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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C2BCE it is the complementary color #73D431. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C2BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C2BCE shade: #912BC9, #A23DDC, #B34FEF, #C461FF and #D573FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C2BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C2BCE shade: #8C2BCE, #7B19BB, #6A07A8, #590095 and #480082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C2BCE shade: #8C2BCE, #B82BCE, #CE2BB8, #CE2B8C and #CE2B60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C2BCE shade: #8C2BCE, #602BCE, #342BCE and #2B2BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C2BCE shade matches the following richer shades: #8C2BCE, #9017E2 and #9403F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C2BCE shade: #8C2BCE, #883FB9, #8454A5, #806891 and #7D7C7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C2BCE shade: #332BCE, #5F2BCE, #8A2BCE, #B52BCE and #CE2BBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C2BCE shade: #5E1D8A, #7524AC, #8C2BCE, #9F4AD8 and #B16CDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C2BCE shade: #8C2BCE, #CE2B4E and #2BCE49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C2BCE shade: #8C2BCE, #CE8A2B and #2BCE8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C2BCE shade: #8C2BCE, #CE2B4E, #6FCE2B and #2BCEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C2BCE shade: #8C2BCE, #CE392B, #6FCE2B and #2BC0CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

Complementary color

CMYK 46 / 0 / 77 / 17

HEX #73D431

RGB 115 212 49

HSL 95.71, 0.65%, 0.51%

LAB 76.65, -54.56, 66.32

 

CMYK 28 / 79 / 0 / 21

HEX #912BC9

RGB 145 43 201

HSL 278.73, 0.65%, 0.48%

LAB 41.16, 65.58, -62.02

 

CMYK 26 / 72 / 0 / 14

HEX #A23DDC

RGB 162 61 220

HSL 278.11, 0.69%, 0.55%

LAB 47.22, 65.99, -63.02

 

CMYK 25 / 67 / 0 / 6

HEX #B34FEF

RGB 179 79 239

HSL 277.5, 0.83%, 0.62%

LAB 53.39, 65.87, -63.67

 

CMYK 23 / 62 / 0 / 0

HEX #C461FF

RGB 196 97 255

HSL 277.59, 1%, 0.69%

LAB 59.44, 64.79, -62.73

 

CMYK 16 / 55 / 0 / 0

HEX #D573FF

RGB 213 115 255

HSL 282, 1%, 0.73%

LAB 64.67, 60.25, -54.27

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 34 / 87 / 0 / 27

HEX #7B19BB

RGB 123 25 187

HSL 276.3, 0.76%, 0.42%

LAB 34.99, 64.58, -64.01

 

CMYK 37 / 96 / 0 / 34

HEX #6A07A8

RGB 106 7 168

HSL 276.89, 0.92%, 0.34%

LAB 29.52, 61.98, -61.73

 

CMYK 40 / 100 / 0 / 42

HEX #590095

RGB 89 0 149

HSL 275.84, 1%, 0.29%

LAB 24.62, 57.32, -58.29

 

CMYK 45 / 100 / 0 / 49

HEX #480082

RGB 72 0 130

HSL 273.23, 1%, 0.25%

LAB 20, 51.38, -54.11

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 11 / 79 / 0 / 19

HEX #B82BCE

RGB 184 43 206

HSL 291.9, 0.65%, 0.49%

LAB 47.46, 73.46, -54.44

 

CMYK 0 / 79 / 11 / 19

HEX #CE2BB8

RGB 206 43 184

HSL 308.1, 0.65%, 0.49%

LAB 49.87, 74.35, -37.62

 

CMYK 0 / 79 / 32 / 19

HEX #CE2B8C

RGB 206 43 140

HSL 324.29, 0.65%, 0.49%

LAB 47.93, 68.78, -14.49

 

CMYK 0 / 79 / 53 / 19

HEX #CE2B60

RGB 206 43 96

HSL 340.49, 0.65%, 0.49%

LAB 46.57, 64.68, 10.43

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 53 / 79 / 0 / 19

HEX #602BCE

RGB 96 43 206

HSL 259.51, 0.65%, 0.49%

LAB 35.34, 59.46, -74.7

 

CMYK 75 / 79 / 0 / 19

HEX #342BCE

RGB 52 43 206

HSL 243.31, 0.65%, 0.49%

LAB 31.61, 55.15, -80.98

 

CMYK 79 / 79 / 0 / 19

HEX #2B2BCE

RGB 43 43 206

HSL 240, 0.65%, 0.49%

LAB 31.11, 54.57, -81.83

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 36 / 90 / 0 / 11

HEX #9017E2

RGB 144 23 226

HSL 275.76, 0.82%, 0.49%

LAB 41.27, 75.78, -76.25

 

