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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BF139 it is the complementary color #740EC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BF139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BF139 shade: #90F134, #A1FF47, #B2FF5A, #C3FF6D and #D4FF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BF139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BF139 shade: #8BF139, #7ADF26, #69CD13, #58BB00 and #47A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BF139 shade: #8AF137, #BCF137, #EEF137, #F1C237 and #F18F37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BF139 shade: #8AF137, #58F137, #37F148, #37F17A and #37F1AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BF139 shade matches the following richer shades: #8AF137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BF139 shade: #8AF137, #8CE048, #8ECE59, #8FBD6B and #91AC7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BF139 shade: #EEF137, #BCF137, #8BF137, #59F137 and #37F146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BF139 shade: #61C70E, #73EE11, #8AF137, #A0F45D and #B7F684

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BF139 shade: #8BF139, #37F1C2 and #F137D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BF139 shade: #8BF139, #378BF1 and #F1378B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BF139 shade: #8BF139, #37F1C2, #9D37F1 and #F13765

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BF139 shade: #8BF139, #37E8F1, #9D37F1 and #F14037

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 76 / 5

HEX #8BF139

RGB 139 241 57

HSL 93.26, 0.87%, 0.58%

LAB 86.35, -57.81, 73.47

 

Complementary color

CMYK 41 / 93 / 0 / 22

HEX #740EC6

RGB 116 14 198

HSL 273.26, 0.87%, 0.42%

LAB 34.2, 68.36, -71.82

 

CMYK 40 / 0 / 78 / 5

HEX #90F134

RGB 144 241 52

HSL 90.79, 0.87%, 0.57%

LAB 86.55, -56.47, 75.17

 

CMYK 37 / 0 / 72 / 0

HEX #A1FF47

RGB 161 255 71

HSL 90.65, 1%, 0.64%

LAB 91.48, -55.42, 74.35

 

CMYK 30 / 0 / 65 / 0

HEX #B2FF5A

RGB 178 255 90

HSL 88, 1%, 0.68%

LAB 92.45, -48.39, 68.75

 

CMYK 24 / 0 / 57 / 0

HEX #C3FF6D

RGB 195 255 109

HSL 84.66, 1%, 0.71%

LAB 93.55, -40.84, 62.44

 

CMYK 17 / 0 / 50 / 0

HEX #D4FF80

RGB 212 255 128

HSL 80.31, 1%, 0.75%

LAB 94.77, -32.9, 55.69

 

CMYK 42 / 0 / 76 / 5

HEX #8BF139

RGB 139 241 57

HSL 93.26, 0.87%, 0.58%

LAB 86.35, -57.81, 73.47

 

CMYK 45 / 0 / 83 / 13

HEX #7ADF26

RGB 122 223 38

HSL 92.76, 0.74%, 0.51%

LAB 80.21, -57.12, 72.69

 

CMYK 49 / 0 / 91 / 20

HEX #69CD13

RGB 105 205 19

HSL 92.26, 0.83%, 0.44%

LAB 74.01, -56.16, 70.83

 

CMYK 53 / 0 / 100 / 27

HEX #58BB00

RGB 88 187 0

HSL 91.76, 1%, 0.37%

LAB 67.74, -54.89, 67.8

 

CMYK 58 / 0 / 100 / 34

HEX #47A900

RGB 71 169 0

HSL 94.79, 1%, 0.33%

LAB 61.41, -53.13, 62.56

 

CMYK 43 / 0 / 77 / 5

HEX #8AF137

RGB 138 241 55

HSL 93.23, 0.87%, 0.58%

LAB 86.3, -58.23, 74

 

CMYK 22 / 0 / 77 / 5

HEX #BCF137

RGB 188 241 55

HSL 77.1, 0.87%, 0.58%

LAB 88.86, -40.76, 77.31

 

CMYK 1 / 0 / 77 / 5

HEX #EEF137

RGB 238 241 55

HSL 60.97, 0.87%, 0.58%

LAB 92.29, -20.9, 81.69

 

CMYK 0 / 20 / 77 / 5

HEX #F1C237

RGB 241 194 55

HSL 44.84, 0.87%, 0.58%

LAB 80.49, 3.89, 71.12

 

CMYK 0 / 41 / 77 / 5

HEX #F18F37

RGB 241 143 55

HSL 28.39, 0.87%, 0.58%

LAB 68.48, 30.67, 59.83

 

CMYK 43 / 0 / 77 / 5

HEX #8AF137

RGB 138 241 55

HSL 93.23, 0.87%, 0.58%

LAB 86.3, -58.23, 74

 

CMYK 63 / 0 / 77 / 5

HEX #58F137

RGB 88 241 55

HSL 109.35, 0.87%, 0.58%

LAB 84.62, -71.37, 71.81

 

CMYK 77 / 0 / 70 / 5

HEX #37F148

RGB 55 241 72

HSL 125.48, 0.87%, 0.58%

LAB 84.06, -75.68, 65.43

 

CMYK 77 / 0 / 49 / 5

HEX #37F17A

RGB 55 241 122

HSL 141.61, 0.87%, 0.58%

LAB 84.55, -69.83, 44.6

 

CMYK 77 / 0 / 28 / 5

HEX #37F1AD

RGB 55 241 173

HSL 158.06, 0.87%, 0.58%

LAB 85.37, -60.47, 20.19

 

CMYK 43 / 0 / 77 / 5

HEX #8AF137

RGB 138 241 55

HSL 93.23, 0.87%, 0.58%

LAB 86.3, -58.23, 74

 

CMYK 43 / 0 / 77 / 5

HEX #8AF137

RGB 138 241 55

HSL 93.23, 0.87%, 0.58%

LAB 86.3, -58.23, 74

 

