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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE132 it is the complementary color #751ECD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE132. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AE132 shade: #8FE12D, #A0F340, #B1FF53, #C2FF66 and #D3FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE132. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AE132 shade: #8AE132, #79CF1F, #68BD0C, #57AB00 and #469900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AE132 shade: #8AE133, #B9E133, #E1D933, #E1AA33 and #E17C33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AE132 shade: #8AE133, #5BE133, #33E139, #33E168 and #33E197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AE132 shade matches the following richer shades: #8AE133 and #8AF320

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AE132 shade: #8AE133, #8ACE46, #8ABB59, #8AA86C and #8A957F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AE132 shade: #E1D833, #BBE133, #8DE133, #5EE133 and #33E136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AE132 shade: #61A819, #76CC1E, #8AE133, #9FE657 and #B3EB7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AE132 shade: #8AE132, #33E1AA and #E133D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AE132 shade: #8AE132, #338DE1 and #E1338D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AE132 shade: #8AE132, #33E1AA, #8733E1 and #E1336A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AE132 shade: #8AE132, #33E1DE, #8733E1 and #E13336

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 78 / 12

HEX #8AE132

RGB 138 225 50

HSL 89.83, 0.74%, 0.54%

LAB 81.56, -52.22, 71.01

 

Complementary color

CMYK 43 / 85 / 0 / 20

HEX #751ECD

RGB 117 30 205

HSL 269.83, 0.74%, 0.46%

LAB 36.21, 66.38, -72.6

 

CMYK 36 / 0 / 80 / 12

HEX #8FE12D

RGB 143 225 45

HSL 87.33, 0.75%, 0.53%

LAB 81.77, -50.76, 72.69

 

CMYK 34 / 0 / 74 / 5

HEX #A0F340

RGB 160 243 64

HSL 87.82, 0.88%, 0.6%

LAB 87.94, -51.32, 73.16

 

CMYK 31 / 0 / 67 / 0

HEX #B1FF53

RGB 177 255 83

HSL 87.21, 1%, 0.66%

LAB 92.35, -49.23, 71.27

 

CMYK 24 / 0 / 60 / 0

HEX #C2FF66

RGB 194 255 102

HSL 83.92, 1%, 0.7%

LAB 93.43, -41.79, 65.24

 

CMYK 17 / 0 / 53 / 0

HEX #D3FF79

RGB 211 255 121

HSL 79.7, 1%, 0.74%

LAB 94.63, -33.93, 58.68

 

CMYK 39 / 0 / 78 / 12

HEX #8AE132

RGB 138 225 50

HSL 89.83, 0.74%, 0.54%

LAB 81.56, -52.22, 71.01

 

CMYK 42 / 0 / 85 / 19

HEX #79CF1F

RGB 121 207 31

HSL 89.32, 0.74%, 0.47%

LAB 75.32, -51.51, 69.98

 

CMYK 45 / 0 / 94 / 26

HEX #68BD0C

RGB 104 189 12

HSL 88.81, 0.88%, 0.39%

LAB 69.01, -50.53, 67.69

 

CMYK 49 / 0 / 100 / 33

HEX #57AB00

RGB 87 171 0

HSL 89.47, 1%, 0.34%

LAB 62.64, -49.22, 63.78

 

CMYK 54 / 0 / 100 / 40

HEX #469900

RGB 70 153 0

HSL 92.55, 1%, 0.3%

LAB 56.17, -47.55, 58.42

 

CMYK 39 / 0 / 77 / 12

HEX #8AE133

RGB 138 225 51

HSL 90, 0.74%, 0.54%

LAB 81.56, -52.17, 70.72

 

CMYK 18 / 0 / 77 / 12

HEX #B9E133

RGB 185 225 51

HSL 73.79, 0.74%, 0.54%

LAB 84.18, -34.92, 74.09

 

CMYK 0 / 4 / 77 / 12

HEX #E1D933

RGB 225 217 51

HSL 57.24, 0.74%, 0.54%

LAB 84.93, -14.73, 75.86

 

CMYK 0 / 24 / 77 / 12

HEX #E1AA33

RGB 225 170 51

HSL 41.03, 0.74%, 0.54%

LAB 72.89, 9.49, 64.89

 

CMYK 0 / 45 / 77 / 12

HEX #E17C33

RGB 225 124 51

HSL 25.17, 0.74%, 0.54%

LAB 62.22, 33.93, 54.73

 

CMYK 39 / 0 / 77 / 12

HEX #8AE133

RGB 138 225 51

HSL 90, 0.74%, 0.54%

LAB 81.56, -52.17, 70.72

 

CMYK 60 / 0 / 77 / 12

HEX #5BE133

RGB 91 225 51

HSL 106.21, 0.74%, 0.54%

LAB 79.79, -65.65, 68.41

 

CMYK 77 / 0 / 75 / 12

HEX #33E139

RGB 51 225 57

HSL 122.07, 0.74%, 0.54%

LAB 78.95, -72.57, 65.41

 

CMYK 77 / 0 / 54 / 12

HEX #33E168

RGB 51 225 104

HSL 138.28, 0.74%, 0.54%

LAB 79.36, -67.64, 46.7

 

CMYK 77 / 0 / 33 / 12

HEX #33E197

RGB 51 225 151

HSL 154.48, 0.74%, 0.54%

LAB 80.06, -59.55, 24.25

 

CMYK 39 / 0 / 77 / 12

HEX #8AE133

RGB 138 225 51

HSL 90, 0.74%, 0.54%

LAB 81.56, -52.17, 70.72

 

CMYK 43 / 0 / 87 / 5

HEX #8AF320

RGB 138 243 32

HSL 89.86, 0.9%, 0.54%

LAB 86.8, -59.9, 79.92

 

