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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1D833 it is the complementary color #1E27CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1D833. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1D833 shade: #E6D82E, #F7EA41, #FFFC54, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1D833. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1D833 shade: #E1D833, #D0C620, #BFB40D, #AEA200 and #9D9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1D833 shade: #E1D833, #E1A933, #E17A33, #E14B33 and #E13333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1D833 shade: #E1D833, #BBE133, #8CE133, #5DE133 and #33E138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1D833 shade matches the following richer shades: #E1D833 and #F3E920

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1D833 shade: #E1D833, #CEC746, #BBB559, #A8A46C and #95937F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1D833 shade: #E17833, #E1A733, #E1D533, #BEE133 and #8FE133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1D833 shade: #A8A019, #CCC31E, #E1D833, #E6DE57 and #EBE57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1D833 shade: #E1D833, #33E14A and #8F33E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1D833 shade: #E1D833, #33E1D5 and #D533E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1D833 shade: #E1D833, #33E14A, #333EE1 and #E133C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1D833 shade: #E1D833, #33E17E, #333EE1 and #E13395

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

Complementary color

CMYK 85 / 81 / 0 / 20

HEX #1E27CC

RGB 30 39 204

HSL 236.9, 0.74%, 0.46%

LAB 29.63, 55.26, -83.14

 

CMYK 0 / 6 / 80 / 10

HEX #E6D82E

RGB 230 216 46

HSL 55.43, 0.79%, 0.54%

LAB 85.06, -12.3, 77.54

 

CMYK 0 / 5 / 74 / 3

HEX #F7EA41

RGB 247 234 65

HSL 55.71, 0.92%, 0.61%

LAB 91.23, -13.42, 77.99

 

CMYK 0 / 1 / 67 / 0

HEX #FFFC54

RGB 255 252 84

HSL 58.95, 1%, 0.66%

LAB 96.62, -18.03, 76.89

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 0 / 5 / 85 / 18

HEX #D0C620

RGB 208 198 32

HSL 56.59, 0.73%, 0.47%

LAB 78.4, -13.03, 74.62

 

CMYK 0 / 6 / 93 / 25

HEX #BFB40D

RGB 191 180 13

HSL 56.29, 0.87%, 0.4%

LAB 72.06, -11.61, 72.37

 

CMYK 0 / 7 / 100 / 32

HEX #AEA200

RGB 174 162 0

HSL 55.86, 1%, 0.34%

LAB 65.62, -9.98, 68.52

 

CMYK 0 / 8 / 100 / 38

HEX #9D9000

RGB 157 144 0

HSL 55.03, 1%, 0.31%

LAB 59.08, -8.13, 63.1

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 0 / 25 / 77 / 12

HEX #E1A933

RGB 225 169 51

HSL 40.69, 0.74%, 0.54%

LAB 72.64, 10.02, 64.66

 

CMYK 0 / 46 / 77 / 12

HEX #E17A33

RGB 225 122 51

HSL 24.48, 0.74%, 0.54%

LAB 61.8, 34.97, 54.32

 

CMYK 0 / 67 / 77 / 12

HEX #E14B33

RGB 225 75 51

HSL 8.28, 0.74%, 0.54%

LAB 53.25, 57, 45.75

 

CMYK 0 / 77 / 77 / 12

HEX #E13333

RGB 225 51 51

HSL 0, 0.74%, 0.54%

LAB 50.23, 65.34, 42.6

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 17 / 0 / 77 / 12

HEX #BBE133

RGB 187 225 51

HSL 73.1, 0.74%, 0.54%

LAB 84.31, -34.13, 74.25

 

CMYK 38 / 0 / 77 / 12

HEX #8CE133

RGB 140 225 51

HSL 89.31, 0.74%, 0.54%

LAB 81.66, -51.5, 70.84

 

CMYK 59 / 0 / 77 / 12

HEX #5DE133

RGB 93 225 51

HSL 105.52, 0.74%, 0.54%

LAB 79.85, -65.18, 68.49

 

CMYK 77 / 0 / 75 / 12

HEX #33E138

RGB 51 225 56

HSL 121.72, 0.74%, 0.54%

LAB 78.95, -72.64, 65.74

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 0 / 4 / 87 / 5

HEX #F3E920

RGB 243 233 32

HSL 57.16, 0.9%, 0.54%

LAB 90.52, -15.58, 85.64

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 0 / 3 / 66 / 19

HEX #CEC746

RGB 206 199 70

HSL 56.91, 0.58%, 0.54%

LAB 78.7, -12.85, 62.77

 

