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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B2C34 it is the complementary color #74D3CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B2C34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B2C34 shade: #902C2F, #A13E42, #B25055, #C36268 and #D4747B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B2C34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B2C34 shade: #8B2C34, #7A1A21, #69080E, #580000 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B2C34 shade: #8C2C34 and #8C2C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B2C34 shade: #8C2C34, #8C2C4E, #8C2C68, #8C2C81 and #7C2C8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B2C34 shade matches the following richer shades: #8C2C34, #9A1D28 and #A90E1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B2C34 shade: #8C2C34, #7D3B40, #6E4A4D, #5F5959 and #506766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B2C34 shade: #8C2C69, #8C2C4F, #8C2C36, #8C3C2C and #8C552C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B2C34 shade: #4D181D, #6C2228, #8C2C34, #AB3640 and #C44650

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B2C34 shade: #8B2C34, #828C2C and #2C5C8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B2C34 shade: #8B2C34, #368C2C and #2C368C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B2C34 shade: #8B2C34, #828C2C, #2C8C82 and #362C8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B2C34 shade: #8B2C34, #658C2C, #2C8C82 and #522C8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 63 / 45

HEX #8B2C34

RGB 139 44 52

HSL 354.95, 0.52%, 0.36%

LAB 33, 40.78, 17.66

 

Complementary color

CMYK 45 / 0 / 4 / 17

HEX #74D3CB

RGB 116 211 203

HSL 174.95, 0.52%, 0.64%

LAB 78.82, -30.06, -4.81

 

CMYK 0 / 69 / 67 / 44

HEX #902C2F

RGB 144 44 47

HSL 358.2, 0.53%, 0.37%

LAB 33.85, 42.19, 22.11

 

CMYK 0 / 61 / 59 / 37

HEX #A13E42

RGB 161 62 66

HSL 357.58, 0.44%, 0.44%

LAB 40.27, 41.38, 19.09

 

CMYK 0 / 55 / 52 / 30

HEX #B25055

RGB 178 80 85

HSL 356.94, 0.39%, 0.51%

LAB 46.79, 40.35, 16.69

 

CMYK 0 / 50 / 47 / 24

HEX #C36268

RGB 195 98 104

HSL 356.29, 0.45%, 0.57%

LAB 53.32, 39.26, 14.71

 

CMYK 0 / 45 / 42 / 17

HEX #D4747B

RGB 212 116 123

HSL 355.63, 0.53%, 0.64%

LAB 59.81, 38.2, 13.04

 

CMYK 0 / 68 / 63 / 45

HEX #8B2C34

RGB 139 44 52

HSL 354.95, 0.52%, 0.36%

LAB 33, 40.78, 17.66

 

CMYK 0 / 79 / 73 / 52

HEX #7A1A21

RGB 122 26 33

HSL 355.63, 0.65%, 0.29%

LAB 26.7, 41.04, 21.34

 

CMYK 0 / 92 / 87 / 59

HEX #69080E

RGB 105 8 14

HSL 356.29, 0.86%, 0.22%

LAB 20.86, 40.11, 25.68

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 69 / 63 / 45

HEX #8C2C34

RGB 140 44 52

HSL 355, 0.52%, 0.36%

LAB 33.19, 41.13, 17.93

 

CMYK 0 / 69 / 69 / 45

HEX #8C2C2C

RGB 140 44 44

HSL 0, 0.52%, 0.36%

LAB 33.05, 40.61, 22.84

 

CMYK 0 / 69 / 63 / 45

HEX #8C2C34

RGB 140 44 52

HSL 355, 0.52%, 0.36%

LAB 33.19, 41.13, 17.93

 

CMYK 0 / 69 / 44 / 45

HEX #8C2C4E

RGB 140 44 78

HSL 338.75, 0.52%, 0.36%

LAB 33.83, 43.43, 1.98

 

CMYK 0 / 69 / 26 / 45

HEX #8C2C68

RGB 140 44 104

HSL 322.5, 0.52%, 0.36%

LAB 34.75, 46.63, -13.35

 

CMYK 0 / 69 / 8 / 45

HEX #8C2C81

RGB 140 44 129

HSL 306.88, 0.52%, 0.36%

LAB 35.91, 50.46, -27.27

 

CMYK 11 / 69 / 0 / 45

HEX #7C2C8C

RGB 124 44 140

HSL 290, 0.52%, 0.36%

LAB 33.94, 48.46, -37.36

 

CMYK 0 / 69 / 63 / 45

HEX #8C2C34

RGB 140 44 52

HSL 355, 0.52%, 0.36%

LAB 33.19, 41.13, 17.93

 

CMYK 0 / 81 / 74 / 40

HEX #9A1D28

RGB 154 29 40

HSL 354.72, 0.68%, 0.36%

LAB 33.78, 50.43, 26.88

 

CMYK 0 / 92 / 84 / 34

HEX #A90E1B

RGB 169 14 27

HSL 354.97, 0.85%, 0.36%

LAB 35.65, 57.51, 37.55

 

CMYK 0 / 69 / 63 / 45

HEX #8C2C34

RGB 140 44 52

HSL 355, 0.52%, 0.36%

LAB 33.19, 41.13, 17.93

 

CMYK 0 / 53 / 49 / 51

HEX #7D3B40

RGB 125 59 64

HSL 355.45, 0.36%, 0.36%

LAB 33.69, 29.11, 10.45

 

