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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B727B it is the complementary color #748D84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B727B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B727B shade: #907276, #A18489, #B2969C, #C3A8AF and #D4BAC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B727B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B727B shade: #8B727B, #7A6068, #694E55, #583C42 and #472A2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B727B shade: #8C737C, #8C7375 and #8C7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B727B shade: #8C737C, #8C7383, #8C738A, #88738C and #81738C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B727B shade matches the following richer shades: #8C737C, #A15E76, #B64970, #CA356B and #DF2065

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B727B shade: #8C737C, #788782, #639C87, #4EB18D and #3AC593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B727B shade: #8C738A, #8C7383, #8C737C, #8C7375 and #8C7773

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B727B shade: #5F4E54, #766068, #8C737C, #9F8991 and #B1A0A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B727B shade: #8B727B, #8C8873 and #73868C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B727B shade: #8B727B, #7C8C73 and #737C8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B727B shade: #8B727B, #8C8873, #738C83 and #73778C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B727B shade: #8B727B, #898C73, #738C83 and #76738C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 12 / 45

HEX #8B727B

RGB 139 114 123

HSL 338.4, 0.1%, 0.5%

LAB 50.63, 11.37, -1.27

 

Complementary color

CMYK 18 / 0 / 6 / 45

HEX #748D84

RGB 116 141 132

HSL 158.4, 0.1%, 0.5%

LAB 56.51, -10.81, 1.84

 

CMYK 0 / 21 / 18 / 44

HEX #907276

RGB 144 114 118

HSL 352, 0.12%, 0.51%

LAB 51, 12.45, 2.28

 

CMYK 0 / 18 / 15 / 37

HEX #A18489

RGB 161 132 137

HSL 349.66, 0.13%, 0.57%

LAB 57.93, 11.9, 1.48

 

CMYK 0 / 16 / 12 / 30

HEX #B2969C

RGB 178 150 156

HSL 347.14, 0.15%, 0.64%

LAB 64.71, 11.42, 0.73

 

CMYK 0 / 14 / 10 / 24

HEX #C3A8AF

RGB 195 168 175

HSL 344.44, 0.18%, 0.71%

LAB 71.35, 10.99, 0.03

 

CMYK 0 / 12 / 8 / 17

HEX #D4BAC2

RGB 212 186 194

HSL 341.54, 0.23%, 0.78%

LAB 77.88, 10.6, -0.64

 

CMYK 0 / 18 / 12 / 45

HEX #8B727B

RGB 139 114 123

HSL 338.4, 0.1%, 0.5%

LAB 50.63, 11.37, -1.27

 

CMYK 0 / 21 / 15 / 52

HEX #7A6068

RGB 122 96 104

HSL 341.54, 0.12%, 0.43%

LAB 43.51, 11.92, -0.52

 

CMYK 0 / 26 / 19 / 59

HEX #694E55

RGB 105 78 85

HSL 344.44, 0.15%, 0.36%

LAB 36.19, 12.56, 0.31

 

CMYK 0 / 32 / 25 / 65

HEX #583C42

RGB 88 60 66

HSL 347.14, 0.19%, 0.29%

LAB 28.64, 13.34, 1.26

 

CMYK 0 / 41 / 34 / 72

HEX #472A2F

RGB 71 42 47

HSL 349.66, 0.26%, 0.22%

LAB 20.83, 14.29, 2.43

 

CMYK 0 / 18 / 11 / 45

HEX #8C737C

RGB 140 115 124

HSL 338.4, 0.1%, 0.5%

LAB 51.03, 11.35, -1.27

 

CMYK 0 / 18 / 16 / 45

HEX #8C7375

RGB 140 115 117

HSL 355.2, 0.1%, 0.5%

LAB 50.83, 10.12, 2.57

 

CMYK 0 / 18 / 18 / 45

HEX #8C7373

RGB 140 115 115

HSL 0, 0.1%, 0.5%

LAB 50.77, 9.77, 3.67

 