CMYK 0 / 3 / 52 / 27

HEX #BBB559

RGB 187 181 89

HSL 56.33, 0.42%, 0.54%

LAB 72.45, -10.28, 47.04

 

CMYK 0 / 2 / 36 / 34

HEX #A8A46C

RGB 168 164 108

HSL 56, 0.26%, 0.54%

LAB 66.49, -7.24, 29.61

 

CMYK 0 / 1 / 15 / 42

HEX #95937F

RGB 149 147 127

HSL 54.55, 0.09%, 0.54%

LAB 60.6, -2.86, 10.86

 

CMYK 0 / 47 / 77 / 12

HEX #E17833

RGB 225 120 51

HSL 23.79, 0.74%, 0.54%

LAB 61.38, 36, 53.91

 

CMYK 0 / 26 / 77 / 12

HEX #E1A733

RGB 225 167 51

HSL 40, 0.74%, 0.54%

LAB 72.15, 11.08, 64.2

 

CMYK 0 / 5 / 77 / 12

HEX #E1D533

RGB 225 213 51

HSL 55.86, 0.74%, 0.54%

LAB 83.88, -12.74, 74.92

 

CMYK 16 / 0 / 77 / 12

HEX #BEE133

RGB 190 225 51

HSL 72.07, 0.74%, 0.54%

LAB 84.5, -32.94, 74.51

 

CMYK 36 / 0 / 77 / 12

HEX #8FE133

RGB 143 225 51

HSL 88.28, 0.74%, 0.54%

LAB 81.8, -50.48, 71.03

 

CMYK 0 / 5 / 85 / 34

HEX #A8A019

RGB 168 160 25

HSL 56.64, 0.74%, 0.38%

LAB 64.59, -11.18, 63.4

 

CMYK 0 / 4 / 85 / 20

HEX #CCC31E

RGB 204 195 30

HSL 56.9, 0.74%, 0.46%

LAB 77.26, -13.28, 73.98

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 0 / 3 / 62 / 10

HEX #E6DE57

RGB 230 222 87

HSL 56.64, 0.74%, 0.62%

LAB 86.88, -13.38, 65.04

 

CMYK 0 / 3 / 48 / 8

HEX #EBE57B

RGB 235 229 123

HSL 56.79, 0.74%, 0.7%

LAB 89.45, -12.1, 52.01

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 77 / 0 / 67 / 12

HEX #33E14A

RGB 51 225 74

HSL 127.93, 0.74%, 0.54%

LAB 79.07, -71.15, 59.38

 

CMYK 36 / 77 / 0 / 12

HEX #8F33E1

RGB 143 51 225

HSL 271.72, 0.74%, 0.54%

LAB 43.72, 67.6, -71.68

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 77 / 0 / 5 / 12

HEX #33E1D5

RGB 51 225 213

HSL 175.86, 0.74%, 0.54%

LAB 81.49, -44.58, -6.39

 

CMYK 5 / 77 / 0 / 12

HEX #D533E1

RGB 213 51 225

HSL 295.86, 0.74%, 0.54%

LAB 53.97, 79.87, -54.6

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 77 / 0 / 67 / 12

HEX #33E14A

RGB 51 225 74

HSL 127.93, 0.74%, 0.54%

LAB 79.07, -71.15, 59.38

 

CMYK 77 / 72 / 0 / 12

HEX #333EE1

RGB 51 62 225

HSL 236.21, 0.74%, 0.54%

LAB 37.09, 51.1, -82.88

 

CMYK 0 / 77 / 11 / 12

HEX #E133C9

RGB 225 51 201

HSL 308.28, 0.74%, 0.54%

LAB 54.65, 78.65, -39.72

 

CMYK 0 / 4 / 77 / 12

HEX #E1D833

RGB 225 216 51

HSL 56.9, 0.74%, 0.54%

LAB 84.67, -14.24, 75.63

 

CMYK 77 / 0 / 44 / 12

HEX #33E17E

RGB 51 225 126

HSL 145.86, 0.74%, 0.54%

LAB 79.65, -64.24, 36.42

 

CMYK 77 / 72 / 0 / 12

HEX #333EE1

RGB 51 62 225

HSL 236.21, 0.74%, 0.54%

LAB 37.09, 51.1, -82.88

 

CMYK 0 / 77 / 34 / 12

HEX #E13395

RGB 225 51 149

HSL 326.21, 0.74%, 0.54%

LAB 52.45, 72.21, -12.72

 

Description

Color code: HEX #E1D833 | qconv.com Color code: HEX #E1D833 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 216 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 216 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 77 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 77% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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