CMYK 39 / 0 / 77 / 12

HEX #8AE133

RGB 138 225 51

HSL 90, 0.74%, 0.54%

LAB 81.56, -52.17, 70.72

 

CMYK 33 / 0 / 66 / 19

HEX #8ACE46

RGB 138 206 70

HSL 90, 0.58%, 0.54%

LAB 76.06, -43.08, 58.58

 

CMYK 26 / 0 / 52 / 27

HEX #8ABB59

RGB 138 187 89

HSL 90, 0.42%, 0.54%

LAB 70.64, -32.81, 44.04

 

CMYK 18 / 0 / 36 / 34

HEX #8AA86C

RGB 138 168 108

HSL 90, 0.26%, 0.54%

LAB 65.35, -21.19, 27.7

 

CMYK 7 / 0 / 15 / 42

HEX #8A957F

RGB 138 149 127

HSL 90, 0.09%, 0.54%

LAB 60.28, -8.16, 10.29

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 17 / 0 / 77 / 12

HEX #BBE133

RGB 187 225 51

HSL 73.1, 0.74%, 0.54%

LAB 84.31, -34.13, 74.25

 

CMYK 37 / 0 / 77 / 12

HEX #8DE133

RGB 141 225 51

HSL 88.97, 0.74%, 0.54%

LAB 81.7, -51.16, 70.9

 

CMYK 58 / 0 / 77 / 12

HEX #5EE133

RGB 94 225 51

HSL 105.17, 0.74%, 0.54%

LAB 79.88, -64.94, 68.53

 

CMYK 77 / 0 / 76 / 12

HEX #33E136

RGB 51 225 54

HSL 121.03, 0.74%, 0.54%

LAB 78.94, -72.78, 66.37

 

CMYK 42 / 0 / 85 / 34

HEX #61A819

RGB 97 168 25

HSL 89.79, 0.74%, 0.38%

LAB 62.18, -44.09, 59.45

 

CMYK 42 / 0 / 85 / 20

HEX #76CC1E

RGB 118 204 30

HSL 89.66, 0.74%, 0.46%

LAB 74.27, -51.35, 69.23

 

CMYK 39 / 0 / 77 / 12

HEX #8AE133

RGB 138 225 51

HSL 90, 0.74%, 0.54%

LAB 81.56, -52.17, 70.72

 

CMYK 31 / 0 / 62 / 10

HEX #9FE657

RGB 159 230 87

HSL 89.79, 0.74%, 0.62%

LAB 84.3, -44.64, 60.86

 

CMYK 24 / 0 / 48 / 8

HEX #B3EB7B

RGB 179 235 123

HSL 90, 0.74%, 0.7%

LAB 87.21, -36.25, 48.38

 

CMYK 39 / 0 / 78 / 12

HEX #8AE132

RGB 138 225 50

HSL 89.83, 0.74%, 0.54%

LAB 81.56, -52.22, 71.01

 

CMYK 77 / 0 / 24 / 12

HEX #33E1AA

RGB 51 225 170

HSL 161.03, 0.74%, 0.54%

LAB 80.44, -55.43, 14.85

 

CMYK 0 / 77 / 7 / 12

HEX #E133D2

RGB 225 51 210

HSL 305.17, 0.74%, 0.54%

LAB 55.1, 79.93, -44.16

 

CMYK 39 / 0 / 78 / 12

HEX #8AE132

RGB 138 225 50

HSL 89.83, 0.74%, 0.54%

LAB 81.56, -52.22, 71.01

 

CMYK 77 / 37 / 0 / 12

HEX #338DE1

RGB 51 141 225

HSL 208.97, 0.74%, 0.54%

LAB 57.26, 2.35, -50.17

 

CMYK 0 / 77 / 37 / 12

HEX #E1338D

RGB 225 51 141

HSL 328.97, 0.74%, 0.54%

LAB 52.17, 71.38, -8.37

 

CMYK 39 / 0 / 78 / 12

HEX #8AE132

RGB 138 225 50

HSL 89.83, 0.74%, 0.54%

LAB 81.56, -52.22, 71.01

 

CMYK 77 / 0 / 24 / 12

HEX #33E1AA

RGB 51 225 170

HSL 161.03, 0.74%, 0.54%

LAB 80.44, -55.43, 14.85

 

CMYK 40 / 77 / 0 / 12

HEX #8733E1

RGB 135 51 225

HSL 268.97, 0.74%, 0.54%

LAB 42.7, 66.36, -73.39

 

CMYK 0 / 77 / 53 / 12

HEX #E1336A

RGB 225 51 106

HSL 341.03, 0.74%, 0.54%

LAB 51.17, 68.3, 11.28

 

CMYK 39 / 0 / 78 / 12

HEX #8AE132

RGB 138 225 50

HSL 89.83, 0.74%, 0.54%

LAB 81.56, -52.22, 71.01

 

CMYK 77 / 0 / 1 / 12

HEX #33E1DE

RGB 51 225 222

HSL 178.97, 0.74%, 0.54%

LAB 81.74, -42.07, -10.79

 

CMYK 40 / 77 / 0 / 12

HEX #8733E1

RGB 135 51 225

HSL 268.97, 0.74%, 0.54%

LAB 42.7, 66.36, -73.39

 

CMYK 0 / 77 / 76 / 12

HEX #E13336

RGB 225 51 54

HSL 358.97, 0.74%, 0.54%

LAB 50.27, 65.44, 40.98

 

Description

Color code: HEX #8AE132 | qconv.com Color code: HEX #8AE132 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 225 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 225 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 78 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 78% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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