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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C64FB it is the complementary color #739B04. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C64FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8C64FB: #9164F6, #A276FF, #B388FF, #C49AFF and #D5ACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C64FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8C64FB: #8C64FB, #7B52E8, #6A40D5, #592EC2 and #481CAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

Complementary color

CMYK 26 / 0 / 97 / 39

HEX #739B04

RGB 115 155 4

HSL 75.89, 0.95%, 0.31%

LAB 59.06, -32.16, 61.03

 

CMYK 41 / 59 / 0 / 4

HEX #9164F6

RGB 145 100 246

HSL 258.49, 0.89%, 0.68%

LAB 53.8, 50.09, -67.11

 

CMYK 36 / 54 / 0 / 0

HEX #A276FF

RGB 162 118 255

HSL 259.27, 1%, 0.73%

LAB 59.76, 46.35, -62.42

 

CMYK 30 / 47 / 0 / 0

HEX #B388FF

RGB 179 136 255

HSL 261.68, 1%, 0.77%

LAB 65.29, 40.6, -53.51

 

CMYK 23 / 40 / 0 / 0

HEX #C49AFF

RGB 196 154 255

HSL 264.95, 1%, 0.8%

LAB 70.92, 35.27, -44.53

 

CMYK 16 / 33 / 0 / 0

HEX #D5ACFF

RGB 213 172 255

HSL 269.64, 1%, 0.84%

LAB 76.6, 30.35, -35.56

 

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

CMYK 47 / 65 / 0 / 9

HEX #7B52E8

RGB 123 82 232

HSL 256.4, 0.77%, 0.62%

LAB 47.07, 51.69, -70.28

 

CMYK 50 / 70 / 0 / 16

HEX #6A40D5

RGB 106 64 213

HSL 256.91, 0.64%, 0.54%

LAB 40.47, 52.94, -70.29

 

CMYK 54 / 76 / 0 / 24

HEX #592EC2

RGB 89 46 194

HSL 257.43, 0.62%, 0.47%

LAB 33.93, 54, -70.05

 

CMYK 59 / 84 / 0 / 31

HEX #481CAF

RGB 72 28 175

HSL 257.96, 0.72%, 0.4%

LAB 27.58, 54.51, -69.29

 

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

CMYK 35 / 60 / 0 / 2

HEX #A364FB

RGB 163 100 251

HSL 265.03, 0.95%, 0.69%

LAB 55.95, 55.18, -66.33

 

CMYK 25 / 60 / 0 / 2

HEX #BC64FB

RGB 188 100 251

HSL 274.97, 0.95%, 0.69%

LAB 58.76, 60.72, -61.66

 

CMYK 15 / 60 / 0 / 2

HEX #D564FB

RGB 213 100 251

HSL 284.9, 0.95%, 0.69%

LAB 61.85, 66.48, -56.55

 

CMYK 5 / 60 / 0 / 2

HEX #EE64FB

RGB 238 100 251

HSL 294.83, 0.95%, 0.69%

LAB 65.17, 72.36, -51.08

 

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

CMYK 45 / 60 / 0 / 82

HEX #1A132F

RGB 26 19 47

HSL 255, 0.42%, 0.13%

LAB 8.04, 11.87, -17.57

 

CMYK 44 / 60 / 0 / 62

HEX #372762

RGB 55 39 98

HSL 256.27, 0.43%, 0.27%

LAB 20.62, 23.13, -32.56

 

CMYK 44 / 60 / 0 / 42

HEX #533B95

RGB 83 59 149

HSL 256, 0.43%, 0.41%

LAB 32.12, 32.94, -46.1

 

CMYK 44 / 60 / 0 / 22

HEX #7050C8

RGB 112 80 200

HSL 256, 0.52%, 0.55%

LAB 43.29, 41.72, -58.18

 

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

CMYK 0 / 60 / 27 / 2

HEX #FB64B7

RGB 251 100 183

HSL 327.02, 0.95%, 0.69%

LAB 64.2, 65.58, -14.36

 

CMYK 51 / 0 / 60 / 2

HEX #7BFB64

RGB 123 251 100

HSL 110.86, 0.95%, 0.69%

LAB 88.98, -62.91, 60.2

 

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

CMYK 0 / 45 / 60 / 2

HEX #FB8A64

RGB 251 138 100

HSL 15.1, 0.95%, 0.69%

LAB 69.19, 39.57, 39.17

 

CMYK 60 / 0 / 45 / 2

HEX #64FB8A

RGB 100 251 138

HSL 135.1, 0.95%, 0.69%

LAB 88.7, -63.53, 42.35

 

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

CMYK 0 / 60 / 27 / 2

HEX #FB64B7

RGB 251 100 183

HSL 327.02, 0.95%, 0.69%

LAB 64.2, 65.58, -14.36

 

CMYK 15 / 0 / 60 / 2

HEX #D5FB64

RGB 213 251 100

HSL 75.1, 0.95%, 0.69%

LAB 93.48, -33.1, 66.45

 

CMYK 60 / 0 / 33 / 2

HEX #64FBA8

RGB 100 251 168

HSL 147.02, 0.95%, 0.69%

LAB 89.17, -58.45, 28.11

 

CMYK 44 / 60 / 0 / 2

HEX #8C64FB

RGB 140 100 251

HSL 255.89, 0.95%, 0.69%

LAB 53.66, 50.4, -70.15

 

CMYK 0 / 60 / 45 / 2

HEX #FB648A

RGB 251 100 138

HSL 344.9, 0.95%, 0.69%

LAB 62.89, 60.67, 9.54

 

CMYK 15 / 0 / 60 / 2

HEX #D5FB64

RGB 213 251 100

HSL 75.1, 0.95%, 0.69%

LAB 93.48, -33.1, 66.45

 

CMYK 60 / 0 / 15 / 2

HEX #64FBD5

RGB 100 251 213

HSL 164.9, 0.95%, 0.69%

LAB 90.09, -48.99, 6.3

 

Description

Color code: HEX #8C64FB | qconv.com Color code: HEX #8C64FB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 100 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 100 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 60 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 60% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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