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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ADE96 it is the complementary color #752169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ADE96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ADE96 shade: #8FDE91, #A0F0A4, #B1FFB7, #C2FFCA and #D3FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ADE96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ADE96 shade: #8ADE96, #79CC83, #68BA70, #57A85D and #46964A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ADE96 shade: #8CDE97, #96DE8C, #ACDE8C, #C3DE8C and #D9DE8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ADE96 shade: #8CDE97, #8CDEAE, #8CDEC4, #8CDEDA and #8CCCDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ADE96 shade matches the following richer shades: #8CDE97, #80EA8F and #74F686

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ADE96 shade: #8CDE97, #98D2A0, #A4C7A9, #B0BBB1 and #BBAFBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ADE96 shade: #ADDE8C, #97DE8C, #8CDE97, #8CDEAD and #8CDEC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ADE96 shade: #4BCC5E, #6BD57B, #8CDE97, #ACE8B4 and #CCF1D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ADE96 shade: #8ADE96, #8CC3DE and #DE8CA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ADE96 shade: #8ADE96, #978CDE and #DE978C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ADE96 shade: #8ADE96, #8CC3DE, #DE8CD3 and #DEA78C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ADE96 shade: #8ADE96, #8CAADE, #DE8CD3 and #DEC08C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 32 / 13

HEX #8ADE96

RGB 138 222 150

HSL 128.57, 0.56%, 0.71%

LAB 81.76, -40.2, 27.5

 

Complementary color

CMYK 0 / 72 / 10 / 54

HEX #752169

RGB 117 33 105

HSL 308.57, 0.56%, 0.29%

LAB 29.13, 44.84, -23.02

 

CMYK 36 / 0 / 35 / 13

HEX #8FDE91

RGB 143 222 145

HSL 121.52, 0.54%, 0.72%

LAB 81.91, -39.49, 30.32

 

CMYK 33 / 0 / 32 / 6

HEX #A0F0A4

RGB 160 240 164

HSL 123, 0.73%, 0.78%

LAB 88.2, -39.25, 29.2

 

CMYK 31 / 0 / 28 / 0

HEX #B1FFB7

RGB 177 255 183

HSL 124.62, 1%, 0.85%

LAB 93.57, -37.65, 27

 

CMYK 24 / 0 / 21 / 0

HEX #C2FFCA

RGB 194 255 202

HSL 127.87, 1%, 0.88%

LAB 94.85, -29.13, 19.24

 

CMYK 17 / 0 / 13 / 0

HEX #D3FFDD

RGB 211 255 221

HSL 133.64, 1%, 0.91%

LAB 96.24, -20.38, 11.63

 

CMYK 38 / 0 / 32 / 13

HEX #8ADE96

RGB 138 222 150

HSL 128.57, 0.56%, 0.71%

LAB 81.76, -40.2, 27.5

 

CMYK 41 / 0 / 36 / 20

HEX #79CC83

RGB 121 204 131

HSL 127.23, 0.45%, 0.64%

LAB 75.38, -40.44, 28.67

 

CMYK 44 / 0 / 40 / 27

HEX #68BA70

RGB 104 186 112

HSL 125.85, 0.37%, 0.57%

LAB 68.92, -40.65, 29.91

 

CMYK 48 / 0 / 45 / 34

HEX #57A85D

RGB 87 168 93

HSL 124.44, 0.32%, 0.5%

LAB 62.36, -40.8, 31.22

 

CMYK 53 / 0 / 51 / 41

HEX #46964A

RGB 70 150 74

HSL 123, 0.36%, 0.43%

LAB 55.69, -40.83, 32.59

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 32 / 0 / 37 / 13

HEX #96DE8C

RGB 150 222 140

HSL 112.68, 0.55%, 0.71%

LAB 82.17, -38.04, 33.28

 

CMYK 23 / 0 / 37 / 13

HEX #ACDE8C

RGB 172 222 140

HSL 96.59, 0.55%, 0.71%

LAB 83.39, -30.61, 35.11

 

CMYK 12 / 0 / 37 / 13

HEX #C3DE8C

RGB 195 222 140

HSL 79.76, 0.55%, 0.71%

LAB 84.86, -22.28, 37.31

 

CMYK 2 / 0 / 37 / 13

HEX #D9DE8C

RGB 217 222 140

HSL 63.66, 0.55%, 0.71%

LAB 86.45, -13.94, 39.67

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 37 / 0 / 22 / 13

HEX #8CDEAE

RGB 140 222 174

HSL 144.88, 0.55%, 0.71%

LAB 82.31, -35.28, 15.77

 

CMYK 37 / 0 / 12 / 13

HEX #8CDEC4

RGB 140 222 196

HSL 160.98, 0.55%, 0.71%

LAB 82.81, -30.79, 4.87

 

CMYK 37 / 0 / 2 / 13

HEX #8CDEDA

RGB 140 222 218

HSL 177.07, 0.55%, 0.71%

LAB 83.38, -25.83, -5.95

 

CMYK 37 / 8 / 0 / 13

HEX #8CCCDE

RGB 140 204 222

HSL 193.17, 0.55%, 0.71%

LAB 78.48, -15.85, -15.39

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 45 / 0 / 39 / 8

HEX #80EA8F

RGB 128 234 143

HSL 128.49, 0.72%, 0.71%

LAB 84.7, -49.37, 34.9

 

