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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C5DFA it is the complementary color #73A205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C5DFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C5DFA shade: #915DF5, #A26FFF, #B381FF, #C493FF and #D5A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C5DFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C5DFA shade: #8C5DFA, #7B4BE7, #6A39D4, #5927C1 and #4815AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C5DFA shade: #8B5BF9, #B55BF9, #E05BF9, #F95BE8 and #F95BBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C5DFA shade: #8B5BF9, #605BF9 and #5B5BF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C5DFA shade matches the following richer shades: #8B5BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C5DFA shade: #8B5BF9, #9069EC, #9676DE, #9B84D1 and #A092C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C5DFA shade: #5B83F9, #5E5BF9, #885BF9, #B25BF9 and #DC5BF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C5DFA shade: #520BF7, #6E33F8, #8B5BF9, #A783FB and #C3ABFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C5DFA shade: #8C5DFA, #F95BAD and #6EF95B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C5DFA shade: #8C5DFA, #F9885B and #5BF988

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C5DFA shade: #8C5DFA, #F95BAD, #CDF95B and #5BF9A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C5DFA shade: #8C5DFA, #F95B7E, #CDF95B and #5BF9D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 63 / 0 / 2

HEX #8C5DFA

RGB 140 93 250

HSL 257.96, 0.94%, 0.67%

LAB 52.18, 53.89, -71.98

 

Complementary color

CMYK 29 / 0 / 97 / 36

HEX #73A205

RGB 115 162 5

HSL 77.96, 0.94%, 0.33%

LAB 61.22, -35.35, 62.57

 

CMYK 41 / 62 / 0 / 4

HEX #915DF5

RGB 145 93 245

HSL 260.53, 0.88%, 0.66%

LAB 52.33, 53.56, -68.93

 

CMYK 36 / 56 / 0 / 0

HEX #A26FFF

RGB 162 111 255

HSL 261.25, 1%, 0.72%

LAB 58.29, 50.15, -64.78

 

CMYK 30 / 49 / 0 / 0

HEX #B381FF

RGB 179 129 255

HSL 263.81, 1%, 0.75%

LAB 63.76, 44.44, -55.94

 

CMYK 23 / 42 / 0 / 0

HEX #C493FF

RGB 196 147 255

HSL 267.22, 1%, 0.79%

LAB 69.34, 39.1, -47

 

CMYK 16 / 35 / 0 / 0

HEX #D5A5FF

RGB 213 165 255

HSL 272, 1%, 0.82%

LAB 75, 34.15, -38.04

 

CMYK 44 / 63 / 0 / 2

HEX #8C5DFA

RGB 140 93 250

HSL 257.96, 0.94%, 0.67%

LAB 52.18, 53.89, -71.98

 

CMYK 47 / 68 / 0 / 9

HEX #7B4BE7

RGB 123 75 231

HSL 258.46, 0.76%, 0.6%

LAB 45.65, 55.08, -72.03

 

CMYK 50 / 73 / 0 / 17

HEX #6A39D4

RGB 106 57 212

HSL 258.97, 0.64%, 0.53%

LAB 39.15, 56.14, -71.88

 

CMYK 54 / 80 / 0 / 24

HEX #5927C1

RGB 89 39 193

HSL 259.48, 0.66%, 0.45%

LAB 32.76, 56.83, -71.38

 

CMYK 59 / 88 / 0 / 32

HEX #4815AE

RGB 72 21 174

HSL 260, 0.78%, 0.38%

LAB 26.65, 56.69, -70.24

 

CMYK 44 / 63 / 0 / 2

HEX #8B5BF9

RGB 139 91 249

HSL 258.23, 0.93%, 0.67%

LAB 51.62, 54.49, -72.34

 

CMYK 27 / 63 / 0 / 2

HEX #B55BF9

RGB 181 91 249

HSL 274.18, 0.93%, 0.67%

LAB 56.23, 63.02, -64.66

 

CMYK 10 / 63 / 0 / 2

HEX #E05BF9

RGB 224 91 249

HSL 290.51, 0.93%, 0.67%

LAB 61.8, 72.49, -55.44

 

CMYK 0 / 63 / 7 / 2

HEX #F95BE8

RGB 249 91 232

HSL 306.46, 0.93%, 0.67%

LAB 64.52, 75.49, -41.47

 

CMYK 0 / 63 / 24 / 2

HEX #F95BBE

RGB 249 91 190

HSL 322.41, 0.93%, 0.67%

LAB 62.79, 69.58, -20.5

 

CMYK 44 / 63 / 0 / 2

HEX #8B5BF9

RGB 139 91 249

HSL 258.23, 0.93%, 0.67%

LAB 51.62, 54.49, -72.34

 

CMYK 61 / 63 / 0 / 2

HEX #605BF9

RGB 96 91 249

HSL 241.9, 0.93%, 0.67%

LAB 48.02, 47.23, -78.37

 

CMYK 63 / 63 / 0 / 2

HEX #5B5BF9

RGB 91 91 249

HSL 240, 0.93%, 0.67%

LAB 47.68, 46.52, -78.93

 

CMYK 44 / 63 / 0 / 2

HEX #8B5BF9

RGB 139 91 249

HSL 258.23, 0.93%, 0.67%

LAB 51.62, 54.49, -72.34

 

CMYK 44 / 63 / 0 / 2

HEX #8B5BF9

RGB 139 91 249

HSL 258.23, 0.93%, 0.67%

LAB 51.62, 54.49, -72.34

 

CMYK 39 / 56 / 0 / 7

HEX #9069EC

RGB 144 105 236

HSL 257.86, 0.78%, 0.67%

LAB 54.12, 44.48, -61.03

 

