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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96821D it is the complementary color #697DE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96821D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96821D shade: #9B8218, #AC942B, #BDA63E, #CEB851 and #DFCA64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96821D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96821D shade: #96821D, #85700A, #745E00, #634C00 and #523A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96821D shade: #96821D, #96611D, #96401D, #96201D and #961D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96821D shade: #96821D, #89961D, #69961D, #48961D and #27961D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96821D shade matches the following richer shades: #96821D and #A48C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96821D shade: #96821D, #87782B, #796F39, #6B6548 and #5C5B56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96821D shade: #96411D, #96611D, #96821D, #8A961D and #69961D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96821D shade: #51460F, #736416, #96821D, #B9A023 and #D7BB2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96821D shade: #96821D, #1D9621 and #511D96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96821D shade: #96821D, #1D9682 and #821D96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96821D shade: #96821D, #1D9621, #1D3196 and #961D92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96821D shade: #96821D, #1D9645, #1D3196 and #961D6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

Complementary color

CMYK 54 / 45 / 0 / 11

HEX #697DE2

RGB 105 125 226

HSL 230.08, 0.68%, 0.65%

LAB 55.24, 21.16, -53.81

 

CMYK 0 / 16 / 85 / 39

HEX #9B8218

RGB 155 130 24

HSL 48.55, 0.73%, 0.35%

LAB 55.07, -0.92, 55.17

 

CMYK 0 / 14 / 75 / 33

HEX #AC942B

RGB 172 148 43

HSL 48.84, 0.6%, 0.42%

LAB 61.76, -2.33, 55.42

 

CMYK 0 / 12 / 67 / 26

HEX #BDA63E

RGB 189 166 62

HSL 49.13, 0.51%, 0.49%

LAB 68.34, -3.49, 54.87

 

CMYK 0 / 11 / 61 / 19

HEX #CEB851

RGB 206 184 81

HSL 49.44, 0.56%, 0.56%

LAB 74.82, -4.46, 53.93

 

CMYK 0 / 9 / 55 / 13

HEX #DFCA64

RGB 223 202 100

HSL 49.76, 0.66%, 0.63%

LAB 81.21, -5.26, 52.83

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 0 / 16 / 92 / 48

HEX #85700A

RGB 133 112 10

HSL 49.76, 0.86%, 0.28%

LAB 47.75, -1.48, 51.79

 

CMYK 0 / 19 / 100 / 55

HEX #745E00

RGB 116 94 0

HSL 48.62, 1%, 0.23%

LAB 40.77, 0.49, 48.17

 

CMYK 0 / 23 / 100 / 61

HEX #634C00

RGB 99 76 0

HSL 46.06, 1%, 0.19%

LAB 33.61, 2.8, 42.27

 

CMYK 0 / 29 / 100 / 68

HEX #523A00

RGB 82 58 0

HSL 42.44, 1%, 0.16%

LAB 26.22, 5.29, 35.66

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 0 / 35 / 81 / 41

HEX #96611D

RGB 150 97 29

HSL 33.72, 0.68%, 0.35%

LAB 45.8, 15.74, 44.95

 

CMYK 0 / 57 / 81 / 41

HEX #96401D

RGB 150 64 29

HSL 17.36, 0.68%, 0.35%

LAB 38.27, 34.06, 37.74

 

CMYK 0 / 79 / 81 / 41

HEX #96201D

RGB 150 32 29

HSL 1.49, 0.68%, 0.35%

LAB 33.15, 47.84, 32.6

 

CMYK 0 / 81 / 81 / 41

HEX #961D1D

RGB 150 29 29

HSL 0, 0.68%, 0.35%

LAB 32.81, 48.78, 32.26

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 9 / 0 / 81 / 41

HEX #89961D

RGB 137 150 29

HSL 66.45, 0.68%, 0.35%

LAB 59.18, -19.65, 56.66

 

CMYK 30 / 0 / 81 / 41

HEX #69961D

RGB 105 150 29

HSL 82.31, 0.68%, 0.35%

LAB 56.98, -33.12, 53.85

 

CMYK 52 / 0 / 81 / 41

HEX #48961D

RGB 72 150 29

HSL 98.68, 0.68%, 0.35%

LAB 55.36, -44.78, 51.76

 

CMYK 74 / 0 / 81 / 41

HEX #27961D

RGB 39 150 29

HSL 115.04, 0.68%, 0.35%

LAB 54.38, -52.77, 50.48

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 0 / 15 / 91 / 36

HEX #A48C0E

RGB 164 140 14

HSL 50.4, 0.84%, 0.35%

LAB 58.68, -2.52, 60.86

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 0 / 11 / 68 / 47

HEX #87782B

RGB 135 120 43

HSL 50.22, 0.52%, 0.35%

LAB 50.4, -3.71, 42.86

 