CMYK 0 / 33 / 30 / 57

HEX #6E4A4D

RGB 110 74 77

HSL 355, 0.2%, 0.36%

LAB 35.5, 15.79, 4.42

 

CMYK 0 / 6 / 6 / 63

HEX #5F5959

RGB 95 89 89

HSL 0, 0.03%, 0.36%

LAB 38.37, 2.42, 0.86

 

CMYK 22 / 0 / 1 / 60

HEX #506766

RGB 80 103 102

HSL 177.39, 0.13%, 0.36%

LAB 41.79, -8.75, -2.26

 

CMYK 0 / 69 / 25 / 45

HEX #8C2C69

RGB 140 44 105

HSL 321.88, 0.52%, 0.36%

LAB 34.8, 46.77, -13.92

 

CMYK 0 / 69 / 44 / 45

HEX #8C2C4F

RGB 140 44 79

HSL 338.13, 0.52%, 0.36%

LAB 33.86, 43.54, 1.38

 

CMYK 0 / 69 / 61 / 45

HEX #8C2C36

RGB 140 44 54

HSL 353.75, 0.52%, 0.36%

LAB 33.23, 41.27, 16.7

 

CMYK 0 / 57 / 69 / 45

HEX #8C3C2C

RGB 140 60 44

HSL 10, 0.52%, 0.36%

LAB 35.96, 32.88, 26.37

 

CMYK 0 / 39 / 69 / 45

HEX #8C552C

RGB 140 85 44

HSL 25.63, 0.52%, 0.36%

LAB 41.62, 18.93, 32.95

 

CMYK 0 / 69 / 62 / 70

HEX #4D181D

RGB 77 24 29

HSL 354.34, 0.52%, 0.2%

LAB 17.08, 25.46, 9.96

 

CMYK 0 / 69 / 63 / 58

HEX #6C2228

RGB 108 34 40

HSL 355.14, 0.52%, 0.28%

LAB 25.22, 33.31, 14.24

 

CMYK 0 / 69 / 63 / 45

HEX #8C2C34

RGB 140 44 52

HSL 355, 0.52%, 0.36%

LAB 33.19, 41.13, 17.93

 

CMYK 0 / 68 / 63 / 33

HEX #AB3640

RGB 171 54 64

HSL 354.87, 0.52%, 0.44%

LAB 40.68, 48.24, 21.2

 

CMYK 0 / 64 / 59 / 23

HEX #C44650

RGB 196 70 80

HSL 355.24, 0.52%, 0.52%

LAB 47.87, 50.93, 21.67

 

CMYK 0 / 68 / 63 / 45

HEX #8B2C34

RGB 139 44 52

HSL 354.95, 0.52%, 0.36%

LAB 33, 40.78, 17.66

 

CMYK 7 / 0 / 69 / 45

HEX #828C2C

RGB 130 140 44

HSL 66.25, 0.52%, 0.36%

LAB 55.77, -16.8, 47.84

 

CMYK 69 / 34 / 0 / 45

HEX #2C5C8C

RGB 44 92 140

HSL 210, 0.52%, 0.36%

LAB 37.99, 0.13, -31.39

 

CMYK 0 / 68 / 63 / 45

HEX #8B2C34

RGB 139 44 52

HSL 354.95, 0.52%, 0.36%

LAB 33, 40.78, 17.66

 

CMYK 61 / 0 / 69 / 45

HEX #368C2C

RGB 54 140 44

HSL 113.75, 0.52%, 0.36%

LAB 51.52, -44.79, 42.08

 

CMYK 69 / 61 / 0 / 45

HEX #2C368C

RGB 44 54 140

HSL 233.75, 0.52%, 0.36%

LAB 26.93, 25.47, -49.13

 

CMYK 0 / 68 / 63 / 45

HEX #8B2C34

RGB 139 44 52

HSL 354.95, 0.52%, 0.36%

LAB 33, 40.78, 17.66

 

CMYK 7 / 0 / 69 / 45

HEX #828C2C

RGB 130 140 44

HSL 66.25, 0.52%, 0.36%

LAB 55.77, -16.8, 47.84

 

CMYK 69 / 0 / 7 / 45

HEX #2C8C82

RGB 44 140 130

HSL 173.75, 0.52%, 0.36%

LAB 52.84, -29.91, -2.77

 

CMYK 61 / 69 / 0 / 45

HEX #362C8C

RGB 54 44 140

HSL 246.25, 0.52%, 0.36%

LAB 25.2, 33.56, -51.93

 

CMYK 0 / 68 / 63 / 45

HEX #8B2C34

RGB 139 44 52

HSL 354.95, 0.52%, 0.36%

LAB 33, 40.78, 17.66

 

CMYK 28 / 0 / 69 / 45

HEX #658C2C

RGB 101 140 44

HSL 84.38, 0.52%, 0.36%

LAB 53.71, -29.09, 45.07

 

CMYK 69 / 0 / 7 / 45

HEX #2C8C82

RGB 44 140 130

HSL 173.75, 0.52%, 0.36%

LAB 52.84, -29.91, -2.77

 

CMYK 41 / 69 / 0 / 45

HEX #522C8C

RGB 82 44 140

HSL 263.75, 0.52%, 0.36%

LAB 28.08, 38.84, -47.1

 

Description

Color code: HEX #8B2C34 | qconv.com Color code: HEX #8B2C34 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 44 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 44 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 63 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 63% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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