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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B981D it is the complementary color #7467E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B981D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B981D shade: #909818, #A1AA2B, #B2BC3E, #C3CE51 and #D4E064

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B981D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B981D shade: #8B981D, #7A860A, #697400, #586200 and #475000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B981D shade: #89961D, #96821D, #96611D, #96411D and #96201D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B981D shade: #89961D, #68961D, #48961D, #27961D and #1D9633

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B981D shade matches the following richer shades: #89961D and #95A40E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B981D shade: #89961D, #7E872B, #727939, #676B48 and #5C5C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B981D shade: #96611D, #96821D, #8A961D, #69961D and #49961D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B981D shade: #4A510F, #697316, #89961D, #A9B923 and #C5D72E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B981D shade: #8B981D, #1D9641 and #721D96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B981D shade: #8B981D, #1D8A96 and #961D8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B981D shade: #8B981D, #1D9641, #291D96 and #961D72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B981D shade: #8B981D, #1D9665, #291D96 and #961D4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 81 / 40

HEX #8B981D

RGB 139 152 29

HSL 66.34, 0.68%, 0.35%

LAB 59.92, -19.79, 57.37

 

Complementary color

CMYK 49 / 54 / 0 / 11

HEX #7467E2

RGB 116 103 226

HSL 246.34, 0.68%, 0.65%

LAB 50.58, 36.7, -61.25

 

CMYK 5 / 0 / 84 / 40

HEX #909818

RGB 144 152 24

HSL 63.75, 0.73%, 0.35%

LAB 60.29, -17.75, 59.22

 

CMYK 5 / 0 / 75 / 33

HEX #A1AA2B

RGB 161 170 43

HSL 64.25, 0.6%, 0.42%

LAB 66.9, -18.77, 59.96

 

CMYK 5 / 0 / 67 / 26

HEX #B2BC3E

RGB 178 188 62

HSL 64.76, 0.5%, 0.49%

LAB 73.4, -19.57, 59.79

 

CMYK 5 / 0 / 61 / 19

HEX #C3CE51

RGB 195 206 81

HSL 65.28, 0.56%, 0.56%

LAB 79.81, -20.22, 59.14

 

CMYK 5 / 0 / 55 / 12

HEX #D4E064

RGB 212 224 100

HSL 65.81, 0.67%, 0.64%

LAB 86.12, -20.74, 58.23

 

CMYK 9 / 0 / 81 / 40

HEX #8B981D

RGB 139 152 29

HSL 66.34, 0.68%, 0.35%

LAB 59.92, -19.79, 57.37

 

CMYK 9 / 0 / 93 / 47

HEX #7A860A

RGB 122 134 10

HSL 65.81, 0.86%, 0.28%

LAB 53.18, -18.66, 55.65

 

CMYK 9 / 0 / 100 / 55

HEX #697400

RGB 105 116 0

HSL 65.69, 1%, 0.23%

LAB 46.3, -17.22, 51.7

 

CMYK 10 / 0 / 100 / 62

HEX #586200

RGB 88 98 0

HSL 66.12, 1%, 0.19%

LAB 39.26, -15.54, 45.84

 

CMYK 11 / 0 / 100 / 69

HEX #475000

RGB 71 80 0

HSL 66.75, 1%, 0.16%

LAB 31.98, -13.81, 39.78

 

CMYK 9 / 0 / 81 / 41

HEX #89961D

RGB 137 150 29

HSL 66.45, 0.68%, 0.35%

LAB 59.18, -19.65, 56.66

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 0 / 35 / 81 / 41

HEX #96611D

RGB 150 97 29

HSL 33.72, 0.68%, 0.35%

LAB 45.8, 15.74, 44.95

 

CMYK 0 / 57 / 81 / 41

HEX #96411D

RGB 150 65 29

HSL 17.85, 0.68%, 0.35%

LAB 38.47, 33.54, 37.94

 

CMYK 0 / 79 / 81 / 41

HEX #96201D

RGB 150 32 29

HSL 1.49, 0.68%, 0.35%

LAB 33.15, 47.84, 32.6

 

CMYK 9 / 0 / 81 / 41

HEX #89961D

RGB 137 150 29

HSL 66.45, 0.68%, 0.35%

LAB 59.18, -19.65, 56.66

 

CMYK 31 / 0 / 81 / 41

HEX #68961D

RGB 104 150 29

HSL 82.81, 0.68%, 0.35%

LAB 56.92, -33.52, 53.78

 

CMYK 52 / 0 / 81 / 41

HEX #48961D

RGB 72 150 29

HSL 98.68, 0.68%, 0.35%

LAB 55.36, -44.78, 51.76

 

CMYK 74 / 0 / 81 / 41

HEX #27961D

RGB 39 150 29

HSL 115.04, 0.68%, 0.35%

LAB 54.38, -52.77, 50.48

 

CMYK 81 / 0 / 66 / 41

HEX #1D9633

RGB 29 150 51

HSL 130.91, 0.68%, 0.35%

LAB 54.36, -52.36, 41.93

 

CMYK 9 / 0 / 81 / 41

HEX #89961D

RGB 137 150 29

HSL 66.45, 0.68%, 0.35%

LAB 59.18, -19.65, 56.66

 

CMYK 9 / 0 / 91 / 36

HEX #95A40E

RGB 149 164 14

HSL 66, 0.84%, 0.35%

LAB 64.14, -21.9, 64.59

 

