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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B694C it is the complementary color #7496B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B694C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8B694C: #906947, #A17B5A, #B28D6D, #C39F80 and #D4B193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B694C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8B694C: #8B694C, #7A5739, #694526, #583313 and #472100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

Complementary color

CMYK 35 / 16 / 0 / 30

HEX #7496B3

RGB 116 150 179

HSL 207.62, 0.29%, 0.58%

LAB 60.59, -4.52, -18.91

 

CMYK 0 / 27 / 51 / 44

HEX #906947

RGB 144 105 71

HSL 27.95, 0.34%, 0.42%

LAB 47.61, 11.31, 25.17

 

CMYK 0 / 24 / 44 / 37

HEX #A17B5A

RGB 161 123 90

HSL 27.89, 0.28%, 0.49%

LAB 54.53, 10.36, 23.72

 

CMYK 0 / 21 / 39 / 30

HEX #B28D6D

RGB 178 141 109

HSL 27.83, 0.31%, 0.56%

LAB 61.32, 9.56, 22.4

 

CMYK 0 / 18 / 34 / 24

HEX #C39F80

RGB 195 159 128

HSL 27.76, 0.36%, 0.63%

LAB 67.99, 8.89, 21.2

 

CMYK 0 / 17 / 31 / 17

HEX #D4B193

RGB 212 177 147

HSL 27.69, 0.43%, 0.7%

LAB 74.54, 8.31, 20.09

 

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

CMYK 0 / 29 / 53 / 52

HEX #7A5739

RGB 122 87 57

HSL 27.69, 0.36%, 0.35%

LAB 40, 10.66, 23.06

 

CMYK 0 / 34 / 64 / 59

HEX #694526

RGB 105 69 38

HSL 27.76, 0.47%, 0.28%

LAB 32.7, 11.95, 24.76

 

CMYK 0 / 42 / 78 / 65

HEX #583313

RGB 88 51 19

HSL 27.83, 0.64%, 0.21%

LAB 25.23, 13.63, 26.55

 

CMYK 0 / 54 / 100 / 72

HEX #472100

RGB 71 33 0

HSL 27.89, 1%, 0.14%

LAB 17.59, 15.71, 25.99

 

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

CMYK 0 / 17 / 45 / 46

HEX #8A724C

RGB 138 114 76

HSL 36.77, 0.29%, 0.42%

LAB 49.45, 3.98, 24.55

 

CMYK 0 / 10 / 45 / 46

HEX #8A7C4C

RGB 138 124 76

HSL 46.45, 0.29%, 0.42%

LAB 52.22, -1.73, 28.11

 

CMYK 0 / 2 / 45 / 46

HEX #8A874C

RGB 138 135 76

HSL 57.1, 0.29%, 0.42%

LAB 55.33, -7.86, 32.01

 

CMYK 6 / 0 / 45 / 46

HEX #828A4C

RGB 130 138 76

HSL 67.74, 0.29%, 0.42%

LAB 55.53, -12.91, 32.11

 

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

CMYK 0 / 24 / 45 / 25

HEX #BE9068

RGB 190 144 104

HSL 27.91, 0.4%, 0.58%

LAB 63.25, 12.3, 27.96

 

CMYK 0 / 24 / 45 / 5

HEX #F1B684

RGB 241 182 132

HSL 27.52, 0.8%, 0.73%

LAB 78.36, 15.35, 33.7

 

CMYK 0 / 24 / 46 / 85

HEX #251C14

RGB 37 28 20

HSL 28.24, 0.3%, 0.11%

LAB 11.09, 2.92, 7.13

 

CMYK 0 / 25 / 45 / 65

HEX #584230

RGB 88 66 48

HSL 27, 0.29%, 0.27%

LAB 29.87, 6.8, 14.62

 

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

CMYK 30 / 0 / 45 / 46

HEX #618A4C

RGB 97 138 76

HSL 99.68, 0.29%, 0.42%

LAB 53.21, -26.2, 28.71

 

CMYK 43 / 45 / 0 / 46

HEX #4F4C8A

RGB 79 76 138

HSL 242.9, 0.29%, 0.42%

LAB 35.33, 17.86, -34.24

 

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

CMYK 45 / 0 / 25 / 46

HEX #4C8A67

RGB 76 138 103

HSL 146.13, 0.29%, 0.42%

LAB 52.61, -28.47, 12.62

 

CMYK 25 / 45 / 0 / 46

HEX #674C8A

RGB 103 76 138

HSL 266.13, 0.29%, 0.42%

LAB 37.64, 24.85, -30.44

 

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

CMYK 30 / 0 / 45 / 46

HEX #618A4C

RGB 97 138 76

HSL 99.68, 0.29%, 0.42%

LAB 53.21, -26.2, 28.71

 

CMYK 45 / 20 / 0 / 46

HEX #4C6E8A

RGB 76 110 138

HSL 207.1, 0.29%, 0.42%

LAB 44.97, -4.26, -19.2

 

CMYK 16 / 45 / 0 / 46

HEX #744C8A

RGB 116 76 138

HSL 278.71, 0.29%, 0.42%

LAB 39.1, 28.89, -28.05

 

CMYK 0 / 24 / 45 / 45

HEX #8B694C

RGB 139 105 76

HSL 27.62, 0.29%, 0.42%

LAB 47.12, 9.65, 21.55

 

CMYK 43 / 0 / 45 / 46

HEX #4F8A4C

RGB 79 138 76

HSL 117.1, 0.29%, 0.42%

LAB 52.24, -32.52, 27.28

 

CMYK 45 / 20 / 0 / 46

HEX #4C6E8A

RGB 76 110 138

HSL 207.1, 0.29%, 0.42%

LAB 44.97, -4.26, -19.2

 

CMYK 2 / 45 / 0 / 46

HEX #874C8A

RGB 135 76 138

HSL 297.1, 0.29%, 0.42%

LAB 41.46, 34.94, -24.19

 

Description

Color code: HEX #8B694C | qconv.com Color code: HEX #8B694C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 105 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 105 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 45 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 45% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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