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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F134 it is the complementary color #6F0ECB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F134 shade: #95F12F, #A6FF42, #B7FF55, #C8FF68 and #D9FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F134 shade: #90F134, #7FDF21, #6ECD0E, #5DBB00 and #4CA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F134 shade: #8FF132, #C2F132, #F1EC32, #F1B832 and #F18532

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F134 shade: #8FF132, #5BF132, #32F13C, #32F16F and #32F1A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F134 shade matches the following richer shades: #8FF132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F134 shade: #8FF132, #8FDF44, #90CD55, #90BC67 and #91AA79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F134 shade: #F1EA32, #C4F132, #91F132, #5EF132 and #32F138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F134 shade: #66C30E, #7AE910, #8FF132, #A4F359 and #B9F67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F134 shade: #90F134, #32F1B8 and #F132DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F134 shade: #90F134, #3291F1 and #F13291

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F134 shade: #90F134, #32F1B8, #9132F1 and #F1326B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F134 shade: #90F134, #32F1F1, #9132F1 and #F13232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 78 / 5

HEX #90F134

RGB 144 241 52

HSL 90.79, 0.87%, 0.57%

LAB 86.55, -56.47, 75.17

 

Complementary color

CMYK 45 / 93 / 0 / 20

HEX #6F0ECB

RGB 111 14 203

HSL 270.79, 0.87%, 0.43%

LAB 33.99, 68.91, -75.11

 

CMYK 38 / 0 / 80 / 5

HEX #95F12F

RGB 149 241 47

HSL 88.45, 0.87%, 0.56%

LAB 86.75, -55.05, 76.78

 

CMYK 35 / 0 / 74 / 0

HEX #A6FF42

RGB 166 255 66

HSL 88.25, 1%, 0.63%

LAB 91.69, -54.03, 76.25

 

CMYK 28 / 0 / 67 / 0

HEX #B7FF55

RGB 183 255 85

HSL 85.41, 1%, 0.67%

LAB 92.68, -46.99, 70.98

 

CMYK 22 / 0 / 59 / 0

HEX #C8FF68

RGB 200 255 104

HSL 81.85, 1%, 0.7%

LAB 93.8, -39.45, 64.92

 

CMYK 15 / 0 / 52 / 0

HEX #D9FF7B

RGB 217 255 123

HSL 77.27, 1%, 0.74%

LAB 95.04, -31.52, 58.35

 

CMYK 40 / 0 / 78 / 5

HEX #90F134

RGB 144 241 52

HSL 90.79, 0.87%, 0.57%

LAB 86.55, -56.47, 75.17

 

CMYK 43 / 0 / 85 / 13

HEX #7FDF21

RGB 127 223 33

HSL 90.32, 0.75%, 0.5%

LAB 80.4, -55.74, 74.06

 

CMYK 46 / 0 / 93 / 20

HEX #6ECD0E

RGB 110 205 14

HSL 89.84, 0.87%, 0.43%

LAB 74.2, -54.74, 71.76

 

CMYK 50 / 0 / 100 / 27

HEX #5DBB00

RGB 93 187 0

HSL 90.16, 1%, 0.37%

LAB 67.92, -53.42, 68.02

 

CMYK 55 / 0 / 100 / 34

HEX #4CA900

RGB 76 169 0

HSL 93.02, 1%, 0.33%

LAB 61.58, -51.75, 62.77

 

CMYK 41 / 0 / 79 / 5

HEX #8FF132

RGB 143 241 50

HSL 90.79, 0.87%, 0.57%

LAB 86.49, -56.88, 75.66

 

CMYK 20 / 0 / 79 / 5

HEX #C2F132

RGB 194 241 50

HSL 74.76, 0.87%, 0.57%

LAB 89.21, -38.66, 79.13

 

CMYK 0 / 2 / 79 / 5

HEX #F1EC32

RGB 241 236 50

HSL 58.43, 0.87%, 0.57%

LAB 91.2, -17.42, 82.16

 

CMYK 0 / 24 / 79 / 5

HEX #F1B832

RGB 241 184 50

HSL 42.09, 0.87%, 0.57%

LAB 78, 8.92, 70.52

 

CMYK 0 / 45 / 79 / 5

HEX #F18532

RGB 241 133 50

HSL 26.07, 0.87%, 0.57%

LAB 66.29, 35.67, 59.81

 

CMYK 41 / 0 / 79 / 5

HEX #8FF132

RGB 143 241 50

HSL 90.79, 0.87%, 0.57%

LAB 86.49, -56.88, 75.66

 

CMYK 62 / 0 / 79 / 5

HEX #5BF132

RGB 91 241 50

HSL 107.12, 0.87%, 0.57%

LAB 84.67, -71.01, 73.31

 

CMYK 79 / 0 / 75 / 5

HEX #32F13C

RGB 50 241 60

HSL 123.14, 0.87%, 0.57%

LAB 83.92, -77.21, 69.35

 

CMYK 79 / 0 / 54 / 5

HEX #32F16F

RGB 50 241 111

HSL 139.16, 0.87%, 0.57%

LAB 84.35, -71.98, 49.48

 

CMYK 79 / 0 / 32 / 5

HEX #32F1A3

RGB 50 241 163

HSL 155.5, 0.87%, 0.57%

LAB 85.12, -63.09, 24.97

 

CMYK 41 / 0 / 79 / 5

HEX #8FF132

RGB 143 241 50

HSL 90.79, 0.87%, 0.57%

LAB 86.49, -56.88, 75.66

 

CMYK 41 / 0 / 79 / 5

HEX #8FF132

RGB 143 241 50

HSL 90.79, 0.87%, 0.57%

LAB 86.49, -56.88, 75.66

 

