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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AF041 it is the complementary color #750FBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AF041. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8AF041: #8FF03C, #A0FF4F, #B1FF62, #C2FF75 and #D3FF88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AF041. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8AF041: #8AF041, #79DE2E, #68CC1B, #57BA08 and #46A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

Complementary color

CMYK 38 / 92 / 0 / 25

HEX #750FBE

RGB 117 15 190

HSL 274.97, 0.85%, 0.4%

LAB 33.65, 66.6, -68.02

 

CMYK 40 / 0 / 75 / 6

HEX #8FF03C

RGB 143 240 60

HSL 92.33, 0.86%, 0.59%

LAB 86.25, -55.99, 72.51

 

CMYK 37 / 0 / 69 / 0

HEX #A0FF4F

RGB 160 255 79

HSL 92.39, 1%, 0.65%

LAB 91.49, -55.23, 71.57

 

CMYK 31 / 0 / 62 / 0

HEX #B1FF62

RGB 177 255 98

HSL 89.81, 1%, 0.69%

LAB 92.46, -48.11, 65.56

 

CMYK 24 / 0 / 54 / 0

HEX #C2FF75

RGB 194 255 117

HSL 86.52, 1%, 0.73%

LAB 93.57, -40.48, 58.96

 

CMYK 17 / 0 / 47 / 0

HEX #D3FF88

RGB 211 255 136

HSL 82.18, 1%, 0.77%

LAB 94.8, -32.45, 52

 

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

CMYK 45 / 0 / 79 / 13

HEX #79DE2E

RGB 121 222 46

HSL 94.43, 0.73%, 0.53%

LAB 79.9, -56.7, 70.34

 

CMYK 49 / 0 / 87 / 20

HEX #68CC1B

RGB 104 204 27

HSL 93.9, 0.77%, 0.45%

LAB 73.68, -55.85, 69.12

 

CMYK 53 / 0 / 96 / 27

HEX #57BA08

RGB 87 186 8

HSL 93.37, 0.92%, 0.38%

LAB 67.4, -54.67, 66.57

 

CMYK 58 / 0 / 100 / 34

HEX #46A800

RGB 70 168 0

HSL 95, 1%, 0.33%

LAB 61.05, -53.04, 62.27

 

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

CMYK 53 / 0 / 72 / 6

HEX #70EF42

RGB 112 239 66

HSL 104.05, 0.84%, 0.6%

LAB 84.78, -64.33, 68.7

 

CMYK 65 / 0 / 72 / 6

HEX #53EF42

RGB 83 239 66

HSL 114.1, 0.84%, 0.6%

LAB 83.95, -71.01, 67.59

 

CMYK 72 / 0 / 68 / 6

HEX #42EF4D

RGB 66 239 77

HSL 123.82, 0.84%, 0.6%

LAB 83.67, -73.09, 63.21

 

CMYK 72 / 0 / 56 / 6

HEX #42EF6A

RGB 66 239 106

HSL 133.87, 0.84%, 0.6%

LAB 83.93, -69.93, 51.32

 

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

CMYK 42 / 0 / 72 / 86

HEX #15240A

RGB 21 36 10

HSL 94.62, 0.57%, 0.09%

LAB 12.24, -12.36, 13.76

 

CMYK 43 / 0 / 72 / 66

HEX #325718

RGB 50 87 24

HSL 95.24, 0.57%, 0.22%

LAB 33.05, -25.48, 31.23

 

CMYK 43 / 0 / 73 / 46

HEX #4F8A25

RGB 79 138 37

HSL 95.05, 0.58%, 0.34%

LAB 51.81, -37.01, 45.58

 

CMYK 42 / 0 / 73 / 26

HEX #6DBD33

RGB 109 189 51

HSL 94.78, 0.58%, 0.47%

LAB 69.39, -47.26, 58.49

 

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

CMYK 72 / 0 / 17 / 6

HEX #42EFC7

RGB 66 239 199

HSL 166.13, 0.84%, 0.6%

LAB 85.51, -52.46, 6.89

 

CMYK 0 / 72 / 12 / 6

HEX #EF42D2

RGB 239 66 210

HSL 310.06, 0.84%, 0.6%

LAB 58.88, 78.64, -38.05

 

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

CMYK 72 / 41 / 0 / 6

HEX #428DEF

RGB 66 141 239

HSL 213.99, 0.84%, 0.6%

LAB 58.45, 9.19, -56.02

 

CMYK 0 / 72 / 41 / 6

HEX #EF428D

RGB 239 66 141

HSL 333.99, 0.84%, 0.6%

LAB 56.26, 70.44, -2.04

 

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

CMYK 72 / 0 / 17 / 6

HEX #42EFC7

RGB 66 239 199

HSL 166.13, 0.84%, 0.6%

LAB 85.51, -52.46, 6.89

 

CMYK 31 / 72 / 0 / 6

HEX #A442EF

RGB 164 66 239

HSL 273.99, 0.84%, 0.6%

LAB 49.52, 68.43, -70.03

 

CMYK 0 / 72 / 56 / 6

HEX #EF426A

RGB 239 66 106

HSL 346.13, 0.84%, 0.6%

LAB 55.37, 67.53, 17.48

 

CMYK 43 / 0 / 73 / 6

HEX #8AF041

RGB 138 240 65

HSL 94.97, 0.85%, 0.6%

LAB 86.06, -57.28, 70.64

 

CMYK 72 / 5 / 0 / 6

HEX #42E4EF

RGB 66 228 239

HSL 183.82, 0.84%, 0.6%

LAB 83.38, -37.02, -17.32

 

CMYK 31 / 72 / 0 / 6

HEX #A442EF

RGB 164 66 239

HSL 273.99, 0.84%, 0.6%

LAB 49.52, 68.43, -70.03

 

CMYK 0 / 68 / 72 / 6

HEX #EF4D42

RGB 239 77 66

HSL 3.82, 0.84%, 0.6%

LAB 56.14, 61.34, 41.57

 

Description

Color code: HEX #8AF041 | qconv.com Color code: HEX #8AF041 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 240 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 240 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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