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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B5C3D it is the complementary color #74A3C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B5C3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8B5C3D: #905C38, #A16E4B, #B2805E, #C39271 and #D4A484

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B5C3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8B5C3D: #8B5C3D, #7A4A2A, #693817, #582604 and #471400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

Complementary color

CMYK 40 / 16 / 0 / 24

HEX #74A3C2

RGB 116 163 194

HSL 203.85, 0.39%, 0.61%

LAB 64.81, -7.73, -20.9

 

CMYK 0 / 36 / 61 / 44

HEX #905C38

RGB 144 92 56

HSL 24.55, 0.44%, 0.39%

LAB 44.04, 17.51, 29.27

 

CMYK 0 / 32 / 53 / 37

HEX #A16E4B

RGB 161 110 75

HSL 24.42, 0.36%, 0.46%

LAB 50.96, 16.22, 27.58

 

CMYK 0 / 28 / 47 / 30

HEX #B2805E

RGB 178 128 94

HSL 24.29, 0.35%, 0.53%

LAB 57.76, 15.15, 26.06

 

CMYK 0 / 25 / 42 / 24

HEX #C39271

RGB 195 146 113

HSL 24.15, 0.41%, 0.6%

LAB 64.45, 14.23, 24.68

 

CMYK 0 / 23 / 38 / 17

HEX #D4A484

RGB 212 164 132

HSL 24, 0.48%, 0.67%

LAB 71.02, 13.44, 23.41

 

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

CMYK 0 / 39 / 66 / 52

HEX #7A4A2A

RGB 122 74 42

HSL 24, 0.49%, 0.32%

LAB 36.37, 17.13, 27.36

 

CMYK 0 / 47 / 78 / 59

HEX #693817

RGB 105 56 23

HSL 24.15, 0.64%, 0.25%

LAB 29.14, 18.87, 29.27

 

CMYK 0 / 57 / 95 / 65

HEX #582604

RGB 88 38 4

HSL 24.29, 0.91%, 0.18%

LAB 21.83, 20.96, 30

 

CMYK 0 / 72 / 100 / 72

HEX #471400

RGB 71 20 0

HSL 16.9, 1%, 0.14%

LAB 14.62, 23.31, 22.28

 

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

CMYK 0 / 25 / 57 / 46

HEX #8A673C

RGB 138 103 60

HSL 33.08, 0.39%, 0.39%

LAB 46.22, 8.74, 29.5

 

CMYK 0 / 16 / 57 / 46

HEX #8A743C

RGB 138 116 60

HSL 43.08, 0.39%, 0.39%

LAB 49.76, 1.22, 33.77

 

CMYK 0 / 7 / 57 / 46

HEX #8A813C

RGB 138 129 60

HSL 53.08, 0.39%, 0.39%

LAB 53.42, -6.1, 38.06

 

CMYK 3 / 0 / 57 / 46

HEX #868A3C

RGB 134 138 60

HSL 63.08, 0.39%, 0.39%

LAB 55.66, -12.78, 40.54

 

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

CMYK 0 / 34 / 56 / 25

HEX #BE7E53

RGB 190 126 83

HSL 24.11, 0.45%, 0.54%

LAB 58.5, 20.27, 33.36

 

CMYK 0 / 34 / 56 / 5

HEX #F1A06A

RGB 241 160 106

HSL 24, 0.83%, 0.68%

LAB 72.81, 24.66, 40.23

 

CMYK 0 / 35 / 57 / 85

HEX #251810

RGB 37 24 16

HSL 22.86, 0.4%, 0.1%

LAB 9.67, 5.22, 7.56

 

CMYK 0 / 34 / 56 / 65

HEX #583A27

RGB 88 58 39

HSL 23.27, 0.39%, 0.25%

LAB 27.43, 10.83, 17.13

 

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

CMYK 33 / 0 / 57 / 46

HEX #5C8A3C

RGB 92 138 60

HSL 95.38, 0.39%, 0.39%

LAB 52.71, -30.11, 36.36

 

CMYK 57 / 56 / 0 / 46

HEX #3C3D8A

RGB 60 61 138

HSL 239.23, 0.39%, 0.39%

LAB 29.75, 23.03, -43.27

 

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

CMYK 57 / 0 / 35 / 46

HEX #3C8A5A

RGB 60 138 90

HSL 143.08, 0.39%, 0.39%

LAB 51.7, -35.53, 18.65

 

CMYK 35 / 57 / 0 / 46

HEX #5A3C8A

RGB 90 60 138

HSL 263.08, 0.39%, 0.39%

LAB 32.35, 30.9, -38.93

 

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

CMYK 33 / 0 / 57 / 46

HEX #5C8A3C

RGB 92 138 60

HSL 95.38, 0.39%, 0.39%

LAB 52.71, -30.11, 36.36

 

CMYK 57 / 22 / 0 / 46

HEX #3C6C8A

RGB 60 108 138

HSL 203.08, 0.39%, 0.39%

LAB 43.54, -7.1, -21.48

 

CMYK 24 / 57 / 0 / 46

HEX #693C8A

RGB 105 60 138

HSL 274.62, 0.39%, 0.39%

LAB 34.13, 34.97, -35.99

 

CMYK 0 / 34 / 56 / 45

HEX #8B5C3D

RGB 139 92 61

HSL 23.85, 0.39%, 0.39%

LAB 43.48, 15.72, 25.57

 

CMYK 50 / 0 / 57 / 46

HEX #458A3C

RGB 69 138 60

HSL 113.08, 0.39%, 0.39%

LAB 51.57, -37.96, 34.75

 

CMYK 57 / 22 / 0 / 46

HEX #3C6C8A

RGB 60 108 138

HSL 203.08, 0.39%, 0.39%

LAB 43.54, -7.1, -21.48

 

CMYK 7 / 57 / 0 / 46

HEX #813C8A

RGB 129 60 138

HSL 293.08, 0.39%, 0.39%

LAB 37.36, 41.73, -30.66

 

Description

Color code: HEX #8B5C3D | qconv.com Color code: HEX #8B5C3D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 92 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 92 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 56 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 56% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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