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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE9A6 it is the complementary color #751659. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE9A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8AE9A6: #8FE9A1, #A0FBB4, #B1FFC7, #C2FFDA and #D3FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE9A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8AE9A6: #8AE9A6, #79D793, #68C580, #57B36D and #46A15A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

Complementary color

CMYK 0 / 81 / 24 / 54

HEX #751659

RGB 117 22 89

HSL 317.68, 0.68%, 0.27%

LAB 26.95, 46.3, -15.98

 

CMYK 39 / 0 / 31 / 9

HEX #8FE9A1

RGB 143 233 161

HSL 132, 0.67%, 0.74%

LAB 85.35, -41.74, 26.74

 

CMYK 36 / 0 / 28 / 2

HEX #A0FBB4

RGB 160 251 180

HSL 133.19, 0.92%, 0.81%

LAB 91.58, -41.48, 25.66

 

CMYK 31 / 0 / 22 / 0

HEX #B1FFC7

RGB 177 255 199

HSL 136.92, 1%, 0.85%

LAB 93.88, -34.91, 19.29

 

CMYK 24 / 0 / 15 / 0

HEX #C2FFDA

RGB 194 255 218

HSL 143.61, 1%, 0.88%

LAB 95.18, -26.28, 11.52

 

CMYK 17 / 0 / 7 / 0

HEX #D3FFED

RGB 211 255 237

HSL 155.45, 1%, 0.91%

LAB 96.61, -17.44, 3.94

 

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

CMYK 44 / 0 / 32 / 16

HEX #79D793

RGB 121 215 147

HSL 136.6, 0.54%, 0.66%

LAB 78.91, -42.53, 25.08

 

CMYK 47 / 0 / 35 / 23

HEX #68C580

RGB 104 197 128

HSL 135.48, 0.44%, 0.59%

LAB 72.52, -42.74, 26.29

 

CMYK 51 / 0 / 39 / 30

HEX #57B36D

RGB 87 179 109

HSL 134.35, 0.38%, 0.52%

LAB 66.04, -42.88, 27.58

 

CMYK 57 / 0 / 44 / 37

HEX #46A15A

RGB 70 161 90

HSL 133.19, 0.39%, 0.45%

LAB 59.46, -42.91, 28.96

 

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

CMYK 40 / 0 / 22 / 9

HEX #8BE8B5

RGB 139 232 181

HSL 147.1, 0.67%, 0.73%

LAB 85.27, -38.77, 16.26

 

CMYK 40 / 0 / 15 / 9

HEX #8BE8C5

RGB 139 232 197

HSL 157.42, 0.67%, 0.73%

LAB 85.62, -35.52, 8.39

 

CMYK 40 / 0 / 9 / 9

HEX #8BE8D4

RGB 139 232 212

HSL 167.1, 0.67%, 0.73%

LAB 85.98, -32.26, 1.03

 

CMYK 40 / 0 / 2 / 9

HEX #8BE8E4

RGB 139 232 228

HSL 177.42, 0.67%, 0.73%

LAB 86.41, -28.55, -6.76

 

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

CMYK 41 / 0 / 28 / 89

HEX #111D15

RGB 17 29 21

HSL 140, 0.26%, 0.09%

LAB 9.42, -7.58, 3.79

 

CMYK 41 / 0 / 29 / 69

HEX #2F5039

RGB 47 80 57

HSL 138.18, 0.26%, 0.25%

LAB 30.97, -17.89, 9.84

 

CMYK 40 / 0 / 29 / 49

HEX #4E835D

RGB 78 131 93

HSL 136.98, 0.25%, 0.41%

LAB 50.27, -26.48, 15.13

 

CMYK 41 / 0 / 29 / 29

HEX #6CB682

RGB 108 182 130

HSL 137.84, 0.34%, 0.57%

LAB 68.21, -34.52, 19.41

 

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

CMYK 40 / 19 / 0 / 9

HEX #8BBBE8

RGB 139 187 232

HSL 209.03, 0.67%, 0.73%

LAB 74.1, -4.56, -27.45

 

CMYK 0 / 40 / 35 / 9

HEX #E88B96

RGB 232 139 150

HSL 352.9, 0.67%, 0.73%

LAB 67.89, 36.62, 9.45

 

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

CMYK 29 / 40 / 0 / 9

HEX #A58BE8

RGB 165 139 232

HSL 256.77, 0.67%, 0.73%

LAB 63.58, 29.52, -43.64

 

CMYK 0 / 29 / 40 / 9

HEX #E8A58B

RGB 232 165 139

HSL 16.77, 0.67%, 0.73%

LAB 73.5, 21.57, 23.33

 

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

CMYK 40 / 19 / 0 / 9

HEX #8BBBE8

RGB 139 187 232

HSL 209.03, 0.67%, 0.73%

LAB 74.1, -4.56, -27.45

 

CMYK 0 / 40 / 11 / 9

HEX #E88BCE

RGB 232 139 206

HSL 316.77, 0.67%, 0.73%

LAB 69.52, 44.58, -19.47

 

CMYK 0 / 21 / 40 / 9

HEX #E8B88B

RGB 232 184 139

HSL 29.03, 0.67%, 0.73%

LAB 78.05, 11.46, 29.45

 

CMYK 41 / 0 / 29 / 9

HEX #8AE9A6

RGB 138 233 166

HSL 137.68, 0.68%, 0.73%

LAB 85.22, -42.29, 23.96

 

CMYK 40 / 31 / 0 / 9

HEX #8B9FE8

RGB 139 159 232

HSL 227.1, 0.67%, 0.73%

LAB 66.6, 11.03, -39.04

 

CMYK 0 / 40 / 11 / 9

HEX #E88BCE

RGB 232 139 206

HSL 316.77, 0.67%, 0.73%

LAB 69.52, 44.58, -19.47

 

CMYK 0 / 9 / 40 / 9

HEX #E8D48B

RGB 232 212 139

HSL 47.1, 0.67%, 0.73%

LAB 85.05, -3.14, 38.61

 

Description

Color code: HEX #8AE9A6 | qconv.com Color code: HEX #8AE9A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 233 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 233 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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