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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D558C9 it is the complementary color #2AA736. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D558C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D558C9 shade: #DA58C4, #EB6AD7, #FC7CEA, #FF8EFD and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D558C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D558C9 shade: #D558C9, #C446B6, #B334A3, #A22290 and #91107D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D558C9 shade: #D558C9, #D558A7, #D55885, #D55864 and #D55858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D558C9 shade: #D558C9, #BF58D5, #9E58D5, #7C58D5 and #5A58D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D558C9 shade matches the following richer shades: #D558C9, #E647D7 and #F736E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D558C9 shade: #D558C9, #C469BB, #B37AAE, #A28AA0 and #929B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D558C9 shade: #9D58D5, #BE58D5, #D558CB, #D558A9 and #D55888

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D558C9 shade: #AF2CA2, #CD37BF, #D558C9, #DD79D4 and #E69ADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D558C9 shade: #D558C9, #D57B58 and #58D5AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D558C9 shade: #D558C9, #CBD558 and #58CBD5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D558C9 shade: #D558C9, #D57B58, #58D562 and #58B2D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D558C9 shade: #D558C9, #D5A158, #58D562 and #588CD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

Complementary color

CMYK 75 / 0 / 68 / 35

HEX #2AA736

RGB 42 167 54

HSL 125.76, 0.6%, 0.41%

LAB 60.24, -55.83, 47.14

 

CMYK 0 / 60 / 10 / 15

HEX #DA58C4

RGB 218 88 196

HSL 310.15, 0.64%, 0.6%

LAB 57.91, 63.35, -31.83

 

CMYK 0 / 55 / 9 / 8

HEX #EB6AD7

RGB 235 106 215

HSL 309.3, 0.76%, 0.67%

LAB 64.06, 63.01, -32.84

 

CMYK 0 / 51 / 7 / 1

HEX #FC7CEA

RGB 252 124 234

HSL 308.44, 0.96%, 0.74%

LAB 70.21, 62.5, -33.68

 

CMYK 0 / 44 / 1 / 0

HEX #FF8EFD

RGB 255 142 253

HSL 301.06, 1%, 0.78%

LAB 74.63, 57.93, -37.18

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 64 / 7 / 23

HEX #C446B6

RGB 196 70 182

HSL 306.67, 0.52%, 0.52%

LAB 51.26, 62.92, -34.39

 

CMYK 0 / 71 / 9 / 30

HEX #B334A3

RGB 179 52 163

HSL 307.56, 0.55%, 0.45%

LAB 45.2, 62.57, -32.9

 

CMYK 0 / 79 / 11 / 36

HEX #A22290

RGB 162 34 144

HSL 308.44, 0.65%, 0.38%

LAB 39.31, 61.49, -30.9

 

CMYK 0 / 89 / 14 / 43

HEX #91107D

RGB 145 16 125

HSL 309.3, 0.8%, 0.32%

LAB 33.71, 59.27, -28.17

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 59 / 22 / 16

HEX #D558A7

RGB 213 88 167

HSL 322.08, 0.6%, 0.59%

LAB 56, 57.68, -18.11

 

CMYK 0 / 59 / 38 / 16

HEX #D55885

RGB 213 88 133

HSL 338.4, 0.6%, 0.59%

LAB 54.89, 53.4, 0.17

 

CMYK 0 / 59 / 53 / 16

HEX #D55864

RGB 213 88 100

HSL 354.24, 0.6%, 0.59%

LAB 54.08, 50.19, 18.55

 

CMYK 0 / 59 / 59 / 16

HEX #D55858

RGB 213 88 88

HSL 0, 0.6%, 0.59%

LAB 53.85, 49.26, 25.28

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 10 / 59 / 0 / 16

HEX #BF58D5

RGB 191 88 213

HSL 289.44, 0.6%, 0.59%

LAB 54.93, 59.31, -46.47

 

CMYK 26 / 59 / 0 / 16

HEX #9E58D5

RGB 158 88 213

HSL 273.6, 0.6%, 0.59%

LAB 50.75, 51.2, -53.38

 

CMYK 42 / 59 / 0 / 16

HEX #7C58D5

RGB 124 88 213

HSL 257.28, 0.6%, 0.59%

LAB 47.06, 43.37, -59.5

 

CMYK 58 / 59 / 0 / 16

HEX #5A58D5

RGB 90 88 213

HSL 240.96, 0.6%, 0.59%

LAB 44.17, 36.62, -64.32

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 69 / 7 / 10

HEX #E647D7

RGB 230 71 215

HSL 305.66, 0.76%, 0.59%

LAB 58.26, 75.73, -41.97

 

