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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ACEE2 it is the complementary color #75311D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ACEE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ACEE2 shade: #8FCEDD, #A0E0F0, #B1F2FF, #C2FFFF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ACEE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ACEE2 shade: #8ACEE2, #79BCCF, #68AABC, #5798A9 and #468696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ACEE2 shade: #89CDE1, #89B5E1, #899DE1, #8C89E1 and #A489E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ACEE2 shade: #89CDE1, #89B5E1, #899DE1 and #8989E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ACEE2 shade matches the following richer shades: #89CDE1, #7DD4ED and #71DAF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ACEE2 shade: #89CDE1, #95C7D5, #A1C0C9, #ADBABE and #B9B3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ACEE2 shade: #89E1C5, #89E1DD, #89CEE1, #89B7E1 and #899FE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ACEE2 shade: #47B1D1, #68BFD9, #89CDE1, #AADBEA and #CBE9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ACEE2 shade: #8ACEE2, #AE89E1 and #E1D189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ACEE2 shade: #8ACEE2, #E189CE and #CEE189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ACEE2 shade: #8ACEE2, #AE89E1, #E19C89 and #BCE189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ACEE2 shade: #8ACEE2, #C889E1, #E19C89 and #A2E189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 9 / 0 / 11

HEX #8ACEE2

RGB 138 206 226

HSL 193.64, 0.6%, 0.71%

LAB 79.06, -16.39, -16.67

 

Complementary color

CMYK 0 / 58 / 75 / 54

HEX #75311D

RGB 117 49 29

HSL 13.64, 0.6%, 0.29%

LAB 29.58, 28.49, 26.92

 

CMYK 35 / 7 / 0 / 13

HEX #8FCEDD

RGB 143 206 221

HSL 191.54, 0.53%, 0.71%

LAB 79.16, -16.32, -13.82

 

CMYK 33 / 7 / 0 / 6

HEX #A0E0F0

RGB 160 224 240

HSL 192, 0.73%, 0.78%

LAB 85.54, -16.33, -14.27

 

CMYK 31 / 5 / 0 / 0

HEX #B1F2FF

RGB 177 242 255

HSL 190, 1%, 0.85%

LAB 91.72, -17.25, -12.8

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 39 / 9 / 0 / 11

HEX #8ACEE2

RGB 138 206 226

HSL 193.64, 0.6%, 0.71%

LAB 79.06, -16.39, -16.67

 

CMYK 42 / 9 / 0 / 19

HEX #79BCCF

RGB 121 188 207

HSL 193.26, 0.47%, 0.64%

LAB 72.59, -16.32, -16.25

 

CMYK 45 / 10 / 0 / 26

HEX #68AABC

RGB 104 170 188

HSL 192.86, 0.39%, 0.57%

LAB 66, -16.22, -15.81

 

CMYK 49 / 10 / 0 / 34

HEX #5798A9

RGB 87 152 169

HSL 192.44, 0.32%, 0.5%

LAB 59.29, -16.07, -15.35

 

CMYK 53 / 11 / 0 / 41

HEX #468696

RGB 70 134 150

HSL 192, 0.36%, 0.43%

LAB 52.46, -15.84, -14.87

 

CMYK 39 / 9 / 0 / 12

HEX #89CDE1

RGB 137 205 225

HSL 193.64, 0.59%, 0.71%

LAB 78.7, -16.39, -16.68

 

CMYK 39 / 20 / 0 / 12

HEX #89B5E1

RGB 137 181 225

HSL 210, 0.59%, 0.71%

LAB 72.1, -3.69, -26.73

 

CMYK 39 / 30 / 0 / 12

HEX #899DE1

RGB 137 157 225

HSL 226.36, 0.59%, 0.71%

LAB 65.65, 9.72, -36.7

 

CMYK 38 / 39 / 0 / 12

HEX #8C89E1

RGB 140 137 225

HSL 242.05, 0.59%, 0.71%

LAB 60.7, 22.08, -44.44

 

CMYK 27 / 39 / 0 / 12

HEX #A489E1

RGB 164 137 225

HSL 258.41, 0.59%, 0.71%

LAB 62.69, 28.65, -41.16

 

CMYK 39 / 9 / 0 / 12

HEX #89CDE1

RGB 137 205 225

HSL 193.64, 0.59%, 0.71%

LAB 78.7, -16.39, -16.68

 

