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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7E74 it is the complementary color #73818B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7E74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7E74 shade: #917E6F, #A29082, #B3A295, #C4B4A8 and #D5C6BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7E74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7E74 shade: #8C7E74, #7B6C61, #6A5A4E, #59483B and #483628

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7E74 shade: #8A7D74, #8A7774 and #8A7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7E74 shade: #8A7D74, #8A8374, #8A8974, #858A74 and #7F8A74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7E74 shade matches the following richer shades: #8A7D74, #9F7A5F, #B4764A, #C87336 and #DD6F21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7E74 shade: #8A7D74, #768188, #61849D, #4D87B1 and #388BC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7E74 shade: #8A7476, #8A7774, #8A7D74, #8A8374 and #8A8974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7E74 shade: #5E544E, #746961, #8A7D74, #9D928A and #B0A7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7E74 shade: #8C7E74, #7C8A74 and #74748A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7E74 shade: #8C7E74, #748A7D and #7D748A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7E74 shade: #8C7E74, #7C8A74, #74818A and #82748A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7E74 shade: #8C7E74, #758A74, #74818A and #89748A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 17 / 45

HEX #8C7E74

RGB 140 126 116

HSL 25, 0.09%, 0.5%

LAB 53.77, 3.58, 7.38

 

Complementary color

CMYK 17 / 7 / 0 / 45

HEX #73818B

RGB 115 129 139

HSL 205, 0.09%, 0.5%

LAB 53.18, -2.88, -7.13

 

CMYK 0 / 13 / 23 / 43

HEX #917E6F

RGB 145 126 111

HSL 26.47, 0.13%, 0.5%

LAB 54.12, 4.78, 10.84

 

CMYK 0 / 11 / 20 / 36

HEX #A29082

RGB 162 144 130

HSL 26.25, 0.15%, 0.57%

LAB 60.99, 4.37, 9.89

 

CMYK 0 / 9 / 17 / 30

HEX #B3A295

RGB 179 162 149

HSL 26, 0.16%, 0.64%

LAB 67.72, 4.01, 9

 

CMYK 0 / 8 / 14 / 23

HEX #C4B4A8

RGB 196 180 168

HSL 25.71, 0.19%, 0.71%

LAB 74.32, 3.69, 8.17

 

CMYK 0 / 7 / 12 / 16

HEX #D5C6BB

RGB 213 198 187

HSL 25.38, 0.24%, 0.78%

LAB 80.81, 3.4, 7.39

 

CMYK 0 / 10 / 17 / 45

HEX #8C7E74

RGB 140 126 116

HSL 25, 0.09%, 0.5%

LAB 53.77, 3.58, 7.38

 

CMYK 0 / 12 / 21 / 52

HEX #7B6C61

RGB 123 108 97

HSL 25.38, 0.12%, 0.43%

LAB 46.71, 3.97, 8.31

 

CMYK 0 / 15 / 26 / 58

HEX #6A5A4E

RGB 106 90 78

HSL 25.71, 0.15%, 0.36%

LAB 39.46, 4.44, 9.35

 

CMYK 0 / 19 / 34 / 65

HEX #59483B

RGB 89 72 59

HSL 26, 0.2%, 0.29%

LAB 31.98, 5.03, 10.52

 

CMYK 0 / 25 / 44 / 72

HEX #483628

RGB 72 54 40

HSL 26.25, 0.29%, 0.22%

LAB 24.22, 5.81, 11.89

 

CMYK 0 / 9 / 16 / 46

HEX #8A7D74

RGB 138 125 116

HSL 24.55, 0.09%, 0.5%

LAB 53.31, 3.36, 6.7

 

CMYK 0 / 14 / 16 / 46

HEX #8A7774

RGB 138 119 116

HSL 8.18, 0.09%, 0.5%

LAB 51.68, 6.83, 4.36

 

CMYK 0 / 16 / 16 / 46

HEX #8A7474

RGB 138 116 116

HSL 0, 0.09%, 0.5%

LAB 50.87, 8.57, 3.19

 

CMYK 0 / 9 / 16 / 46

HEX #8A7D74

RGB 138 125 116

HSL 24.55, 0.09%, 0.5%

LAB 53.31, 3.36, 6.7

 

CMYK 0 / 5 / 16 / 46

HEX #8A8374

RGB 138 131 116

HSL 40.91, 0.09%, 0.5%

LAB 54.97, -0.06, 9.05

 

CMYK 0 / 1 / 16 / 46

HEX #8A8974

RGB 138 137 116

HSL 57.27, 0.09%, 0.5%

LAB 56.64, -3.44, 11.41

 

CMYK 4 / 0 / 16 / 46

HEX #858A74

RGB 133 138 116

HSL 73.64, 0.09%, 0.5%

LAB 56.51, -5.95, 11.17

 

CMYK 8 / 0 / 16 / 46

HEX #7F8A74

RGB 127 138 116

HSL 90, 0.09%, 0.5%

LAB 56.04, -8.27, 10.44

 

CMYK 0 / 9 / 16 / 46

HEX #8A7D74

RGB 138 125 116

HSL 24.55, 0.09%, 0.5%

LAB 53.31, 3.36, 6.7

 

CMYK 0 / 23 / 40 / 38

HEX #9F7A5F

RGB 159 122 95

HSL 25.31, 0.25%, 0.5%

LAB 54.15, 10.66, 20.33

 

CMYK 0 / 34 / 59 / 29

HEX #B4764A

RGB 180 118 74

HSL 24.91, 0.42%, 0.5%

LAB 55.23, 19.76, 33.95

 

CMYK 0 / 43 / 73 / 22

HEX #C87336

RGB 200 115 54

HSL 25.07, 0.57%, 0.5%

LAB 56.89, 28.58, 46.85

 

