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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BAC56 it is the complementary color #7453A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BAC56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8BAC56: #90AC51, #A1BE64, #B2D077, #C3E28A and #D4F49D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BAC56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8BAC56: #8BAC56, #7A9A43, #698830, #58761D and #47640A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

Complementary color

CMYK 31 / 51 / 0 / 34

HEX #7453A9

RGB 116 83 169

HSL 263.02, 0.34%, 0.49%

LAB 42.41, 32.47, -41.43

 

CMYK 16 / 0 / 53 / 33

HEX #90AC51

RGB 144 172 81

HSL 78.46, 0.36%, 0.5%

LAB 66.54, -24.13, 43.14

 

CMYK 15 / 0 / 47 / 25

HEX #A1BE64

RGB 161 190 100

HSL 79.33, 0.41%, 0.57%

LAB 73.1, -24.29, 41.99

 

CMYK 14 / 0 / 43 / 18

HEX #B2D077

RGB 178 208 119

HSL 80.22, 0.49%, 0.64%

LAB 79.56, -24.4, 40.82

 

CMYK 14 / 0 / 39 / 11

HEX #C3E28A

RGB 195 226 138

HSL 81.14, 0.6%, 0.71%

LAB 85.92, -24.46, 39.67

 

CMYK 13 / 0 / 36 / 4

HEX #D4F49D

RGB 212 244 157

HSL 82.07, 0.8%, 0.79%

LAB 92.19, -24.5, 38.56

 

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

CMYK 21 / 0 / 56 / 40

HEX #7A9A43

RGB 122 154 67

HSL 82.07, 0.39%, 0.43%

LAB 59.57, -25.44, 41.4

 

CMYK 23 / 0 / 65 / 47

HEX #698830

RGB 105 136 48

HSL 81.14, 0.48%, 0.36%

LAB 52.76, -25.19, 42.37

 

CMYK 25 / 0 / 75 / 54

HEX #58761D

RGB 88 118 29

HSL 80.22, 0.61%, 0.29%

LAB 45.8, -24.76, 42.86

 

CMYK 29 / 0 / 90 / 61

HEX #47640A

RGB 71 100 10

HSL 79.33, 0.82%, 0.22%

LAB 38.68, -24.04, 42.14

 

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

CMYK 27 / 0 / 49 / 33

HEX #7DAC57

RGB 125 172 87

HSL 93.18, 0.34%, 0.51%

LAB 65.4, -30.8, 38.51

 

CMYK 35 / 0 / 49 / 33

HEX #6FAC57

RGB 111 172 87

HSL 103.06, 0.34%, 0.51%

LAB 64.62, -35.8, 37.38

 

CMYK 44 / 0 / 49 / 33

HEX #61AC57

RGB 97 172 87

HSL 112.94, 0.34%, 0.51%

LAB 63.95, -40.4, 36.4

 

CMYK 49 / 0 / 47 / 33

HEX #57AC5B

RGB 87 172 91

HSL 122.82, 0.34%, 0.51%

LAB 63.58, -42.81, 33.81

 

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

CMYK 19 / 0 / 50 / 13

HEX #B4DF70

RGB 180 223 112

HSL 83.24, 0.63%, 0.66%

LAB 83.78, -31.55, 49.44

 

CMYK 21 / 0 / 47 / 93

HEX #0F130A

RGB 15 19 10

HSL 86.67, 0.31%, 0.06%

LAB 5.32, -3.09, 3.81

 

CMYK 19 / 0 / 50 / 73

HEX #394623

RGB 57 70 35

HSL 82.29, 0.33%, 0.21%

LAB 27.77, -12.15, 19.33

 

CMYK 19 / 0 / 50 / 53

HEX #62793D

RGB 98 121 61

HSL 83, 0.33%, 0.36%

LAB 47.76, -19.11, 30.01

 

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

CMYK 49 / 0 / 20 / 33

HEX #57AC89

RGB 87 172 137

HSL 155.29, 0.34%, 0.51%

LAB 64.43, -34.22, 10.18

 

CMYK 1 / 49 / 0 / 33

HEX #AB57AC

RGB 171 87 172

HSL 299.29, 0.34%, 0.51%

LAB 50.04, 46.64, -30.72

 

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

CMYK 49 / 19 / 0 / 33

HEX #578BAC

RGB 87 139 172

HSL 203.29, 0.34%, 0.51%

LAB 55.55, -8.03, -22.77

 

CMYK 0 / 49 / 19 / 33

HEX #AC578B

RGB 172 87 139

HSL 323.29, 0.34%, 0.51%

LAB 48.82, 41.3, -13.06

 

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

CMYK 49 / 0 / 20 / 33

HEX #57AC89

RGB 87 172 137

HSL 155.29, 0.34%, 0.51%

LAB 64.43, -34.22, 10.18

 

CMYK 30 / 49 / 0 / 33

HEX #7857AC

RGB 120 87 172

HSL 263.29, 0.34%, 0.51%

LAB 43.93, 31.98, -40.76

 

CMYK 0 / 49 / 29 / 33

HEX #AC577A

RGB 172 87 122

HSL 335.29, 0.34%, 0.51%

LAB 48.25, 38.8, -3.72

 

CMYK 19 / 0 / 50 / 33

HEX #8BAC56

RGB 139 172 86

HSL 83.02, 0.34%, 0.51%

LAB 66.26, -25.58, 40.27

 

CMYK 49 / 0 / 6 / 33

HEX #57ACA2

RGB 87 172 162

HSL 172.94, 0.34%, 0.51%

LAB 65.07, -28.22, -2.79

 

CMYK 30 / 49 / 0 / 33

HEX #7857AC

RGB 120 87 172

HSL 263.29, 0.34%, 0.51%

LAB 43.93, 31.98, -40.76

 

CMYK 0 / 49 / 44 / 33

HEX #AC5761

RGB 172 87 97

HSL 352.94, 0.34%, 0.51%

LAB 47.56, 35.7, 10.37

 

Description

Color code: HEX #8BAC56 | qconv.com Color code: HEX #8BAC56 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 172 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 172 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 50 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 50% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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