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Color name
HEX #8C1082

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C1082 it is the complementary color #73EF7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C1082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C1082 shade: #91107D, #A22290, #B334A3, #C446B6 and #D558C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C1082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C1082 shade: #8C1082, #7B006F, #6A005C, #590049 and #480036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C1082 shade: #8D1183, #8D1162, #8D1140, #8D111E and #8D1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C1082 shade: #8D1183, #76118D, #54118D, #33118D and #11118D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C1082 shade matches the following richer shades: #8D1183 and #9A048E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C1082 shade: #8D1183, #811D79, #742A6E, #673763 and #5A4459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C1082 shade: #53118D, #75118D, #8D1185, #8D1164 and #8D1143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C1082 shade: #44083F, #690C61, #8D1183, #B215A6 and #D719C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C1082 shade: #8C1082, #8D3211 and #118D64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C1082 shade: #8C1082, #858D11 and #11858D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C1082 shade: #8C1082, #8D3211, #118D19 and #116C8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C1082 shade: #8C1082, #8D5711, #118D19 and #11478D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 7 / 45

HEX #8C1082

RGB 140 16 130

HSL 304.84, 0.79%, 0.31%

LAB 33.04, 58.98, -32.42

 

Complementary color

CMYK 52 / 0 / 48 / 6

HEX #73EF7D

RGB 115 239 125

HSL 124.84, 0.79%, 0.69%

LAB 85.43, -57.47, 44.58

 

CMYK 0 / 89 / 14 / 43

HEX #91107D

RGB 145 16 125

HSL 309.3, 0.8%, 0.32%

LAB 33.71, 59.27, -28.17

 

CMYK 0 / 79 / 11 / 36

HEX #A22290

RGB 162 34 144

HSL 308.44, 0.65%, 0.38%

LAB 39.31, 61.49, -30.9

 

CMYK 0 / 71 / 9 / 30

HEX #B334A3

RGB 179 52 163

HSL 307.56, 0.55%, 0.45%

LAB 45.2, 62.57, -32.9

 

CMYK 0 / 64 / 7 / 23

HEX #C446B6

RGB 196 70 182

HSL 306.67, 0.52%, 0.52%

LAB 51.26, 62.92, -34.39

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 89 / 7 / 45

HEX #8C1082

RGB 140 16 130

HSL 304.84, 0.79%, 0.31%

LAB 33.04, 58.98, -32.42

 

CMYK 0 / 100 / 10 / 52

HEX #7B006F

RGB 123 0 111

HSL 305.85, 1%, 0.24%

LAB 27.73, 55.44, -29.01

 

CMYK 0 / 100 / 13 / 58

HEX #6A005C

RGB 106 0 92

HSL 307.92, 1%, 0.21%

LAB 23.12, 49.34, -24.11

 

CMYK 0 / 100 / 18 / 65

HEX #590049

RGB 89 0 73

HSL 310.79, 1%, 0.17%

LAB 18.39, 43.07, -18.98

 

CMYK 0 / 100 / 25 / 72

HEX #480036

RGB 72 0 54

HSL 315, 1%, 0.14%

LAB 13.5, 36.61, -13.52

 

CMYK 0 / 88 / 7 / 45

HEX #8D1183

RGB 141 17 131

HSL 304.84, 0.78%, 0.31%

LAB 33.36, 59.14, -32.54

 

CMYK 0 / 88 / 30 / 45

HEX #8D1162

RGB 141 17 98

HSL 320.81, 0.78%, 0.31%

LAB 31.68, 54.64, -14.18

 

CMYK 0 / 88 / 55 / 45

HEX #8D1140

RGB 141 17 64

HSL 337.26, 0.78%, 0.31%

LAB 30.48, 51.25, 6.42

 

CMYK 0 / 88 / 79 / 45

HEX #8D111E

RGB 141 17 30

HSL 353.71, 0.78%, 0.31%

LAB 29.81, 49.28, 27.89

 

CMYK 0 / 88 / 88 / 45

HEX #8D1111

RGB 141 17 17

HSL 0, 0.78%, 0.31%

LAB 29.67, 48.89, 35.33

 

CMYK 0 / 88 / 7 / 45

HEX #8D1183

RGB 141 17 131

HSL 304.84, 0.78%, 0.31%

LAB 33.36, 59.14, -32.54

 

CMYK 16 / 88 / 0 / 45

HEX #76118D

RGB 118 17 141

HSL 288.87, 0.78%, 0.31%

LAB 29.85, 56.5, -44.6

 

CMYK 40 / 88 / 0 / 45

HEX #54118D

RGB 84 17 141

HSL 272.42, 0.78%, 0.31%

LAB 24.35, 51.1, -53.8

 

CMYK 64 / 88 / 0 / 45

HEX #33118D

RGB 51 17 141

HSL 256.45, 0.78%, 0.31%

LAB 20.15, 47.29, -60.86

 

CMYK 88 / 88 / 0 / 45

HEX #11118D

RGB 17 17 141

HSL 240, 0.78%, 0.31%

LAB 17.66, 45.21, -65.08

 

CMYK 0 / 88 / 7 / 45

HEX #8D1183

RGB 141 17 131

HSL 304.84, 0.78%, 0.31%

LAB 33.36, 59.14, -32.54

 

CMYK 0 / 97 / 8 / 40

HEX #9A048E

RGB 154 4 142

HSL 304.8, 0.95%, 0.31%

LAB 35.81, 65.15, -35.3

 

CMYK 0 / 88 / 7 / 45

HEX #8D1183

RGB 141 17 131

HSL 304.84, 0.78%, 0.31%

LAB 33.36, 59.14, -32.54

 