CMYK 0 / 78 / 8 / 3

HEX #F736E4

RGB 247 54 228

HSL 305.91, 0.92%, 0.59%

LAB 59.9, 86.14, -46.53

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 46 / 5 / 23

HEX #C469BB

RGB 196 105 187

HSL 305.93, 0.44%, 0.59%

LAB 57.49, 47.62, -27.58

 

CMYK 0 / 32 / 3 / 30

HEX #B37AAE

RGB 179 122 174

HSL 305.26, 0.27%, 0.59%

LAB 58.56, 30.7, -18.65

 

CMYK 0 / 15 / 1 / 36

HEX #A28AA0

RGB 162 138 160

HSL 305, 0.11%, 0.59%

LAB 60.25, 13.05, -8.28

 

CMYK 6 / 0 / 6 / 39

HEX #929B92

RGB 146 155 146

HSL 120, 0.04%, 0.59%

LAB 63.04, -4.98, 3.6

 

CMYK 26 / 59 / 0 / 16

HEX #9D58D5

RGB 157 88 213

HSL 273.12, 0.6%, 0.59%

LAB 50.63, 50.96, -53.57

 

CMYK 11 / 59 / 0 / 16

HEX #BE58D5

RGB 190 88 213

HSL 288.96, 0.6%, 0.59%

LAB 54.79, 59.06, -46.69

 

CMYK 0 / 59 / 5 / 16

HEX #D558CB

RGB 213 88 203

HSL 304.8, 0.6%, 0.59%

LAB 57.5, 63.15, -36.52

 

CMYK 0 / 59 / 21 / 16

HEX #D558A9

RGB 213 88 169

HSL 321.12, 0.6%, 0.59%

LAB 56.08, 57.96, -19.16

 

CMYK 0 / 59 / 36 / 16

HEX #D55888

RGB 213 88 136

HSL 336.96, 0.6%, 0.59%

LAB 54.97, 53.74, -1.47

 

CMYK 0 / 75 / 7 / 31

HEX #AF2CA2

RGB 175 44 162

HSL 305.95, 0.6%, 0.43%

LAB 43.54, 64.14, -34.95

 

CMYK 0 / 73 / 7 / 20

HEX #CD37BF

RGB 205 55 191

HSL 305.6, 0.6%, 0.51%

LAB 51.24, 71.77, -39.55

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 45 / 4 / 13

HEX #DD79D4

RGB 221 121 212

HSL 305.4, 0.6%, 0.67%

LAB 64.8, 51.37, -30.16

 

CMYK 0 / 33 / 3 / 10

HEX #E69ADE

RGB 230 154 222

HSL 306.32, 0.6%, 0.75%

LAB 73.03, 38.82, -22.98

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 42 / 59 / 16

HEX #D57B58

RGB 213 123 88

HSL 16.8, 0.6%, 0.59%

LAB 60.8, 31.7, 34.13

 

CMYK 59 / 0 / 19 / 16

HEX #58D5AD

RGB 88 213 173

HSL 160.8, 0.6%, 0.59%

LAB 77.69, -44.21, 9.48

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 5 / 0 / 59 / 16

HEX #CBD558

RGB 203 213 88

HSL 64.8, 0.6%, 0.59%

LAB 82.37, -19.9, 59.12

 

CMYK 59 / 5 / 0 / 16

HEX #58CBD5

RGB 88 203 213

HSL 184.8, 0.6%, 0.59%

LAB 75.82, -29.4, -14.76

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 42 / 59 / 16

HEX #D57B58

RGB 213 123 88

HSL 16.8, 0.6%, 0.59%

LAB 60.8, 31.7, 34.13

 

CMYK 59 / 0 / 54 / 16

HEX #58D562

RGB 88 213 98

HSL 124.8, 0.6%, 0.59%

LAB 76.4, -57.77, 46.14

 

CMYK 59 / 16 / 0 / 16

HEX #58B2D5

RGB 88 178 213

HSL 196.8, 0.6%, 0.59%

LAB 68.55, -16.76, -25.8

 

CMYK 0 / 59 / 6 / 16

HEX #D558C9

RGB 213 88 201

HSL 305.76, 0.6%, 0.59%

LAB 57.41, 62.83, -35.53

 

CMYK 0 / 24 / 59 / 16

HEX #D5A158

RGB 213 161 88

HSL 35.04, 0.6%, 0.59%

LAB 69.71, 11.23, 44.93

 

CMYK 59 / 0 / 54 / 16

HEX #58D562

RGB 88 213 98

HSL 124.8, 0.6%, 0.59%

LAB 76.4, -57.77, 46.14

 

CMYK 59 / 34 / 0 / 16

HEX #588CD5

RGB 88 140 213

HSL 215.04, 0.6%, 0.59%

LAB 57.69, 4.49, -42.69

 

Description

Color code: HEX #D558C9 | qconv.com Color code: HEX #D558C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 213 red, 88 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
213 88 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 6 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 6% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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