CMYK 9 / 0 / 81 / 41

HEX #89961D

RGB 137 150 29

HSL 66.45, 0.68%, 0.35%

LAB 59.18, -19.65, 56.66

 

CMYK 7 / 0 / 68 / 47

HEX #7E872B

RGB 126 135 43

HSL 65.87, 0.52%, 0.35%

LAB 53.96, -16.01, 46.3

 

CMYK 6 / 0 / 53 / 53

HEX #727939

RGB 114 121 57

HSL 66.56, 0.36%, 0.35%

LAB 48.94, -12.67, 33.83

 

CMYK 4 / 0 / 33 / 58

HEX #676B48

RGB 103 107 72

HSL 66.86, 0.2%, 0.35%

LAB 44.04, -7.82, 19.15

 

CMYK 0 / 0 / 7 / 64

HEX #5C5C56

RGB 92 92 86

HSL 60, 0.03%, 0.35%

LAB 38.9, -1.23, 3.45

 

CMYK 0 / 35 / 81 / 41

HEX #96611D

RGB 150 97 29

HSL 33.72, 0.68%, 0.35%

LAB 45.8, 15.74, 44.95

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 8 / 0 / 81 / 41

HEX #8A961D

RGB 138 150 29

HSL 65.95, 0.68%, 0.35%

LAB 59.26, -19.21, 56.75

 

CMYK 30 / 0 / 81 / 41

HEX #69961D

RGB 105 150 29

HSL 82.31, 0.68%, 0.35%

LAB 56.98, -33.12, 53.85

 

CMYK 51 / 0 / 81 / 41

HEX #49961D

RGB 73 150 29

HSL 98.18, 0.68%, 0.35%

LAB 55.4, -44.48, 51.81

 

CMYK 9 / 0 / 81 / 68

HEX #4A510F

RGB 74 81 15

HSL 66.36, 0.69%, 0.19%

LAB 32.65, -12.24, 35.22

 

CMYK 9 / 0 / 81 / 55

HEX #697316

RGB 105 115 22

HSL 66.45, 0.68%, 0.27%

LAB 46.07, -16.02, 46.09

 

CMYK 9 / 0 / 81 / 41

HEX #89961D

RGB 137 150 29

HSL 66.45, 0.68%, 0.35%

LAB 59.18, -19.65, 56.66

 

CMYK 9 / 0 / 81 / 27

HEX #A9B923

RGB 169 185 35

HSL 66.4, 0.68%, 0.43%

LAB 71.73, -23.15, 66.98

 

CMYK 8 / 0 / 79 / 16

HEX #C5D72E

RGB 197 215 46

HSL 66.39, 0.68%, 0.51%

LAB 82.2, -25.6, 74.03

 

CMYK 9 / 0 / 81 / 40

HEX #8B981D

RGB 139 152 29

HSL 66.34, 0.68%, 0.35%

LAB 59.92, -19.79, 57.37

 

CMYK 81 / 0 / 57 / 41

HEX #1D9641

RGB 29 150 65

HSL 137.85, 0.68%, 0.35%

LAB 54.51, -50.54, 35.48

 

CMYK 24 / 81 / 0 / 41

HEX #721D96

RGB 114 29 150

HSL 282.15, 0.68%, 0.35%

LAB 31.02, 54.19, -48.3

 

CMYK 9 / 0 / 81 / 40

HEX #8B981D

RGB 139 152 29

HSL 66.34, 0.68%, 0.35%

LAB 59.92, -19.79, 57.37

 

CMYK 81 / 8 / 0 / 41

HEX #1D8A96

RGB 29 138 150

HSL 185.95, 0.68%, 0.35%

LAB 52.55, -24.69, -14.83

 

CMYK 0 / 81 / 8 / 41

HEX #961D8A

RGB 150 29 138

HSL 305.95, 0.68%, 0.35%

LAB 36.36, 59.31, -32.01

 

CMYK 9 / 0 / 81 / 40

HEX #8B981D

RGB 139 152 29

HSL 66.34, 0.68%, 0.35%

LAB 59.92, -19.79, 57.37

 

CMYK 81 / 0 / 57 / 41

HEX #1D9641

RGB 29 150 65

HSL 137.85, 0.68%, 0.35%

LAB 54.51, -50.54, 35.48

 

CMYK 73 / 81 / 0 / 41

HEX #291D96

RGB 41 29 150

HSL 245.95, 0.68%, 0.35%

LAB 22.13, 43.8, -63.2

 

CMYK 0 / 81 / 24 / 41

HEX #961D72

RGB 150 29 114

HSL 317.85, 0.68%, 0.35%

LAB 35.16, 55.88, -18.92

 

CMYK 9 / 0 / 81 / 40

HEX #8B981D

RGB 139 152 29

HSL 66.34, 0.68%, 0.35%

LAB 59.92, -19.79, 57.37

 

CMYK 81 / 0 / 33 / 41

HEX #1D9665

RGB 29 150 101

HSL 155.7, 0.68%, 0.35%

LAB 55.09, -43.85, 16.96

 

CMYK 73 / 81 / 0 / 41

HEX #291D96

RGB 41 29 150

HSL 245.95, 0.68%, 0.35%

LAB 22.13, 43.8, -63.2

 

CMYK 0 / 81 / 49 / 41

HEX #961D4D

RGB 150 29 77

HSL 336.2, 0.68%, 0.35%

LAB 33.77, 51.75, 2.79

 

Description

Color code: HEX #8B981D | qconv.com Color code: HEX #8B981D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 152 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 152 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 81 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 81% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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