CMYK 0 / 50 / 85 / 13

HEX #DD6F21

RGB 221 111 33

HSL 24.89, 0.74%, 0.5%

LAB 58.84, 38.45, 58.69

 

CMYK 0 / 9 / 16 / 46

HEX #8A7D74

RGB 138 125 116

HSL 24.55, 0.09%, 0.5%

LAB 53.31, 3.36, 6.7

 

CMYK 13 / 5 / 0 / 47

HEX #768188

RGB 118 129 136

HSL 203.33, 0.07%, 0.5%

LAB 53.31, -2.52, -5.16

 

CMYK 38 / 16 / 0 / 38

HEX #61849D

RGB 97 132 157

HSL 205, 0.24%, 0.5%

LAB 53.47, -5.72, -17.27

 

CMYK 56 / 24 / 0 / 31

HEX #4D87B1

RGB 77 135 177

HSL 205.2, 0.39%, 0.5%

LAB 54.11, -6.5, -27.89

 

CMYK 72 / 30 / 0 / 22

HEX #388BC6

RGB 56 139 198

HSL 204.93, 0.56%, 0.5%

LAB 55.46, -5.5, -37.81

 

CMYK 0 / 16 / 14 / 46

HEX #8A7476

RGB 138 116 118

HSL 354.55, 0.09%, 0.5%

LAB 50.92, 8.92, 2.09

 

CMYK 0 / 14 / 16 / 46

HEX #8A7774

RGB 138 119 116

HSL 8.18, 0.09%, 0.5%

LAB 51.68, 6.83, 4.36

 

CMYK 0 / 9 / 16 / 46

HEX #8A7D74

RGB 138 125 116

HSL 24.55, 0.09%, 0.5%

LAB 53.31, 3.36, 6.7

 

CMYK 0 / 5 / 16 / 46

HEX #8A8374

RGB 138 131 116

HSL 40.91, 0.09%, 0.5%

LAB 54.97, -0.06, 9.05

 

CMYK 0 / 1 / 16 / 46

HEX #8A8974

RGB 138 137 116

HSL 57.27, 0.09%, 0.5%

LAB 56.64, -3.44, 11.41

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 0 / 9 / 16 / 55

HEX #746961

RGB 116 105 97

HSL 25.26, 0.09%, 0.42%

LAB 45.19, 2.86, 6.06

 

CMYK 0 / 9 / 16 / 46

HEX #8A7D74

RGB 138 125 116

HSL 24.55, 0.09%, 0.5%

LAB 53.31, 3.36, 6.7

 

CMYK 0 / 7 / 12 / 38

HEX #9D928A

RGB 157 146 138

HSL 25.26, 0.09%, 0.58%

LAB 61.27, 2.64, 5.69

 

CMYK 0 / 5 / 9 / 31

HEX #B0A7A0

RGB 176 167 160

HSL 26.25, 0.09%, 0.66%

LAB 69.04, 1.99, 4.77

 

CMYK 0 / 10 / 17 / 45

HEX #8C7E74

RGB 140 126 116

HSL 25, 0.09%, 0.5%

LAB 53.77, 3.58, 7.38

 

CMYK 10 / 0 / 16 / 46

HEX #7C8A74

RGB 124 138 116

HSL 98.18, 0.09%, 0.5%

LAB 55.81, -9.41, 10.08

 

CMYK 16 / 16 / 0 / 46

HEX #74748A

RGB 116 116 138

HSL 240, 0.09%, 0.5%

LAB 49.54, 4.81, -11.98

 

CMYK 0 / 10 / 17 / 45

HEX #8C7E74

RGB 140 126 116

HSL 25, 0.09%, 0.5%

LAB 53.77, 3.58, 7.38

 

CMYK 16 / 0 / 9 / 46

HEX #748A7D

RGB 116 138 125

HSL 144.55, 0.09%, 0.5%

LAB 55.45, -10.62, 4.33

 

CMYK 9 / 16 / 0 / 46

HEX #7D748A

RGB 125 116 138

HSL 264.55, 0.09%, 0.5%

LAB 50.32, 7.98, -10.74

 

CMYK 0 / 10 / 17 / 45

HEX #8C7E74

RGB 140 126 116

HSL 25, 0.09%, 0.5%

LAB 53.77, 3.58, 7.38

 

CMYK 10 / 0 / 16 / 46

HEX #7C8A74

RGB 124 138 116

HSL 98.18, 0.09%, 0.5%

LAB 55.81, -9.41, 10.08

 

CMYK 16 / 7 / 0 / 46

HEX #74818A

RGB 116 129 138

HSL 204.55, 0.09%, 0.5%

LAB 53.22, -2.76, -6.48

 

CMYK 6 / 16 / 0 / 46

HEX #82748A

RGB 130 116 138

HSL 278.18, 0.09%, 0.5%

LAB 50.77, 9.78, -10.01

 

CMYK 0 / 10 / 17 / 45

HEX #8C7E74

RGB 140 126 116

HSL 25, 0.09%, 0.5%

LAB 53.77, 3.58, 7.38

 

CMYK 15 / 0 / 16 / 46

HEX #758A74

RGB 117 138 116

HSL 117.27, 0.09%, 0.5%

LAB 55.3, -12.04, 9.29

 

CMYK 16 / 7 / 0 / 46

HEX #74818A

RGB 116 129 138

HSL 204.55, 0.09%, 0.5%

LAB 53.22, -2.76, -6.48

 

CMYK 1 / 16 / 0 / 46

HEX #89748A

RGB 137 116 138

HSL 297.27, 0.09%, 0.5%

LAB 51.43, 12.33, -8.95

 

Description

Color code: HEX #8C7E74 | qconv.com Color code: HEX #8C7E74 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 126 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 126 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 17 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 17% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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