB 71.41, -3.17, 28.38

 

CMYK 0 / 9 / 48 / 20

HEX #CCB96B

RGB 204 185 107

HSL 48.25, 0.49%, 0.61%

LAB 75.2, -3.68, 41.83

 

CMYK 18 / 5 / 0 / 33

HEX #8CA3AB

RGB 140 163 171

HSL 195.48, 0.16%, 0.61%

LAB 65.52, -6.24, -6.84

 

CMYK 18 / 10 / 0 / 33

HEX #8C9AAB

RGB 140 154 171

HSL 212.9, 0.16%, 0.61%

LAB 63.03, -1.29, -10.55

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 17 / 18 / 0 / 33

HEX #8E8CAB

RGB 142 140 171

HSL 243.87, 0.16%, 0.61%

LAB 59.39, 7.29, -16.02

 

CMYK 12 / 18 / 0 / 33

HEX #968CAB

RGB 150 140 171

HSL 259.35, 0.16%, 0.61%

LAB 60.05, 9.98, -14.95

 

CMYK 28 / 23 / 0 / 48

HEX #606785

RGB 96 103 133

HSL 228.65, 0.16%, 0.45%

LAB 44.06, 4.59, -17.49

 

CMYK 25 / 20 / 0 / 40

HEX #747B9A

RGB 116 123 154

HSL 228.95, 0.16%, 0.53%

LAB 52.08, 4.55, -17.53

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 13 / 11 / 0 / 26

HEX #A4A8BD

RGB 164 168 189

HSL 230.4, 0.16%, 0.69%

LAB 69.16, 2.86, -11.23

 

CMYK 9 / 7 / 0 / 19

HEX #BBBFCE

RGB 187 191 206

HSL 227.37, 0.16%, 0.77%

LAB 77.45, 1.54, -8

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 0 / 18 / 0 / 33

HEX #AB8CAB

RGB 171 140 171

HSL 300, 0.16%, 0.61%

LAB 61.96, 17.24, -11.89

 

CMYK 7 / 0 / 18 / 33

HEX #9FAB8C

RGB 159 171 140

HSL 83.23, 0.16%, 0.61%

LAB 68.31, -9.87, 14.57

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 0 / 18 / 15 / 33

HEX #AB8C92

RGB 171 140 146

HSL 348.39, 0.16%, 0.61%

LAB 61.21, 12.7, 1.22

 

CMYK 15 / 0 / 18 / 33

HEX #92AB8C

RGB 146 171 140

HSL 108.39, 0.16%, 0.61%

LAB 67.37, -14.64, 13.12

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 0 / 18 / 0 / 33

HEX #AB8CAB

RGB 171 140 171

HSL 300, 0.16%, 0.61%

LAB 61.96, 17.24, -11.89

 

CMYK 0 / 4 / 18 / 33

HEX #ABA58C

RGB 171 165 140

HSL 48.39, 0.16%, 0.61%

LAB 67.62, -2.11, 13.75

 

CMYK 18 / 0 / 18 / 33

HEX #8CAB8C

RGB 140 171 140

HSL 120, 0.16%, 0.61%

LAB 66.97, -16.78, 12.5

 

CMYK 18 / 15 / 0 / 33

HEX #8C92AB

RGB 140 146 171

HSL 228.39, 0.16%, 0.61%

LAB 60.85, 3.21, -13.83

 

CMYK 0 / 18 / 5 / 33

HEX #AB8CA2

RGB 171 140 162

HSL 317.42, 0.16%, 0.61%

LAB 61.67, 15.53, -7.2

 

CMYK 0 / 4 / 18 / 33

HEX #ABA58C

RGB 171 165 140

HSL 48.39, 0.16%, 0.61%

LAB 67.62, -2.11, 13.75

 

CMYK 18 / 0 / 13 / 33

HEX #8CAB95

RGB 140 171 149

HSL 137.42, 0.16%, 0.61%

LAB 67.18, -15.09, 7.82

 

Description

Color code: HEX #8C92AB | qconv.com Color code: HEX #8C92AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 146 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 146 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 15 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 15% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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