CMYK 38 / 0 / 68 / 12

HEX #8CE048

RGB 140 224 72

HSL 93.16, 0.71%, 0.58%

LAB 81.49, -49.8, 63.54

 

CMYK 31 / 0 / 57 / 19

HEX #8ECE59

RGB 142 206 89

HSL 92.82, 0.54%, 0.58%

LAB 76.45, -39.99, 50.91

 

CMYK 24 / 0 / 43 / 26

HEX #8FBD6B

RGB 143 189 107

HSL 93.66, 0.38%, 0.58%

LAB 71.76, -29.77, 36.54

 

CMYK 16 / 0 / 28 / 33

HEX #91AC7C

RGB 145 172 124

HSL 93.75, 0.22%, 0.58%

LAB 67.26, -18.2, 21.71

 

CMYK 1 / 0 / 77 / 5

HEX #EEF137

RGB 238 241 55

HSL 60.97, 0.87%, 0.58%

LAB 92.29, -20.9, 81.69

 

CMYK 22 / 0 / 77 / 5

HEX #BCF137

RGB 188 241 55

HSL 77.1, 0.87%, 0.58%

LAB 88.86, -40.76, 77.31

 

CMYK 42 / 0 / 77 / 5

HEX #8BF137

RGB 139 241 55

HSL 92.9, 0.87%, 0.58%

LAB 86.34, -57.92, 74.05

 

CMYK 63 / 0 / 77 / 5

HEX #59F137

RGB 89 241 55

HSL 109.03, 0.87%, 0.58%

LAB 84.64, -71.16, 71.84

 

CMYK 77 / 0 / 71 / 5

HEX #37F146

RGB 55 241 70

HSL 124.84, 0.87%, 0.58%

LAB 84.05, -75.85, 66.13

 

CMYK 51 / 0 / 93 / 22

HEX #61C70E

RGB 97 199 14

HSL 93.08, 0.87%, 0.42%

LAB 71.84, -56.42, 69.62

 

CMYK 52 / 0 / 93 / 7

HEX #73EE11

RGB 115 238 17

HSL 93.39, 0.87%, 0.5%

LAB 84.4, -65.23, 79.8

 

CMYK 43 / 0 / 77 / 5

HEX #8AF137

RGB 138 241 55

HSL 93.23, 0.87%, 0.58%

LAB 86.3, -58.23, 74

 

CMYK 34 / 0 / 62 / 4

HEX #A0F45D

RGB 160 244 93

HSL 93.38, 0.87%, 0.66%

LAB 88.43, -49.7, 62.93

 

CMYK 26 / 0 / 46 / 4

HEX #B7F684

RGB 183 246 132

HSL 93.16, 0.86%, 0.74%

LAB 90.62, -38.78, 48.36

 

CMYK 42 / 0 / 76 / 5

HEX #8BF139

RGB 139 241 57

HSL 93.26, 0.87%, 0.58%

LAB 86.35, -57.81, 73.47

 

CMYK 77 / 0 / 20 / 5

HEX #37F1C2

RGB 55 241 194

HSL 164.84, 0.87%, 0.58%

LAB 85.82, -55.71, 9.92

 

CMYK 0 / 77 / 12 / 5

HEX #F137D5

RGB 241 55 213

HSL 309.03, 0.87%, 0.58%

LAB 58.26, 82.6, -40.71

 

CMYK 42 / 0 / 76 / 5

HEX #8BF139

RGB 139 241 57

HSL 93.26, 0.87%, 0.58%

LAB 86.35, -57.81, 73.47

 

CMYK 77 / 42 / 0 / 5

HEX #378BF1

RGB 55 139 241

HSL 212.9, 0.87%, 0.58%

LAB 57.68, 9.8, -58.38

 

CMYK 0 / 77 / 42 / 5

HEX #F1378B

RGB 241 55 139

HSL 332.9, 0.87%, 0.58%

LAB 55.38, 74.09, -2.11

 

CMYK 42 / 0 / 76 / 5

HEX #8BF139

RGB 139 241 57

HSL 93.26, 0.87%, 0.58%

LAB 86.35, -57.81, 73.47

 

CMYK 77 / 0 / 20 / 5

HEX #37F1C2

RGB 55 241 194

HSL 164.84, 0.87%, 0.58%

LAB 85.82, -55.71, 9.92

 

CMYK 35 / 77 / 0 / 5

HEX #9D37F1

RGB 157 55 241

HSL 272.9, 0.87%, 0.58%

LAB 47.3, 71.86, -74.81

 

CMYK 0 / 77 / 58 / 5

HEX #F13765

RGB 241 55 101

HSL 345.16, 0.87%, 0.58%

LAB 54.42, 71.13, 19.23

 

CMYK 42 / 0 / 76 / 5

HEX #8BF139

RGB 139 241 57

HSL 93.26, 0.87%, 0.58%

LAB 86.35, -57.81, 73.47

 

CMYK 77 / 4 / 0 / 5

HEX #37E8F1

RGB 55 232 241

HSL 182.9, 0.87%, 0.58%

LAB 84.42, -39.4, -16.83

 

CMYK 35 / 77 / 0 / 5

HEX #9D37F1

RGB 157 55 241

HSL 272.9, 0.87%, 0.58%

LAB 47.3, 71.86, -74.81

 

CMYK 0 / 73 / 77 / 5

HEX #F14037

RGB 241 64 55

HSL 2.9, 0.87%, 0.58%

LAB 54.7, 66.15, 46.05

 

Description

Color code: HEX #8BF139 | qconv.com Color code: HEX #8BF139 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 241 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 241 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 76 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 76% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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