CMYK 0 / 18 / 11 / 45

HEX #8C737C

RGB 140 115 124

HSL 338.4, 0.1%, 0.5%

LAB 51.03, 11.35, -1.27

 

CMYK 0 / 18 / 6 / 45

HEX #8C7383

RGB 140 115 131

HSL 321.6, 0.1%, 0.5%

LAB 51.24, 12.65, -5.09

 

CMYK 0 / 18 / 1 / 45

HEX #8C738A

RGB 140 115 138

HSL 304.8, 0.1%, 0.5%

LAB 51.46, 14.02, -8.88

 

CMYK 3 / 18 / 0 / 45

HEX #88738C

RGB 136 115 140

HSL 290.4, 0.1%, 0.5%

LAB 51.14, 12.96, -10.58

 

CMYK 8 / 18 / 0 / 45

HEX #81738C

RGB 129 115 140

HSL 273.6, 0.1%, 0.5%

LAB 50.48, 10.44, -11.64

 

CMYK 0 / 18 / 11 / 45

HEX #8C737C

RGB 140 115 124

HSL 338.4, 0.1%, 0.5%

LAB 51.03, 11.35, -1.27

 

CMYK 0 / 42 / 27 / 37

HEX #A15E76

RGB 161 94 118

HSL 338.51, 0.26%, 0.5%

LAB 48.12, 30.47, -1.68

 

CMYK 0 / 60 / 38 / 29

HEX #B64970

RGB 182 73 112

HSL 338.53, 0.43%, 0.5%

LAB 46.82, 47.87, 0.4

 

CMYK 0 / 74 / 47 / 21

HEX #CA356B

RGB 202 53 107

HSL 338.26, 0.58%, 0.5%

LAB 47.19, 61.45, 4.43

 

CMYK 0 / 86 / 55 / 13

HEX #DF2065

RGB 223 32 101

HSL 338.32, 0.75%, 0.5%

LAB 49.08, 71.95, 11.35

 

CMYK 0 / 18 / 11 / 45

HEX #8C737C

RGB 140 115 124

HSL 338.4, 0.1%, 0.5%

LAB 51.03, 11.35, -1.27

 

CMYK 11 / 0 / 4 / 47

HEX #788782

RGB 120 135 130

HSL 160, 0.06%, 0.5%

LAB 55, -6.49, 0.83

 

CMYK 37 / 0 / 13 / 39

HEX #639C87

RGB 99 156 135

HSL 157.89, 0.22%, 0.5%

LAB 60.05, -23.59, 5.11

 

CMYK 56 / 0 / 20 / 31

HEX #4EB18D

RGB 78 177 141

HSL 158.18, 0.39%, 0.5%

LAB 65.74, -37.74, 9.78

 

CMYK 71 / 0 / 25 / 23

HEX #3AC593

RGB 58 197 147

HSL 158.42, 0.55%, 0.5%

LAB 71.51, -48.62, 14.58

 

CMYK 0 / 18 / 1 / 45

HEX #8C738A

RGB 140 115 138

HSL 304.8, 0.1%, 0.5%

LAB 51.46, 14.02, -8.88

 

CMYK 0 / 18 / 6 / 45

HEX #8C7383

RGB 140 115 131

HSL 321.6, 0.1%, 0.5%

LAB 51.24, 12.65, -5.09

 

CMYK 0 / 18 / 11 / 45

HEX #8C737C

RGB 140 115 124

HSL 338.4, 0.1%, 0.5%

LAB 51.03, 11.35, -1.27

 

CMYK 0 / 18 / 16 / 45

HEX #8C7375

RGB 140 115 117

HSL 355.2, 0.1%, 0.5%

LAB 50.83, 10.12, 2.57

 

CMYK 0 / 15 / 18 / 45

HEX #8C7773

RGB 140 119 115

HSL 9.6, 0.1%, 0.5%

LAB 51.85, 7.45, 5.21

 

