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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BACBA it is the complementary color #745345. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BACBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8BACBA: #90ACB5, #A1BEC8, #B2D0DB, #C3E2EE and #D4F4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BACBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8BACBA: #8BACBA, #7A9AA7, #698894, #587681 and #47646E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

Complementary color

CMYK 0 / 28 / 41 / 55

HEX #745345

RGB 116 83 69

HSL 17.87, 0.25%, 0.36%

LAB 38.43, 11.76, 13.63

 

CMYK 20 / 5 / 0 / 29

HEX #90ACB5

RGB 144 172 181

HSL 194.59, 0.2%, 0.64%

LAB 68.58, -7.6, -7.82

 

CMYK 20 / 5 / 0 / 22

HEX #A1BEC8

RGB 161 190 200

HSL 195.38, 0.26%, 0.71%

LAB 75.19, -7.61, -8.31

 

CMYK 19 / 5 / 0 / 14

HEX #B2D0DB

RGB 178 208 219

HSL 196.1, 0.36%, 0.78%

LAB 81.67, -7.64, -8.79

 

CMYK 18 / 5 / 0 / 7

HEX #C3E2EE

RGB 195 226 238

HSL 196.74, 0.56%, 0.85%

LAB 88.05, -7.67, -9.26

 

CMYK 17 / 4 / 0 / 0

HEX #D4F4FF

RGB 212 244 255

HSL 195.35, 1%, 0.92%

LAB 94.28, -8.11, -8.77

 

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

CMYK 27 / 8 / 0 / 35

HEX #7A9AA7

RGB 122 154 167

HSL 197.33, 0.2%, 0.57%

LAB 61.69, -7.99, -10.43

 

CMYK 29 / 8 / 0 / 42

HEX #698894

RGB 105 136 148

HSL 196.74, 0.17%, 0.5%

LAB 54.81, -7.96, -9.98

 

CMYK 32 / 9 / 0 / 49

HEX #587681

RGB 88 118 129

HSL 196.1, 0.19%, 0.43%

LAB 47.77, -7.93, -9.53

 

CMYK 35 / 9 / 0 / 57

HEX #47646E

RGB 71 100 110

HSL 195.38, 0.22%, 0.35%

LAB 40.54, -7.9, -9.06

 

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

CMYK 25 / 11 / 0 / 27

HEX #8CA5BA

RGB 140 165 186

HSL 207.39, 0.25%, 0.64%

LAB 66.54, -3.9, -13.68

 

CMYK 25 / 16 / 0 / 27

HEX #8C9DBA

RGB 140 157 186

HSL 217.83, 0.25%, 0.64%

LAB 64.35, 0.54, -16.99

 

CMYK 25 / 19 / 0 / 27

HEX #8C96BA

RGB 140 150 186

HSL 226.96, 0.25%, 0.64%

LAB 62.45, 4.48, -19.87

 

CMYK 25 / 24 / 0 / 27

HEX #8C8EBA

RGB 140 142 186

HSL 237.39, 0.25%, 0.64%

LAB 60.31, 9.05, -23.15

 

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

CMYK 25 / 8 / 0 / 7

HEX #B1DBED

RGB 177 219 237

HSL 198, 0.63%, 0.81%

LAB 85.06, -9.69, -13.31

 

CMYK 24 / 6 / 0 / 87

HEX #191F21

RGB 25 31 33

HSL 195, 0.14%, 0.11%

LAB 11.25, -2.16, -2.28

 

CMYK 25 / 7 / 0 / 67

HEX #3F4E54

RGB 63 78 84

HSL 197.14, 0.14%, 0.29%

LAB 32.14, -4.34, -5.5

 

CMYK 25 / 7 / 0 / 47

HEX #657D87

RGB 101 125 135

HSL 197.65, 0.14%, 0.46%

LAB 50.9, -6.25, -8.29

 

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

CMYK 13 / 25 / 0 / 27

HEX #A28CBA

RGB 162 140 186

HSL 268.7, 0.25%, 0.64%

LAB 61.64, 17.27, -20.95

 

CMYK 0 / 3 / 25 / 27

HEX #BAB48C

RGB 186 180 140

HSL 52.17, 0.25%, 0.64%

LAB 72.88, -4.36, 21.22

 

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

CMYK 0 / 25 / 7 / 27

HEX #BA8CAD

RGB 186 140 173

HSL 316.96, 0.25%, 0.64%

LAB 63.52, 22.89, -10.53

 

CMYK 7 / 0 / 25 / 27

HEX #ADBA8C

RGB 173 186 140

HSL 76.96, 0.25%, 0.64%

LAB 73.48, -12.47, 21.88

 

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

CMYK 13 / 25 / 0 / 27

HEX #A28CBA

RGB 162 140 186

HSL 268.7, 0.25%, 0.64%

LAB 61.64, 17.27, -20.95

 

CMYK 0 / 18 / 25 / 27

HEX #BA998C

RGB 186 153 140

HSL 16.96, 0.25%, 0.64%

LAB 65.84, 10.26, 11.43

 

CMYK 12 / 0 / 25 / 27

HEX #A3BA8C

RGB 163 186 140

HSL 90, 0.25%, 0.64%

LAB 72.76, -16.2, 20.77

 

CMYK 25 / 8 / 0 / 27

HEX #8BACBA

RGB 139 172 186

HSL 197.87, 0.25%, 0.64%

LAB 68.42, -8.01, -10.87

 

CMYK 5 / 25 / 0 / 27

HEX #B08CBA

RGB 176 140 186

HSL 286.96, 0.25%, 0.64%

LAB 62.95, 21.93, -18.82

 

CMYK 0 / 18 / 25 / 27

HEX #BA998C

RGB 186 153 140

HSL 16.96, 0.25%, 0.64%

LAB 65.84, 10.26, 11.43

 

CMYK 19 / 0 / 25 / 27

HEX #96BA8C

RGB 150 186 140

HSL 106.96, 0.25%, 0.64%

LAB 71.89, -20.9, 19.44

 

Description

Color code: HEX #8BACBA | qconv.com Color code: HEX #8BACBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 172 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 172 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 8 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 8% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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