CMYK 40 / 99 / 0 / 4

HEX #9403F6

RGB 148 3 246

HSL 275.8, 0.98%, 0.49%

LAB 42.79, 82.76, -85.07

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 26 / 66 / 0 / 27

HEX #883FB9

RGB 136 63 185

HSL 275.9, 0.49%, 0.49%

LAB 41.68, 52.16, -51.9

 

CMYK 20 / 49 / 0 / 35

HEX #8454A5

RGB 132 84 165

HSL 275.56, 0.33%, 0.49%

LAB 44.18, 35.39, -36.14

 

CMYK 12 / 28 / 0 / 43

HEX #806891

RGB 128 104 145

HSL 275.12, 0.16%, 0.49%

LAB 47.67, 17.74, -18.88

 

CMYK 0 / 1 / 0 / 51

HEX #7D7C7D

RGB 125 124 125

HSL 300, 0%, 0.49%

LAB 52.13, 0.58, -0.42

 

CMYK 75 / 79 / 0 / 19

HEX #332BCE

RGB 51 43 206

HSL 242.94, 0.65%, 0.49%

LAB 31.55, 55.08, -81.09

 

CMYK 54 / 79 / 0 / 19

HEX #5F2BCE

RGB 95 43 206

HSL 259.14, 0.65%, 0.49%

LAB 35.24, 59.33, -74.88

 

CMYK 33 / 79 / 0 / 19

HEX #8A2BCE

RGB 138 43 206

HSL 274.97, 0.65%, 0.49%

LAB 40.55, 65.48, -65.96

 

CMYK 12 / 79 / 0 / 19

HEX #B52BCE

RGB 181 43 206

HSL 290.8, 0.65%, 0.49%

LAB 46.98, 72.91, -55.23

 

CMYK 0 / 79 / 9 / 19

HEX #CE2BBB

RGB 206 43 187

HSL 306.99, 0.65%, 0.49%

LAB 50.02, 74.78, -39.13

 

CMYK 32 / 79 / 0 / 46

HEX #5E1D8A

RGB 94 29 138

HSL 275.78, 0.65%, 0.33%

LAB 27, 47.86, -47.54

 

CMYK 32 / 79 / 0 / 33

HEX #7524AC

RGB 117 36 172

HSL 275.74, 0.65%, 0.41%

LAB 34.03, 57.02, -56.7

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 26 / 66 / 0 / 15

HEX #9F4AD8

RGB 159 74 216

HSL 275.92, 0.65%, 0.57%

LAB 48.54, 58.95, -58.62

 

CMYK 21 / 52 / 0 / 13

HEX #B16CDF

RGB 177 108 223

HSL 276, 0.64%, 0.65%

LAB 57.46, 47.82, -48.2

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 0 / 79 / 62 / 19

HEX #CE2B4E

RGB 206 43 78

HSL 347.12, 0.65%, 0.49%

LAB 46.18, 63.47, 20.99

 

CMYK 79 / 0 / 65 / 19

HEX #2BCE49

RGB 43 206 73

HSL 131.04, 0.65%, 0.49%

LAB 72.98, -66.33, 53.11

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 0 / 33 / 79 / 19

HEX #CE8A2B

RGB 206 138 43

HSL 34.97, 0.65%, 0.49%

LAB 62.91, 18.2, 57.81

 

CMYK 79 / 0 / 33 / 19

HEX #2BCE8A

RGB 43 206 138

HSL 154.97, 0.65%, 0.49%

LAB 73.86, -56.02, 22.58

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 0 / 79 / 62 / 19

HEX #CE2B4E

RGB 206 43 78

HSL 347.12, 0.65%, 0.49%

LAB 46.18, 63.47, 20.99

 

CMYK 46 / 0 / 79 / 19

HEX #6FCE2B

RGB 111 206 43

HSL 94.97, 0.65%, 0.49%

LAB 74.63, -53.81, 66.15

 

CMYK 79 / 0 / 17 / 19

HEX #2BCEAA

RGB 43 206 170

HSL 166.75, 0.65%, 0.49%

LAB 74.55, -48.63, 6.47

 

CMYK 32 / 79 / 0 / 19

HEX #8C2BCE

RGB 140 43 206

HSL 275.71, 0.65%, 0.49%

LAB 40.83, 65.8, -65.49

 

CMYK 0 / 72 / 79 / 19

HEX #CE392B

RGB 206 57 43

HSL 5.15, 0.65%, 0.49%

LAB 47.27, 57.42, 42.73

 

CMYK 46 / 0 / 79 / 19

HEX #6FCE2B

RGB 111 206 43

HSL 94.97, 0.65%, 0.49%

LAB 74.63, -53.81, 66.15

 

CMYK 79 / 7 / 0 / 19

HEX #2BC0CE

RGB 43 192 206

HSL 185.15, 0.65%, 0.49%

LAB 71.33, -32.3, -17.83

 

Description

Color code: HEX #8C2BCE | qconv.com Color code: HEX #8C2BCE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 43 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 43 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 79 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 79% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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