CMYK 0 / 78 / 6 / 49

HEX #811D79

RGB 129 29 121

HSL 304.8, 0.63%, 0.31%

LAB 31.64, 51.9, -29.12

 

CMYK 0 / 64 / 5 / 55

HEX #742A6E

RGB 116 42 110

HSL 304.86, 0.47%, 0.31%

LAB 30.63, 41.53, -23.89

 

CMYK 0 / 47 / 4 / 60

HEX #673763

RGB 103 55 99

HSL 305, 0.3%, 0.31%

LAB 30.68, 28.46, -16.92

 

CMYK 0 / 24 / 1 / 65

HEX #5A4459

RGB 90 68 89

HSL 302.73, 0.14%, 0.31%

LAB 31.87, 13.56, -8.83

 

CMYK 41 / 88 / 0 / 45

HEX #53118D

RGB 83 17 141

HSL 271.94, 0.78%, 0.31%

LAB 24.2, 50.97, -54.05

 

CMYK 17 / 88 / 0 / 45

HEX #75118D

RGB 117 17 141

HSL 288.39, 0.78%, 0.31%

LAB 29.68, 56.32, -44.89

 

CMYK 0 / 88 / 6 / 45

HEX #8D1185

RGB 141 17 133

HSL 303.87, 0.78%, 0.31%

LAB 33.47, 59.45, -33.6

 

CMYK 0 / 88 / 29 / 45

HEX #8D1164

RGB 141 17 100

HSL 319.84, 0.78%, 0.31%

LAB 31.77, 54.88, -15.34

 

CMYK 0 / 88 / 52 / 45

HEX #8D1143

RGB 141 17 67

HSL 335.81, 0.78%, 0.31%

LAB 30.57, 51.49, 4.54

 

CMYK 0 / 88 / 7 / 73

HEX #44083F

RGB 68 8 63

HSL 305, 0.79%, 0.15%

LAB 14.18, 34.13, -18.93

 

CMYK 0 / 89 / 8 / 59

HEX #690C61

RGB 105 12 97

HSL 305.16, 0.79%, 0.23%

LAB 24.09, 47.35, -25.9

 

CMYK 0 / 88 / 7 / 45

HEX #8D1183

RGB 141 17 131

HSL 304.84, 0.78%, 0.31%

LAB 33.36, 59.14, -32.54

 

CMYK 0 / 88 / 7 / 30

HEX #B215A6

RGB 178 21 166

HSL 304.59, 0.79%, 0.39%

LAB 42.39, 70.84, -39.13

 

CMYK 0 / 88 / 7 / 16

HEX #D719C8

RGB 215 25 200

HSL 304.74, 0.79%, 0.47%

LAB 51.05, 81.89, -44.95

 

CMYK 0 / 89 / 7 / 45

HEX #8C1082

RGB 140 16 130

HSL 304.84, 0.79%, 0.31%

LAB 33.04, 58.98, -32.42

 

CMYK 0 / 65 / 88 / 45

HEX #8D3211

RGB 141 50 17

HSL 15.97, 0.78%, 0.31%

LAB 33.95, 37.1, 38.97

 

CMYK 88 / 0 / 29 / 45

HEX #118D64

RGB 17 141 100

HSL 160.16, 0.78%, 0.31%

LAB 51.94, -41.61, 13.16

 

CMYK 0 / 89 / 7 / 45

HEX #8C1082

RGB 140 16 130

HSL 304.84, 0.79%, 0.31%

LAB 33.04, 58.98, -32.42

 

CMYK 6 / 0 / 88 / 45

HEX #858D11

RGB 133 141 17

HSL 63.87, 0.78%, 0.31%

LAB 56.16, -17.18, 57.06

 

CMYK 88 / 6 / 0 / 45

HEX #11858D

RGB 17 133 141

HSL 183.87, 0.78%, 0.31%

LAB 50.47, -26.12, -12.76

 

CMYK 0 / 89 / 7 / 45

HEX #8C1082

RGB 140 16 130

HSL 304.84, 0.79%, 0.31%

LAB 33.04, 58.98, -32.42

 

CMYK 0 / 65 / 88 / 45

HEX #8D3211

RGB 141 50 17

HSL 15.97, 0.78%, 0.31%

LAB 33.95, 37.1, 38.97

 

CMYK 88 / 0 / 82 / 45

HEX #118D19

RGB 17 141 25

HSL 123.87, 0.78%, 0.31%

LAB 50.97, -53.14, 48.37

 

CMYK 88 / 23 / 0 / 45

HEX #116C8D

RGB 17 108 141

HSL 195.97, 0.78%, 0.31%

LAB 42.41, -12.61, -25.12

 

CMYK 0 / 89 / 7 / 45

HEX #8C1082

RGB 140 16 130

HSL 304.84, 0.79%, 0.31%

LAB 33.04, 58.98, -32.42

 

CMYK 0 / 38 / 88 / 45

HEX #8D5711

RGB 141 87 17

HSL 33.87, 0.78%, 0.31%

LAB 42.03, 17, 45.72

 

CMYK 88 / 0 / 82 / 45

HEX #118D19

RGB 17 141 25

HSL 123.87, 0.78%, 0.31%

LAB 50.97, -53.14, 48.37

 

CMYK 88 / 50 / 0 / 45

HEX #11478D

RGB 17 71 141

HSL 213.87, 0.78%, 0.31%

LAB 30.76, 10.92, -43.59

 

Description

Color code: HEX #8C1082 | qconv.com Color code: HEX #8C1082 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 16 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 16 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 7 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 7% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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