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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 53 / 79 / 0 / 19 it is the complementary color CMYK 25 / 0 / 77 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 53 / 79 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 53 / 79 / 0 / 19: CMYK 50 / 79 / 0 / 21, CMYK 46 / 72 / 0 / 13, CMYK 43 / 67 / 0 / 6, CMYK 40 / 62 / 0 / 0 and CMYK 33 / 55 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 53 / 79 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 53 / 79 / 0 / 19: CMYK 53 / 79 / 0 / 19, CMYK 57 / 87 / 0 / 26, CMYK 63 / 96 / 0 / 34, CMYK 69 / 100 / 0 / 41 and CMYK 78 / 100 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

Complementary color

CMYK 25 / 0 / 77 / 17

HEX #9ED430

RGB 158 212 48

HSL 79.76, 0.66%, 0.51%

LAB 78.79, -39.67, 69.4

 

CMYK 50 / 79 / 0 / 21

HEX #662BCA

RGB 102 43 202

HSL 262.26, 0.65%, 0.48%

LAB 35.63, 59.2, -71.87

 

CMYK 46 / 72 / 0 / 13

HEX #773DDD

RGB 119 61 221

HSL 261.75, 0.7%, 0.55%

LAB 41.97, 58.65, -72.37

 

CMYK 43 / 67 / 0 / 6

HEX #884FF0

RGB 136 79 240

HSL 261.24, 0.84%, 0.63%

LAB 48.41, 57.74, -72.55

 

CMYK 40 / 62 / 0 / 0

HEX #9961FF

RGB 153 97 255

HSL 261.27, 1%, 0.69%

LAB 54.6, 55.65, -70.78

 

CMYK 33 / 55 / 0 / 0

HEX #AA73FF

RGB 170 115 255

HSL 263.57, 1%, 0.73%

LAB 59.91, 49.83, -62.13

 

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

CMYK 57 / 87 / 0 / 26

HEX #5019BC

RGB 80 25 188

HSL 260.25, 0.77%, 0.42%

LAB 29.49, 59.75, -73.85

 

CMYK 63 / 96 / 0 / 34

HEX #3F07A9

RGB 63 7 169

HSL 260.74, 0.92%, 0.35%

LAB 23.91, 58.26, -71.79

 

CMYK 69 / 100 / 0 / 41

HEX #2E0096

RGB 46 0 150

HSL 258.4, 1%, 0.29%

LAB 19.15, 54.32, -68.13

 

CMYK 78 / 100 / 0 / 49

HEX #1D0083

RGB 29 0 131

HSL 253.28, 1%, 0.26%

LAB 14.95, 48.84, -63.27

 

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

CMYK 41 / 80 / 0 / 19

HEX #7A2ACF

RGB 122 42 207

HSL 269.09, 0.66%, 0.49%

LAB 38.37, 63.61, -70.18

 

CMYK 28 / 80 / 0 / 19

HEX #952ACF

RGB 149 42 207

HSL 278.91, 0.66%, 0.49%

LAB 42.08, 67.81, -63.98

 

CMYK 14 / 80 / 0 / 19

HEX #B12ACF

RGB 177 42 207

HSL 289.09, 0.66%, 0.49%

LAB 46.32, 72.64, -56.91

 

CMYK 1 / 80 / 0 / 19

HEX #CC2ACF

RGB 204 42 207

HSL 298.91, 0.66%, 0.49%

LAB 50.69, 77.62, -49.67

 

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

CMYK 67 / 67 / 0 / 99

HEX #010103

RGB 1 1 3

HSL 240, 0.5%, 0.01%

LAB 0.31, 0.28, -0.76

 

CMYK 54 / 80 / 0 / 79

HEX #190B36

RGB 25 11 54

HSL 259.53, 0.66%, 0.13%

LAB 6.43, 19.28, -25.3

 

CMYK 53 / 79 / 0 / 59

HEX #311669

RGB 49 22 105

HSL 259.52, 0.65%, 0.25%

LAB 16.73, 34.32, -43.5

 

CMYK 53 / 79 / 0 / 39

HEX #49209C

RGB 73 32 156

HSL 259.84, 0.66%, 0.37%

LAB 26.3, 47.77, -59.9

 

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

CMYK 0 / 80 / 41 / 19

HEX #CF2A7A

RGB 207 42 122

HSL 330.91, 0.66%, 0.49%

LAB 47.4, 67.43, -4.34

 

CMYK 73 / 0 / 80 / 19

HEX #38CF2A

RGB 56 207 42

HSL 114.91, 0.66%, 0.49%

LAB 73.31, -67.34, 64.61

 

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

CMYK 0 / 55 / 80 / 19

HEX #CF5E2A

RGB 207 94 42

HSL 18.91, 0.66%, 0.49%

LAB 53.43, 41.76, 49.35

 

CMYK 80 / 0 / 55 / 19

HEX #2ACF5E

RGB 42 207 94

HSL 138.91, 0.66%, 0.49%

LAB 73.5, -64.18, 44.29

 

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

CMYK 0 / 80 / 41 / 19

HEX #CF2A7A

RGB 207 42 122

HSL 330.91, 0.66%, 0.49%

LAB 47.4, 67.43, -4.34

 

CMYK 25 / 0 / 80 / 19

HEX #9BCF2A

RGB 155 207 42

HSL 78.91, 0.66%, 0.49%

LAB 77.14, -38.86, 69.54

 

CMYK 80 / 0 / 39 / 19

HEX #2ACF7F

RGB 42 207 127

HSL 150.91, 0.66%, 0.49%

LAB 73.97, -58.7, 28.45

 

CMYK 53 / 79 / 0 / 19

HEX #612BCF

RGB 97 43 207

HSL 259.76, 0.66%, 0.49%

LAB 35.55, 59.84, -74.94

 

CMYK 0 / 80 / 65 / 19

HEX #CF2A48

RGB 207 42 72

HSL 349.09, 0.66%, 0.49%

LAB 46.16, 63.68, 24.69

 

CMYK 25 / 0 / 80 / 19

HEX #9BCF2A

RGB 155 207 42

HSL 78.91, 0.66%, 0.49%

LAB 77.14, -38.86, 69.54

 

CMYK 80 / 0 / 14 / 19

HEX #2ACFB1

RGB 42 207 177

HSL 169.09, 0.66%, 0.49%

LAB 75.01, -47.35, 3.36

 

Description

Color code: CMYK 53 / 79 / 0 / 19 | qconv.com Color code: CMYK 53 / 79 / 0 / 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 43 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 43 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 79 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 79% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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