CMYK 32 / 47 / 0 / 13

HEX #9676DE

RGB 150 118 222

HSL 258.46, 0.61%, 0.67%

LAB 56.8, 34.93, -48.88

 

CMYK 26 / 37 / 0 / 18

HEX #9B84D1

RGB 155 132 209

HSL 257.92, 0.46%, 0.67%

LAB 59.96, 25.01, -36.56

 

CMYK 18 / 25 / 0 / 24

HEX #A092C3

RGB 160 146 195

HSL 257.14, 0.29%, 0.67%

LAB 63.32, 15.21, -23.46

 

CMYK 63 / 47 / 0 / 2

HEX #5B83F9

RGB 91 131 249

HSL 224.81, 0.93%, 0.67%

LAB 57.36, 22.42, -63.24

 

CMYK 62 / 63 / 0 / 2

HEX #5E5BF9

RGB 94 91 249

HSL 241.14, 0.93%, 0.67%

LAB 47.88, 46.94, -78.6

 

CMYK 45 / 63 / 0 / 2

HEX #885BF9

RGB 136 91 249

HSL 257.09, 0.93%, 0.67%

LAB 51.33, 53.93, -72.83

 

CMYK 29 / 63 / 0 / 2

HEX #B25BF9

RGB 178 91 249

HSL 273.04, 0.93%, 0.67%

LAB 55.87, 62.38, -65.26

 

CMYK 12 / 63 / 0 / 2

HEX #DC5BF9

RGB 220 91 249

HSL 288.99, 0.93%, 0.67%

LAB 61.25, 71.59, -56.34

 

CMYK 67 / 96 / 0 / 3

HEX #520BF7

RGB 82 11 247

HSL 258.05, 0.94%, 0.51%

LAB 35.5, 77.34, -97.94

 

CMYK 56 / 79 / 0 / 3

HEX #6E33F8

RGB 110 51 248

HSL 257.97, 0.93%, 0.59%

LAB 41.94, 68.73, -87.75

 

CMYK 44 / 63 / 0 / 2

HEX #8B5BF9

RGB 139 91 249

HSL 258.23, 0.93%, 0.67%

LAB 51.62, 54.49, -72.34

 

CMYK 33 / 48 / 0 / 2

HEX #A783FB

RGB 167 131 251

HSL 258, 0.94%, 0.75%

LAB 62.85, 39.32, -55.25

 

CMYK 23 / 32 / 0 / 1

HEX #C3ABFC

RGB 195 171 252

HSL 257.78, 0.93%, 0.83%

LAB 74.67, 24.92, -37.06

 

CMYK 44 / 63 / 0 / 2

HEX #8C5DFA

RGB 140 93 250

HSL 257.96, 0.94%, 0.67%

LAB 52.18, 53.89, -71.98

 

CMYK 0 / 63 / 31 / 2

HEX #F95BAD

RGB 249 91 173

HSL 328.86, 0.93%, 0.67%

LAB 62.2, 67.49, -11.67

 

CMYK 56 / 0 / 63 / 2

HEX #6EF95B

RGB 110 249 91

HSL 112.78, 0.93%, 0.67%

LAB 87.88, -66.35, 62.58

 

CMYK 44 / 63 / 0 / 2

HEX #8C5DFA

RGB 140 93 250

HSL 257.96, 0.94%, 0.67%

LAB 52.18, 53.89, -71.98

 

CMYK 0 / 45 / 63 / 2

HEX #F9885B

RGB 249 136 91

HSL 17.09, 0.93%, 0.67%

LAB 68.39, 39.23, 42.88

 

CMYK 63 / 0 / 45 / 2

HEX #5BF988

RGB 91 249 136

HSL 137.09, 0.93%, 0.67%

LAB 87.85, -64.88, 42.18

 

CMYK 44 / 63 / 0 / 2

HEX #8C5DFA

RGB 140 93 250

HSL 257.96, 0.94%, 0.67%

LAB 52.18, 53.89, -71.98

 

CMYK 0 / 63 / 31 / 2

HEX #F95BAD

RGB 249 91 173

HSL 328.86, 0.93%, 0.67%

LAB 62.2, 67.49, -11.67

 

CMYK 18 / 0 / 63 / 2

HEX #CDF95B

RGB 205 249 91

HSL 76.71, 0.93%, 0.67%

LAB 92.35, -35.87, 68.72

 

CMYK 63 / 0 / 33 / 2

HEX #5BF9A8

RGB 91 249 168

HSL 149.24, 0.93%, 0.67%

LAB 88.35, -59.36, 26.96

 

CMYK 44 / 63 / 0 / 2

HEX #8C5DFA

RGB 140 93 250

HSL 257.96, 0.94%, 0.67%

LAB 52.18, 53.89, -71.98

 

CMYK 0 / 63 / 49 / 2

HEX #F95B7E

RGB 249 91 126

HSL 346.71, 0.93%, 0.67%

LAB 60.89, 62.75, 13.63

 

CMYK 18 / 0 / 63 / 2

HEX #CDF95B

RGB 205 249 91

HSL 76.71, 0.93%, 0.67%

LAB 92.35, -35.87, 68.72

 

CMYK 63 / 0 / 14 / 2

HEX #5BF9D7

RGB 91 249 215

HSL 167.09, 0.93%, 0.67%

LAB 89.34, -49.19, 4.14

 

Description

Color code: HEX #8C5DFA | qconv.com Color code: HEX #8C5DFA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 93 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 93 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 63 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 63% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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