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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7399 it is the complementary color #738C66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8C7399: #917394, #A285A7, #B397BA, #C4A9CD and #D5BBE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8C7399: #8C7399, #7B6186, #6A4F73, #593D60 and #482B4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

Complementary color

CMYK 18 / 0 / 27 / 45

HEX #738C66

RGB 115 140 102

HSL 99.47, 0.16%, 0.47%

LAB 55.44, -16.37, 17.45

 

CMYK 2 / 22 / 0 / 42

HEX #917394

RGB 145 115 148

HSL 294.55, 0.13%, 0.52%

LAB 52.31, 17.84, -13.43

 

CMYK 3 / 20 / 0 / 35

HEX #A285A7

RGB 162 133 167

HSL 291.18, 0.16%, 0.59%

LAB 59.2, 17.28, -13.85

 

CMYK 4 / 19 / 0 / 27

HEX #B397BA

RGB 179 151 186

HSL 288, 0.2%, 0.66%

LAB 65.95, 16.77, -14.26

 

CMYK 4 / 18 / 0 / 20

HEX #C4A9CD

RGB 196 169 205

HSL 285, 0.26%, 0.73%

LAB 72.57, 16.31, -14.66

 

CMYK 5 / 17 / 0 / 12

HEX #D5BBE0

RGB 213 187 224

HSL 282.16, 0.37%, 0.81%

LAB 79.08, 15.88, -15.07

 

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

CMYK 8 / 28 / 0 / 47

HEX #7B6186

RGB 123 97 134

HSL 282.16, 0.16%, 0.45%

LAB 44.92, 17.74, -16.56

 

CMYK 8 / 31 / 0 / 55

HEX #6A4F73

RGB 106 79 115

HSL 285, 0.19%, 0.38%

LAB 37.65, 18.42, -16.25

 

CMYK 7 / 36 / 0 / 62

HEX #593D60

RGB 89 61 96

HSL 288, 0.22%, 0.31%

LAB 30.17, 19.19, -15.93

 

CMYK 6 / 44 / 0 / 70

HEX #482B4D

RGB 72 43 77

HSL 291.18, 0.28%, 0.24%

LAB 22.45, 20.06, -15.57

 

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

CMYK 5 / 25 / 0 / 40

HEX #93739A

RGB 147 115 154

HSL 289.23, 0.16%, 0.53%

LAB 52.73, 19.77, -16.28

 

CMYK 1 / 25 / 0 / 40

HEX #99739A

RGB 153 115 154

HSL 298.46, 0.16%, 0.53%

LAB 53.35, 21.87, -15.28

 

CMYK 0 / 25 / 4 / 40

HEX #9A7394

RGB 154 115 148

HSL 309.23, 0.16%, 0.53%

LAB 53.24, 21.05, -11.93

 

CMYK 0 / 25 / 8 / 40

HEX #9A738E

RGB 154 115 142

HSL 318.46, 0.16%, 0.53%

LAB 53.04, 19.92, -8.72

 

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

CMYK 8 / 25 / 0 / 20

HEX #BB99CC

RGB 187 153 204

HSL 280, 0.33%, 0.7%

LAB 67.8, 21.97, -21.41

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 8 / 25 / 0 / 80

HEX #2F2633

RGB 47 38 51

HSL 281.54, 0.15%, 0.17%

LAB 16.65, 7.23, -6.89

 

CMYK 9 / 25 / 0 / 60

HEX #5D4D66

RGB 93 77 102

HSL 278.4, 0.14%, 0.35%

LAB 35.19, 11.93, -12.02

 

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

CMYK 0 / 25 / 21 / 40

HEX #9A7379

RGB 154 115 121

HSL 350.77, 0.16%, 0.53%

LAB 52.41, 16.29, 2.69

 

CMYK 25 / 0 / 19 / 40

HEX #739A7D

RGB 115 154 125

HSL 135.38, 0.16%, 0.53%

LAB 60.1, -19.51, 10.94

 

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

CMYK 0 / 9 / 25 / 40

HEX #9A8C73

RGB 154 140 115

HSL 38.46, 0.16%, 0.53%

LAB 58.85, 1.11, 15.27

 

CMYK 25 / 0 / 9 / 40

HEX #739A8C

RGB 115 154 140

HSL 158.46, 0.16%, 0.53%

LAB 60.47, -16.42, 3.01

 

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

CMYK 0 / 25 / 21 / 40

HEX #9A7379

RGB 154 115 121

HSL 350.77, 0.16%, 0.53%

LAB 52.41, 16.29, 2.69

 

CMYK 16 / 0 / 25 / 40

HEX #819A73

RGB 129 154 115

HSL 98.46, 0.16%, 0.53%

LAB 60.8, -16.29, 17.65

 

CMYK 25 / 0 / 4 / 40

HEX #739A94

RGB 115 154 148

HSL 170.77, 0.16%, 0.53%

LAB 60.69, -14.65, -1.21

 

CMYK 8 / 25 / 0 / 40

HEX #8C7399

RGB 140 115 153

HSL 279.47, 0.16%, 0.53%

LAB 51.99, 17.13, -16.88

 

CMYK 0 / 21 / 25 / 40

HEX #9A7973

RGB 154 121 115

HSL 9.23, 0.16%, 0.53%

LAB 53.8, 11.9, 8.19

 

CMYK 16 / 0 / 25 / 40

HEX #819A73

RGB 129 154 115

HSL 98.46, 0.16%, 0.53%

LAB 60.8, -16.29, 17.65

 

CMYK 25 / 4 / 0 / 40

HEX #73949A

RGB 115 148 154

HSL 189.23, 0.16%, 0.53%

LAB 59.12, -10.01, -6.93

 

Description

Color code: HEX #8C7399 | qconv.com Color code: HEX #8C7399 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 115 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 115 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 25 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 25% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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