CMYK 36 / 0 / 70 / 13

HEX #8FDF44

RGB 143 223 68

HSL 90.97, 0.71%, 0.57%

LAB 81.31, -48.66, 64.89

 

CMYK 30 / 0 / 59 / 20

HEX #90CD55

RGB 144 205 85

HSL 90.5, 0.55%, 0.57%

LAB 76.22, -39.22, 52.48

 

CMYK 23 / 0 / 45 / 26

HEX #90BC67

RGB 144 188 103

HSL 91.06, 0.39%, 0.57%

LAB 71.47, -29.43, 38.22

 

CMYK 15 / 0 / 29 / 33

HEX #91AA79

RGB 145 170 121

HSL 90.61, 0.22%, 0.57%

LAB 66.63, -17.64, 22.48

 

CMYK 0 / 3 / 79 / 5

HEX #F1EA32

RGB 241 234 50

HSL 57.8, 0.87%, 0.57%

LAB 90.68, -16.44, 81.71

 

CMYK 19 / 0 / 79 / 5

HEX #C4F132

RGB 196 241 50

HSL 74.14, 0.87%, 0.57%

LAB 89.34, -37.89, 79.29

 

CMYK 40 / 0 / 79 / 5

HEX #91F132

RGB 145 241 50

HSL 90.16, 0.87%, 0.57%

LAB 86.58, -56.24, 75.77

 

CMYK 61 / 0 / 79 / 5

HEX #5EF132

RGB 94 241 50

HSL 106.18, 0.87%, 0.57%

LAB 84.75, -70.35, 73.41

 

CMYK 79 / 0 / 77 / 5

HEX #32F138

RGB 50 241 56

HSL 121.88, 0.87%, 0.57%

LAB 83.9, -77.47, 70.57

 

CMYK 48 / 0 / 93 / 24

HEX #66C30E

RGB 102 195 14

HSL 90.83, 0.87%, 0.41%

LAB 70.79, -53.43, 68.85

 

CMYK 48 / 0 / 93 / 9

HEX #7AE910

RGB 122 233 16

HSL 90.69, 0.87%, 0.49%

LAB 83.15, -61.46, 79

 

CMYK 41 / 0 / 79 / 5

HEX #8FF132

RGB 143 241 50

HSL 90.79, 0.87%, 0.57%

LAB 86.49, -56.88, 75.66

 

CMYK 33 / 0 / 63 / 5

HEX #A4F359

RGB 164 243 89

HSL 90.78, 0.87%, 0.65%

LAB 88.31, -48.25, 64.49

 

CMYK 25 / 0 / 48 / 4

HEX #B9F67F

RGB 185 246 127

HSL 90.76, 0.87%, 0.73%

LAB 90.67, -38.64, 50.81

 

CMYK 40 / 0 / 78 / 5

HEX #90F134

RGB 144 241 52

HSL 90.79, 0.87%, 0.57%

LAB 86.55, -56.47, 75.17

 

CMYK 79 / 0 / 24 / 5

HEX #32F1B8

RGB 50 241 184

HSL 162.09, 0.87%, 0.57%

LAB 85.53, -58.54, 14.71

 

CMYK 0 / 79 / 8 / 5

HEX #F132DE

RGB 241 50 222

HSL 305.97, 0.87%, 0.57%

LAB 58.28, 85.07, -45.78

 

CMYK 40 / 0 / 78 / 5

HEX #90F134

RGB 144 241 52

HSL 90.79, 0.87%, 0.57%

LAB 86.55, -56.47, 75.17

 

CMYK 79 / 40 / 0 / 5

HEX #3291F1

RGB 50 145 241

HSL 210.16, 0.87%, 0.57%

LAB 59.23, 5.69, -55.91

 

CMYK 0 / 79 / 40 / 5

HEX #F13291

RGB 241 50 145

HSL 330.16, 0.87%, 0.57%

LAB 55.1, 75.96, -6.08

 

CMYK 40 / 0 / 78 / 5

HEX #90F134

RGB 144 241 52

HSL 90.79, 0.87%, 0.57%

LAB 86.55, -56.47, 75.17

 

CMYK 79 / 0 / 24 / 5

HEX #32F1B8

RGB 50 241 184

HSL 162.09, 0.87%, 0.57%

LAB 85.53, -58.54, 14.71

 

CMYK 40 / 79 / 0 / 5

HEX #9132F1

RGB 145 50 241

HSL 269.84, 0.87%, 0.57%

LAB 45.15, 71.83, -78.38

 

CMYK 0 / 79 / 56 / 5

HEX #F1326B

RGB 241 50 107

HSL 342.09, 0.87%, 0.57%

LAB 54.07, 72.87, 15.16

 

CMYK 40 / 0 / 78 / 5

HEX #90F134

RGB 144 241 52

HSL 90.79, 0.87%, 0.57%

LAB 86.55, -56.47, 75.17

 

CMYK 79 / 0 / 0 / 5

HEX #32F1F1

RGB 50 241 241

HSL 180, 0.87%, 0.57%

LAB 86.97, -43.87, -13.01

 

CMYK 40 / 79 / 0 / 5

HEX #9132F1

RGB 145 50 241

HSL 269.84, 0.87%, 0.57%

LAB 45.15, 71.83, -78.38

 

CMYK 0 / 79 / 79 / 5

HEX #F13232

RGB 241 50 50

HSL 0, 0.87%, 0.57%

LAB 53.18, 70.12, 47.14

 

Description

Color code: HEX #90F134 | qconv.com Color code: HEX #90F134 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 241 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 241 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 78 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 78% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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