CMYK 53 / 0 / 46 / 4

HEX #74F686

RGB 116 246 134

HSL 128.31, 0.88%, 0.71%

LAB 87.65, -58.64, 43.05

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 28 / 0 / 24 / 18

HEX #98D2A0

RGB 152 210 160

HSL 128.28, 0.39%, 0.71%

LAB 79.22, -28.56, 18.93

 

CMYK 18 / 0 / 15 / 22

HEX #A4C7A9

RGB 164 199 169

HSL 128.57, 0.24%, 0.71%

LAB 77.04, -17.53, 11.18

 

CMYK 6 / 0 / 5 / 27

HEX #B0BBB1

RGB 176 187 177

HSL 125.45, 0.07%, 0.71%

LAB 74.79, -5.69, 3.74

 

CMYK 0 / 6 / 1 / 27

HEX #BBAFBA

RGB 187 175 186

HSL 305, 0.08%, 0.71%

LAB 72.74, 6.29, -4.07

 

CMYK 22 / 0 / 37 / 13

HEX #ADDE8C

RGB 173 222 140

HSL 95.85, 0.55%, 0.71%

LAB 83.45, -30.26, 35.2

 

CMYK 32 / 0 / 37 / 13

HEX #97DE8C

RGB 151 222 140

HSL 111.95, 0.55%, 0.71%

LAB 82.23, -37.72, 33.36

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 37 / 0 / 22 / 13

HEX #8CDEAD

RGB 140 222 173

HSL 144.15, 0.55%, 0.71%

LAB 82.29, -35.47, 16.27

 

CMYK 37 / 0 / 12 / 13

HEX #8CDEC3

RGB 140 222 195

HSL 160.24, 0.55%, 0.71%

LAB 82.78, -31.01, 5.37

 

CMYK 63 / 0 / 54 / 20

HEX #4BCC5E

RGB 75 204 94

HSL 128.84, 0.56%, 0.55%

LAB 73.21, -57.84, 44.11

 

CMYK 50 / 0 / 42 / 16

HEX #6BD57B

RGB 107 213 123

HSL 129.06, 0.56%, 0.63%

LAB 77.37, -49.49, 35.26

 

CMYK 37 / 0 / 32 / 13

HEX #8CDE97

RGB 140 222 151

HSL 128.05, 0.55%, 0.71%

LAB 81.87, -39.43, 27.15

 

CMYK 26 / 0 / 22 / 9

HEX #ACE8B4

RGB 172 232 180

HSL 128, 0.57%, 0.79%

LAB 86.89, -29.09, 19.28

 

CMYK 15 / 0 / 13 / 5

HEX #CCF1D1

RGB 204 241 209

HSL 128.11, 0.57%, 0.87%

LAB 91.84, -17.94, 11.49

 

CMYK 38 / 0 / 32 / 13

HEX #8ADE96

RGB 138 222 150

HSL 128.57, 0.56%, 0.71%

LAB 81.76, -40.2, 27.5

 

CMYK 37 / 12 / 0 / 13

HEX #8CC3DE

RGB 140 195 222

HSL 199.76, 0.55%, 0.71%

LAB 76, -11.17, -19.14

 

CMYK 0 / 37 / 27 / 13

HEX #DE8CA2

RGB 222 140 162

HSL 343.9, 0.55%, 0.71%

LAB 67.2, 34.02, 1.56

 

CMYK 38 / 0 / 32 / 13

HEX #8ADE96

RGB 138 222 150

HSL 128.57, 0.56%, 0.71%

LAB 81.76, -40.2, 27.5

 

CMYK 32 / 37 / 0 / 13

HEX #978CDE

RGB 151 140 222

HSL 248.05, 0.55%, 0.71%

LAB 62.18, 22.52, -40.38

 

CMYK 0 / 32 / 37 / 13

HEX #DE978C

RGB 222 151 140

HSL 8.05, 0.55%, 0.71%

LAB 69.15, 25.31, 16.64

 

CMYK 38 / 0 / 32 / 13

HEX #8ADE96

RGB 138 222 150

HSL 128.57, 0.56%, 0.71%

LAB 81.76, -40.2, 27.5

 

CMYK 37 / 12 / 0 / 13

HEX #8CC3DE

RGB 140 195 222

HSL 199.76, 0.55%, 0.71%

LAB 76, -11.17, -19.14

 

CMYK 0 / 37 / 5 / 13

HEX #DE8CD3

RGB 222 140 211

HSL 308.05, 0.55%, 0.71%

LAB 68.74, 41.72, -23.54

 

CMYK 0 / 25 / 37 / 13

HEX #DEA78C

RGB 222 167 140

HSL 19.76, 0.55%, 0.71%

LAB 72.93, 16.71, 21.84

 

CMYK 38 / 0 / 32 / 13

HEX #8ADE96

RGB 138 222 150

HSL 128.57, 0.56%, 0.71%

LAB 81.76, -40.2, 27.5

 

CMYK 37 / 23 / 0 / 13

HEX #8CAADE

RGB 140 170 222

HSL 218.05, 0.55%, 0.71%

LAB 69.18, 2.38, -29.55

 

CMYK 0 / 37 / 5 / 13

HEX #DE8CD3

RGB 222 140 211

HSL 308.05, 0.55%, 0.71%

LAB 68.74, 41.72, -23.54

 

CMYK 0 / 14 / 37 / 13

HEX #DEC08C

RGB 222 192 140

HSL 38.05, 0.55%, 0.71%

LAB 79.11, 3.4, 30.16

 

Description

Color code: HEX #8ADE96 | qconv.com Color code: HEX #8ADE96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 222 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 222 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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