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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 11 / 17 / 63 it is the complementary color CMYK 9 / 3 / 0 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 11 / 17 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 11 / 17 / 63: CMYK 0 / 15 / 26 / 61, CMYK 0 / 12 / 21 / 55, CMYK 0 / 10 / 17 / 48, CMYK 0 / 8 / 13 / 41 and CMYK 0 / 7 / 11 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 11 / 17 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 11 / 17 / 63: CMYK 0 / 11 / 17 / 63, CMYK 0 / 14 / 23 / 70, CMYK 0 / 20 / 33 / 76, CMYK 0 / 30 / 51 / 83 and CMYK 0 / 54 / 92 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

Complementary color

CMYK 9 / 3 / 0 / 31

HEX #A1ABB1

RGB 161 171 177

HSL 202.5, 0.09%, 0.66%

LAB 69.38, -2.3, -4.29

 

CMYK 0 / 15 / 26 / 61

HEX #635449

RGB 99 84 73

HSL 25.38, 0.15%, 0.34%

LAB 36.88, 4.25, 8.72

 

CMYK 0 / 12 / 21 / 55

HEX #74665C

RGB 116 102 92

HSL 25, 0.12%, 0.41%

LAB 44.22, 3.78, 7.68

 

CMYK 0 / 10 / 17 / 48

HEX #85786F

RGB 133 120 111

HSL 24.55, 0.09%, 0.48%

LAB 51.34, 3.4, 6.75

 

CMYK 0 / 8 / 13 / 41

HEX #968A82

RGB 150 138 130

HSL 24, 0.09%, 0.55%

LAB 58.29, 3.07, 5.9

 

CMYK 0 / 7 / 11 / 35

HEX #A79C95

RGB 167 156 149

HSL 23.33, 0.09%, 0.62%

LAB 65.09, 2.77, 5.1

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 0 / 14 / 23 / 70

HEX #4D423B

RGB 77 66 59

HSL 23.33, 0.13%, 0.27%

LAB 28.88, 3.4, 5.99

 

CMYK 0 / 20 / 33 / 76

HEX #3C3028

RGB 60 48 40

HSL 24, 0.2%, 0.2%

LAB 20.93, 3.97, 7.17

 

CMYK 0 / 30 / 51 / 83

HEX #2B1E15

RGB 43 30 21

HSL 24.55, 0.34%, 0.13%

LAB 12.58, 4.83, 8.62

 

CMYK 0 / 54 / 92 / 90

HEX #1A0C02

RGB 26 12 2

HSL 25, 0.86%, 0.05%

LAB 4.4, 4.33, 5.85

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 0 / 7 / 17 / 63

HEX #5E574E

RGB 94 87 78

HSL 33.75, 0.09%, 0.34%

LAB 37.38, 1.12, 6.25

 

CMYK 0 / 5 / 17 / 63

HEX #5E594E

RGB 94 89 78

HSL 41.25, 0.09%, 0.34%

LAB 37.98, -0.1, 7.09

 

CMYK 0 / 2 / 17 / 63

HEX #5E5C4E

RGB 94 92 78

HSL 52.5, 0.09%, 0.34%

LAB 38.87, -1.91, 8.35

 

CMYK 1 / 0 / 17 / 63

HEX #5D5E4E

RGB 93 94 78

HSL 63.75, 0.09%, 0.34%

LAB 39.38, -3.53, 9.06

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 0 / 10 / 17 / 43

HEX #918278

RGB 145 130 120

HSL 24, 0.1%, 0.52%

LAB 55.42, 3.95, 7.48

 

CMYK 0 / 11 / 17 / 23

HEX #C4AFA3

RGB 196 175 163

HSL 21.82, 0.22%, 0.7%

LAB 72.92, 5.58, 8.9

 

CMYK 0 / 11 / 17 / 3

HEX #F7DDCD

RGB 247 221 205

HSL 22.86, 0.72%, 0.89%

LAB 89.81, 6.44, 11.11

 

CMYK 0 / 12 / 16 / 83

HEX #2B2624

RGB 43 38 36

HSL 17.14, 0.09%, 0.15%

LAB 15.63, 1.88, 2.17

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 10 / 0 / 17 / 63

HEX #555E4E

RGB 85 94 78

HSL 93.75, 0.09%, 0.34%

LAB 38.7, -6.85, 8

 

CMYK 17 / 16 / 0 / 63

HEX #4E4F5E

RGB 78 79 94

HSL 236.25, 0.09%, 0.34%

LAB 34.02, 3.12, -8.88

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 17 / 0 / 11 / 63

HEX #4E5E54

RGB 78 94 84

HSL 142.5, 0.09%, 0.34%

LAB 38.31, -8.39, 3.69

 

CMYK 11 / 17 / 0 / 63

HEX #544E5E

RGB 84 78 94

HSL 262.5, 0.09%, 0.34%

LAB 34.28, 6.02, -8.45

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 10 / 0 / 17 / 63

HEX #555E4E

RGB 85 94 78

HSL 93.75, 0.09%, 0.34%

LAB 38.7, -6.85, 8

 

CMYK 17 / 6 / 0 / 63

HEX #4E585E

RGB 78 88 94

HSL 202.5, 0.09%, 0.34%

LAB 36.76, -2.48, -4.79

 

CMYK 7 / 17 / 0 / 63

HEX #574E5E

RGB 87 78 94

HSL 273.75, 0.09%, 0.34%

LAB 34.57, 7.17, -7.99

 

CMYK 0 / 11 / 17 / 63

HEX #5E544E

RGB 94 84 78

HSL 22.5, 0.09%, 0.34%

LAB 36.5, 2.96, 4.99

 

CMYK 15 / 0 / 17 / 63

HEX #505E4E

RGB 80 94 78

HSL 112.5, 0.09%, 0.34%

LAB 38.31, -8.86, 7.39

 

CMYK 17 / 6 / 0 / 63

HEX #4E585E

RGB 78 88 94

HSL 202.5, 0.09%, 0.34%

LAB 36.76, -2.48, -4.79

 

CMYK 2 / 17 / 0 / 63

HEX #5C4E5E

RGB 92 78 94

HSL 292.5, 0.09%, 0.34%

LAB 35.07, 9.11, -7.18

 

Description

Color code: CMYK 0 / 11 / 17 / 63 | qconv.com Color code: CMYK 0 / 11 / 17 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 84 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 84 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 17 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 17% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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