CMYK 0 / 8 / 53 / 53

HEX #796F39

RGB 121 111 57

HSL 50.63, 0.36%, 0.35%

LAB 46.62, -3.92, 31.21

 

CMYK 0 / 6 / 33 / 58

HEX #6B6548

RGB 107 101 72

HSL 49.71, 0.2%, 0.35%

LAB 42.61, -2.6, 17.31

 

CMYK 0 / 1 / 7 / 64

HEX #5C5B56

RGB 92 91 86

HSL 50, 0.03%, 0.35%

LAB 38.6, -0.62, 3.02

 

CMYK 0 / 57 / 81 / 41

HEX #96411D

RGB 150 65 29

HSL 17.85, 0.68%, 0.35%

LAB 38.47, 33.54, 37.94

 

CMYK 0 / 35 / 81 / 41

HEX #96611D

RGB 150 97 29

HSL 33.72, 0.68%, 0.35%

LAB 45.8, 15.74, 44.95

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 8 / 0 / 81 / 41

HEX #8A961D

RGB 138 150 29

HSL 65.95, 0.68%, 0.35%

LAB 59.26, -19.21, 56.75

 

CMYK 30 / 0 / 81 / 41

HEX #69961D

RGB 105 150 29

HSL 82.31, 0.68%, 0.35%

LAB 56.98, -33.12, 53.85

 

CMYK 0 / 14 / 81 / 68

HEX #51460F

RGB 81 70 15

HSL 50, 0.69%, 0.19%

LAB 29.82, -2.15, 32.8

 

CMYK 0 / 13 / 81 / 55

HEX #736416

RGB 115 100 22

HSL 50.32, 0.68%, 0.27%

LAB 42.49, -2.86, 43.15

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 0 / 14 / 81 / 27

HEX #B9A023

RGB 185 160 35

HSL 50, 0.68%, 0.43%

LAB 66.2, -3.29, 62.66

 

CMYK 0 / 13 / 79 / 16

HEX #D7BB2E

RGB 215 187 46

HSL 50.06, 0.68%, 0.51%

LAB 76.18, -3.96, 69.21

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 81 / 0 / 78 / 41

HEX #1D9621

RGB 29 150 33

HSL 121.98, 0.68%, 0.35%

LAB 54.22, -54.04, 48.95

 

CMYK 46 / 81 / 0 / 41

HEX #511D96

RGB 81 29 150

HSL 265.79, 0.68%, 0.35%

LAB 26.25, 48.62, -56.28

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 81 / 0 / 13 / 41

HEX #1D9682

RGB 29 150 130

HSL 170.08, 0.68%, 0.35%

LAB 55.77, -36.53, 1.48

 

CMYK 13 / 81 / 0 / 41

HEX #821D96

RGB 130 29 150

HSL 290.08, 0.68%, 0.35%

LAB 33.62, 57.23, -43.96

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 81 / 0 / 78 / 41

HEX #1D9621

RGB 29 150 33

HSL 121.98, 0.68%, 0.35%

LAB 54.22, -54.04, 48.95

 

CMYK 81 / 67 / 0 / 41

HEX #1D3196

RGB 29 49 150

HSL 230.08, 0.68%, 0.35%

LAB 25.74, 30.75, -57.27

 

CMYK 0 / 81 / 3 / 41

HEX #961D92

RGB 150 29 146

HSL 301.98, 0.68%, 0.35%

LAB 36.81, 60.57, -36.21

 

CMYK 0 / 13 / 81 / 41

HEX #96821D

RGB 150 130 29

HSL 50.08, 0.68%, 0.35%

LAB 54.59, -3.06, 52.99

 

CMYK 81 / 0 / 54 / 41

HEX #1D9645

RGB 29 150 69

HSL 139.83, 0.68%, 0.35%

LAB 54.56, -49.94, 33.52

 

CMYK 81 / 67 / 0 / 41

HEX #1D3196

RGB 29 49 150

HSL 230.08, 0.68%, 0.35%

LAB 25.74, 30.75, -57.27

 

CMYK 0 / 81 / 27 / 41

HEX #961D6D

RGB 150 29 109

HSL 320.33, 0.68%, 0.35%

LAB 34.94, 55.24, -16.09

 

Description

Color code: HEX #96821D | qconv.com Color code: HEX #96821D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 130 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 130 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 81 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 81% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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