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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B547D it is the complementary color #74AB82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B547D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8B547D: #905478, #A1668B, #B2789E, #C38AB1 and #D49CC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B547D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8B547D: #8B547D, #7A426A, #693057, #581E44 and #470C31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

Complementary color

CMYK 32 / 0 / 24 / 33

HEX #74AB82

RGB 116 171 130

HSL 135.27, 0.25%, 0.56%

LAB 65.32, -26.79, 15.48

 

CMYK 0 / 42 / 17 / 44

HEX #905478

RGB 144 84 120

HSL 324, 0.26%, 0.45%

LAB 43.69, 30.17, -9.72

 

CMYK 0 / 37 / 14 / 37

HEX #A1668B

RGB 161 102 139

HSL 322.37, 0.24%, 0.52%

LAB 50.62, 29.35, -10.49

 

CMYK 0 / 33 / 11 / 30

HEX #B2789E

RGB 178 120 158

HSL 320.69, 0.27%, 0.58%

LAB 57.43, 28.58, -11.17

 

CMYK 0 / 29 / 9 / 24

HEX #C38AB1

RGB 195 138 177

HSL 318.95, 0.32%, 0.65%

LAB 64.12, 27.86, -11.79

 

CMYK 0 / 26 / 8 / 17

HEX #D49CC4

RGB 212 156 196

HSL 317.14, 0.39%, 0.72%

LAB 70.7, 27.2, -12.36

 

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

CMYK 0 / 46 / 13 / 52

HEX #7A426A

RGB 122 66 106

HSL 317.14, 0.3%, 0.37%

LAB 36.13, 30.09, -12.78

 

CMYK 0 / 54 / 17 / 59

HEX #693057

RGB 105 48 87

HSL 318.95, 0.37%, 0.3%

LAB 28.92, 30.89, -11.83

 

CMYK 0 / 66 / 23 / 65

HEX #581E44

RGB 88 30 68

HSL 320.69, 0.49%, 0.23%

LAB 21.66, 31.46, -10.49

 

CMYK 0 / 83 / 31 / 72

HEX #470C31

RGB 71 12 49

HSL 322.37, 0.71%, 0.16%

LAB 14.54, 31.23, -8.32

 

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

CMYK 0 / 40 / 17 / 45

HEX #8C5474

RGB 140 84 116

HSL 325.71, 0.25%, 0.44%

LAB 43.03, 28.04, -8.32

 

CMYK 0 / 40 / 24 / 45

HEX #8C546B

RGB 140 84 107

HSL 335.36, 0.25%, 0.44%

LAB 42.73, 26.56, -3.26

 

CMYK 0 / 40 / 30 / 45

HEX #8C5462

RGB 140 84 98

HSL 345, 0.25%, 0.44%

LAB 42.46, 25.2, 1.87

 

CMYK 0 / 40 / 37 / 45

HEX #8C5458

RGB 140 84 88

HSL 355.71, 0.25%, 0.44%

LAB 42.19, 23.81, 7.63

 

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

CMYK 0 / 39 / 10 / 25

HEX #BE73AB

RGB 190 115 171

HSL 315.2, 0.37%, 0.6%

LAB 58.18, 37.68, -17.4

 

CMYK 0 / 39 / 10 / 5

HEX #F192D9

RGB 241 146 217

HSL 315.16, 0.77%, 0.76%

LAB 72.41, 45.65, -21.07

 

CMYK 0 / 41 / 11 / 85

HEX #251621

RGB 37 22 33

HSL 316, 0.25%, 0.12%

LAB 9.62, 9.9, -4.58

 

CMYK 0 / 40 / 10 / 65

HEX #58354F

RGB 88 53 79

HSL 315.43, 0.25%, 0.28%

LAB 27.26, 20.19, -9.34

 

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

CMYK 0 / 22 / 40 / 45

HEX #8C6D54

RGB 140 109 84

HSL 26.79, 0.25%, 0.44%

LAB 48.45, 8.7, 18.67

 

CMYK 40 / 0 / 6 / 45

HEX #548C83

RGB 84 140 131

HSL 170.36, 0.25%, 0.44%

LAB 54.32, -20.68, -1.01

 

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

CMYK 10 / 0 / 40 / 45

HEX #7E8C54

RGB 126 140 84

HSL 75, 0.25%, 0.44%

LAB 55.92, -14.68, 28.23

 

CMYK 40 / 10 / 0 / 45

HEX #547E8C

RGB 84 126 140

HSL 195, 0.25%, 0.44%

LAB 50.33, -10.71, -12.18

 

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

CMYK 0 / 22 / 40 / 45

HEX #8C6D54

RGB 140 109 84

HSL 26.79, 0.25%, 0.44%

LAB 48.45, 8.7, 18.67

 

CMYK 40 / 0 / 30 / 45

HEX #548C62

RGB 84 140 98

HSL 135, 0.25%, 0.44%

LAB 53.52, -28.01, 16.78

 

CMYK 40 / 18 / 0 / 45

HEX #54738C

RGB 84 115 140

HSL 206.79, 0.25%, 0.44%

LAB 47.03, -4.38, -17.2

 

CMYK 0 / 40 / 10 / 45

HEX #8B547D

RGB 139 84 125

HSL 315.27, 0.25%, 0.44%

LAB 43.23, 29.26, -13.53

 

CMYK 0 / 10 / 40 / 45

HEX #8C7E54

RGB 140 126 84

HSL 45, 0.25%, 0.44%

LAB 53.1, -1.06, 24.82

 

CMYK 40 / 0 / 30 / 45

HEX #548C62

RGB 84 140 98

HSL 135, 0.25%, 0.44%

LAB 53.52, -28.01, 16.78

 

CMYK 40 / 30 / 0 / 45

HEX #54628C

RGB 84 98 140

HSL 225, 0.25%, 0.44%

LAB 42.02, 5.91, -24.92

 

Description

Color code: HEX #8B547D | qconv.com Color code: HEX #8B547D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 84 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 84 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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