CMYK 0 / 18 / 12 / 63

HEX #5F4E54

RGB 95 78 84

HSL 338.82, 0.1%, 0.34%

LAB 35.05, 8.24, -0.87

 

CMYK 0 / 19 / 12 / 54

HEX #766068

RGB 118 96 104

HSL 338.18, 0.1%, 0.42%

LAB 43.09, 10.33, -1.19

 

CMYK 0 / 18 / 11 / 45

HEX #8C737C

RGB 140 115 124

HSL 338.4, 0.1%, 0.5%

LAB 51.03, 11.35, -1.27

 

CMYK 0 / 14 / 9 / 38

HEX #9F8991

RGB 159 137 145

HSL 338.18, 0.1%, 0.58%

LAB 59.26, 9.71, -1.2

 

CMYK 0 / 10 / 6 / 31

HEX #B1A0A6

RGB 177 160 166

HSL 338.82, 0.1%, 0.66%

LAB 67.46, 7.26, -0.86

 

CMYK 0 / 18 / 12 / 45

HEX #8B727B

RGB 139 114 123

HSL 338.4, 0.1%, 0.5%

LAB 50.63, 11.37, -1.27

 

CMYK 0 / 3 / 18 / 45

HEX #8C8873

RGB 140 136 115

HSL 50.4, 0.1%, 0.5%

LAB 56.51, -2.25, 11.83

 

CMYK 18 / 4 / 0 / 45

HEX #73868C

RGB 115 134 140

HSL 194.4, 0.1%, 0.5%

LAB 54.65, -5.49, -5.53

 

CMYK 0 / 18 / 12 / 45

HEX #8B727B

RGB 139 114 123

HSL 338.4, 0.1%, 0.5%

LAB 50.63, 11.37, -1.27

 

CMYK 11 / 0 / 18 / 45

HEX #7C8C73

RGB 124 140 115

HSL 98.4, 0.1%, 0.5%

LAB 56.37, -10.69, 11.44

 

CMYK 18 / 11 / 0 / 45

HEX #737C8C

RGB 115 124 140

HSL 218.4, 0.1%, 0.5%

LAB 51.78, 0.24, -9.8

 

CMYK 0 / 18 / 12 / 45

HEX #8B727B

RGB 139 114 123

HSL 338.4, 0.1%, 0.5%

LAB 50.63, 11.37, -1.27

 

CMYK 0 / 3 / 18 / 45

HEX #8C8873

RGB 140 136 115

HSL 50.4, 0.1%, 0.5%

LAB 56.51, -2.25, 11.83

 

CMYK 18 / 0 / 6 / 45

HEX #738C83

RGB 115 140 131

HSL 158.4, 0.1%, 0.5%

LAB 56.13, -10.82, 1.84

 

CMYK 18 / 15 / 0 / 45

HEX #73778C

RGB 115 119 140

HSL 230.4, 0.1%, 0.5%

LAB 50.37, 3.16, -11.92

 

CMYK 0 / 18 / 12 / 45

HEX #8B727B

RGB 139 114 123

HSL 338.4, 0.1%, 0.5%

LAB 50.63, 11.37, -1.27

 

CMYK 2 / 0 / 18 / 45

HEX #898C73

RGB 137 140 115

HSL 67.2, 0.1%, 0.5%

LAB 57.38, -5.66, 13.01

 

CMYK 18 / 0 / 6 / 45

HEX #738C83

RGB 115 140 131

HSL 158.4, 0.1%, 0.5%

LAB 56.13, -10.82, 1.84

 

CMYK 16 / 18 / 0 / 45

HEX #76738C

RGB 118 115 140

HSL 247.2, 0.1%, 0.5%

LAB 49.5, 6.56, -13.21

 

Description

Color code: HEX #8B727B | qconv.com Color code: HEX #8B727B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 114 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 114 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 12 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 12% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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