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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AD5F2 it is the complementary color #752A0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AD5F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8AD5F2: #8FD5ED, #A0E7FF, #B1F9FF, #C2FFFF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AD5F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8AD5F2: #8AD5F2, #79C3DF, #68B1CC, #579FB9 and #468DA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

Complementary color

CMYK 0 / 64 / 89 / 54

HEX #752A0D

RGB 117 42 13

HSL 16.73, 0.8%, 0.25%

LAB 28.03, 31.5, 34

 

CMYK 40 / 10 / 0 / 7

HEX #8FD5ED

RGB 143 213 237

HSL 195.32, 0.72%, 0.75%

LAB 81.59, -15.92, -18.71

 

CMYK 37 / 9 / 0 / 0

HEX #A0E7FF

RGB 160 231 255

HSL 195.16, 1%, 0.81%

LAB 87.89, -16.24, -18.62

 

CMYK 31 / 2 / 0 / 0

HEX #B1F9FF

RGB 177 249 255

HSL 184.62, 1%, 0.85%

LAB 93.59, -20.71, -10.01

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

CMYK 46 / 13 / 0 / 13

HEX #79C3DF

RGB 121 195 223

HSL 196.47, 0.61%, 0.67%

LAB 75.09, -15.71, -21.14

 

CMYK 49 / 13 / 0 / 20

HEX #68B1CC

RGB 104 177 204

HSL 196.2, 0.5%, 0.6%

LAB 68.57, -15.49, -20.76

 

CMYK 53 / 14 / 0 / 27

HEX #579FB9

RGB 87 159 185

HSL 195.92, 0.41%, 0.53%

LAB 61.93, -15.2, -20.37

 

CMYK 58 / 15 / 0 / 35

HEX #468DA6

RGB 70 141 166

HSL 195.63, 0.41%, 0.46%

LAB 55.18, -14.8, -19.96

 

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

CMYK 42 / 18 / 0 / 5

HEX #8CC6F2

RGB 140 198 242

HSL 205.88, 0.8%, 0.75%

LAB 77.5, -7.55, -27.61

 

CMYK 42 / 25 / 0 / 5

HEX #8CB5F2

RGB 140 181 242

HSL 215.88, 0.8%, 0.75%

LAB 72.91, 1.67, -34.68

 

CMYK 42 / 32 / 0 / 5

HEX #8CA4F2

RGB 140 164 242

HSL 225.88, 0.8%, 0.75%

LAB 68.41, 11.21, -41.69

 

CMYK 42 / 39 / 0 / 5

HEX #8C93F2

RGB 140 147 242

HSL 235.88, 0.8%, 0.75%

LAB 64.04, 20.98, -48.56

 

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

CMYK 42 / 13 / 0 / 85

HEX #162126

RGB 22 33 38

HSL 198.75, 0.27%, 0.12%

LAB 11.95, -3.24, -4.93

 

CMYK 43 / 12 / 0 / 65

HEX #334E59

RGB 51 78 89

HSL 197.37, 0.27%, 0.27%

LAB 31.52, -6.93, -9.69

 

CMYK 43 / 12 / 0 / 45

HEX #507B8C

RGB 80 123 140

HSL 197, 0.27%, 0.43%

LAB 49.21, -10.13, -13.9

 

CMYK 43 / 12 / 0 / 25

HEX #6DA8BF

RGB 109 168 191

HSL 196.83, 0.39%, 0.59%

LAB 65.76, -13.08, -17.81

 

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

CMYK 23 / 42 / 0 / 5

HEX #BB8CF2

RGB 187 140 242

HSL 267.65, 0.8%, 0.75%

LAB 66.31, 37.47, -44.71

 

CMYK 0 / 6 / 42 / 5

HEX #F2E48C

RGB 242 228 140

HSL 51.76, 0.8%, 0.75%

LAB 89.98, -7.23, 44.57

 

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

CMYK 0 / 42 / 11 / 5

HEX #F28CD7

RGB 242 140 215

HSL 315.88, 0.8%, 0.75%

LAB 71.24, 48.69, -21.73

 

CMYK 11 / 0 / 42 / 5

HEX #D7F28C

RGB 215 242 140

HSL 75.88, 0.8%, 0.75%

LAB 91.62, -24.45, 46.2

 

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

CMYK 23 / 42 / 0 / 5

HEX #BB8CF2

RGB 187 140 242

HSL 267.65, 0.8%, 0.75%

LAB 66.31, 37.47, -44.71

 

CMYK 0 / 31 / 42 / 5

HEX #F2A78C

RGB 242 167 140

HSL 15.88, 0.8%, 0.75%

LAB 75.08, 24.49, 25.12

 

CMYK 20 / 0 / 42 / 5

HEX #C2F28C

RGB 194 242 140

HSL 88.24, 0.8%, 0.75%

LAB 90.26, -32.14, 44.21

 

CMYK 43 / 12 / 0 / 5

HEX #8AD5F2

RGB 138 213 242

HSL 196.73, 0.8%, 0.75%

LAB 81.51, -15.87, -21.51

 

CMYK 10 / 42 / 0 / 5

HEX #DA8CF2

RGB 218 140 242

HSL 285.88, 0.8%, 0.75%

LAB 69.52, 46.3, -39.46

 

CMYK 0 / 31 / 42 / 5

HEX #F2A78C

RGB 242 167 140

HSL 15.88, 0.8%, 0.75%

LAB 75.08, 24.49, 25.12

 

CMYK 32 / 0 / 42 / 5

HEX #A4F28C

RGB 164 242 140

HSL 105.88, 0.8%, 0.75%

LAB 88.59, -42.4, 41.73

 

Description

Color code: HEX #8AD5F2 | qconv.com Color code: HEX #8AD5F2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 213 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 213 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 12 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 12% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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