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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BD8E9 it is the complementary color #742716. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BD8E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8BD8E9: #90D8E4, #A1EAF7, #B2FCFF, #C3FFFF and #D4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BD8E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8BD8E9: #8BD8E9, #7AC6D6, #69B4C3, #58A2B0 and #47909D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

Complementary color

CMYK 0 / 66 / 81 / 55

HEX #742716

RGB 116 39 22

HSL 10.85, 0.68%, 0.27%

LAB 27.36, 32.9, 28.56

 

CMYK 37 / 5 / 0 / 11

HEX #90D8E4

RGB 144 216 228

HSL 188.57, 0.61%, 0.73%

LAB 82.19, -19.42, -13.02

 

CMYK 35 / 5 / 0 / 3

HEX #A1EAF7

RGB 161 234 247

HSL 189.07, 0.84%, 0.8%

LAB 88.51, -19.42, -13.5

 

CMYK 30 / 1 / 0 / 0

HEX #B2FCFF

RGB 178 252 255

HSL 182.34, 1%, 0.85%

LAB 94.44, -21.9, -8.74

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

CMYK 43 / 7 / 0 / 16

HEX #7AC6D6

RGB 122 198 214

HSL 190.43, 0.53%, 0.66%

LAB 75.69, -19.4, -15.37

 

CMYK 46 / 8 / 0 / 24

HEX #69B4C3

RGB 105 180 195

HSL 190, 0.43%, 0.59%

LAB 69.17, -19.3, -14.89

 

CMYK 50 / 8 / 0 / 31

HEX #58A2B0

RGB 88 162 176

HSL 189.55, 0.36%, 0.52%

LAB 62.55, -19.15, -14.38

 

CMYK 55 / 8 / 0 / 38

HEX #47909D

RGB 71 144 157

HSL 189.07, 0.38%, 0.45%

LAB 55.81, -18.93, -13.84

 

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

CMYK 40 / 13 / 0 / 9

HEX #8BC9E8

RGB 139 201 232

HSL 200, 0.67%, 0.73%

LAB 77.93, -12.01, -21.6

 

CMYK 40 / 20 / 0 / 9

HEX #8BBAE8

RGB 139 186 232

HSL 209.68, 0.67%, 0.73%

LAB 73.83, -4.02, -27.87

 

CMYK 40 / 27 / 0 / 9

HEX #8BAAE8

RGB 139 170 232

HSL 220, 0.67%, 0.73%

LAB 69.52, 4.8, -34.51

 

CMYK 40 / 34 / 0 / 9

HEX #8B9AE8

RGB 139 154 232

HSL 230.32, 0.67%, 0.73%

LAB 65.3, 13.89, -41.09

 

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

CMYK 41 / 7 / 0 / 89

HEX #111B1D

RGB 17 27 29

HSL 190, 0.26%, 0.09%

LAB 8.92, -3.85, -2.85

 

CMYK 40 / 7 / 0 / 69

HEX #304A50

RGB 48 74 80

HSL 191.25, 0.25%, 0.25%

LAB 29.68, -8.1, -6.72

 

CMYK 40 / 8 / 0 / 49

HEX #4E7983

RGB 78 121 131

HSL 191.32, 0.25%, 0.41%

LAB 48.18, -12.08, -10.16

 

CMYK 40 / 7 / 0 / 29

HEX #6DA9B6

RGB 109 169 182

HSL 190.68, 0.33%, 0.57%

LAB 65.75, -16.01, -12.82

 

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

CMYK 25 / 40 / 0 / 9

HEX #AD8BE8

RGB 173 139 232

HSL 261.94, 0.67%, 0.73%

LAB 64.3, 31.76, -42.46

 

CMYK 0 / 9 / 40 / 9

HEX #E8D38B

RGB 232 211 139

HSL 46.45, 0.67%, 0.73%

LAB 84.8, -2.63, 38.28

 

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

CMYK 0 / 40 / 6 / 9

HEX #E88BD9

RGB 232 139 217

HSL 309.68, 0.67%, 0.73%

LAB 69.92, 46.42, -24.96

 

CMYK 6 / 0 / 40 / 9

HEX #D9E88B

RGB 217 232 139

HSL 69.68, 0.67%, 0.73%

LAB 89.08, -18.98, 43.52

 

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

CMYK 25 / 40 / 0 / 9

HEX #AD8BE8

RGB 173 139 232

HSL 261.94, 0.67%, 0.73%

LAB 64.3, 31.76, -42.46

 

CMYK 0 / 34 / 40 / 9

HEX #E89A8B

RGB 232 154 139

HSL 9.68, 0.67%, 0.73%

LAB 70.96, 27.43, 19.86

 

CMYK 15 / 0 / 40 / 9

HEX #C6E88B

RGB 198 232 139

HSL 81.94, 0.67%, 0.73%

LAB 87.77, -26.11, 41.58

 

CMYK 40 / 7 / 0 / 9

HEX #8BD8E9

RGB 139 216 233

HSL 190.85, 0.68%, 0.73%

LAB 82.1, -19.46, -15.83

 

CMYK 13 / 40 / 0 / 9

HEX #C98BE8

RGB 201 139 232

HSL 280, 0.67%, 0.73%

LAB 67.06, 39.85, -37.95

 

CMYK 0 / 34 / 40 / 9

HEX #E89A8B

RGB 232 154 139

HSL 9.68, 0.67%, 0.73%

LAB 70.96, 27.43, 19.86

 

CMYK 27 / 0 / 40 / 9

HEX #AAE88B

RGB 170 232 139

HSL 100, 0.67%, 0.73%

LAB 86.07, -36.07, 39.06

 

Description

Color code: HEX #8BD8E9 | qconv.com Color code: HEX #8BD8E9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 216 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 216 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 7 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 7% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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