CMYK 39 / 20 / 0 / 12

HEX #89B5E1

RGB 137 181 225

HSL 210, 0.59%, 0.71%

LAB 72.1, -3.69, -26.73

 

CMYK 39 / 30 / 0 / 12

HEX #899DE1

RGB 137 157 225

HSL 226.36, 0.59%, 0.71%

LAB 65.65, 9.72, -36.7

 

CMYK 39 / 39 / 0 / 12

HEX #8989E1

RGB 137 137 225

HSL 240, 0.59%, 0.71%

LAB 60.47, 21.3, -44.81

 

CMYK 39 / 9 / 0 / 12

HEX #89CDE1

RGB 137 205 225

HSL 193.64, 0.59%, 0.71%

LAB 78.7, -16.39, -16.68

 

CMYK 47 / 11 / 0 / 7

HEX #7DD4ED

RGB 125 212 237

HSL 193.39, 0.76%, 0.71%

LAB 80.49, -19.73, -20.45

 

CMYK 55 / 12 / 0 / 2

HEX #71DAF9

RGB 113 218 249

HSL 193.68, 0.92%, 0.71%

LAB 82.11, -22, -24.42

 

CMYK 39 / 9 / 0 / 12

HEX #89CDE1

RGB 137 205 225

HSL 193.64, 0.59%, 0.71%

LAB 78.7, -16.39, -16.68

 

CMYK 30 / 7 / 0 / 16

HEX #95C7D5

RGB 149 199 213

HSL 193.13, 0.43%, 0.71%

LAB 77.31, -12.98, -12.26

 

CMYK 20 / 4 / 0 / 21

HEX #A1C0C9

RGB 161 192 201

HSL 193.5, 0.27%, 0.71%

LAB 75.76, -8.45, -8

 

CMYK 9 / 2 / 0 / 25

HEX #ADBABE

RGB 173 186 190

HSL 194.12, 0.12%, 0.71%

LAB 74.65, -3.68, -3.57

 

CMYK 0 / 3 / 4 / 27

HEX #B9B3B2

RGB 185 179 178

HSL 8.57, 0.05%, 0.71%

LAB 73.4, 1.94, 1.26

 

CMYK 39 / 0 / 12 / 12

HEX #89E1C5

RGB 137 225 197

HSL 160.91, 0.59%, 0.71%

LAB 83.55, -32.8, 5.39

 

CMYK 39 / 0 / 2 / 12

HEX #89E1DD

RGB 137 225 221

HSL 177.27, 0.59%, 0.71%

LAB 84.17, -27.34, -6.39

 

CMYK 39 / 8 / 0 / 12

HEX #89CEE1

RGB 137 206 225

HSL 192.95, 0.59%, 0.71%

LAB 78.98, -16.9, -16.26

 

CMYK 39 / 19 / 0 / 12

HEX #89B7E1

RGB 137 183 225

HSL 208.64, 0.59%, 0.71%

LAB 72.64, -4.78, -25.89

 

CMYK 39 / 29 / 0 / 12

HEX #899FE1

RGB 137 159 225

HSL 225, 0.59%, 0.71%

LAB 66.18, 8.58, -35.87

 

CMYK 66 / 15 / 0 / 18

HEX #47B1D1

RGB 71 177 209

HSL 193.91, 0.6%, 0.55%

LAB 67.57, -20.42, -25.15

 

CMYK 52 / 12 / 0 / 15

HEX #68BFD9

RGB 104 191 217

HSL 193.81, 0.6%, 0.63%

LAB 73.03, -19.13, -21.08

 

CMYK 39 / 9 / 0 / 12

HEX #89CDE1

RGB 137 205 225

HSL 193.64, 0.59%, 0.71%

LAB 78.7, -16.39, -16.68

 

CMYK 27 / 6 / 0 / 8

HEX #AADBEA

RGB 170 219 234

HSL 194.06, 0.6%, 0.79%

LAB 84.56, -12.4, -12.51

 

CMYK 16 / 4 / 0 / 5

HEX #CBE9F2

RGB 203 233 242

HSL 193.85, 0.6%, 0.87%

LAB 90.5, -7.95, -7.67

 

CMYK 39 / 9 / 0 / 11

HEX #8ACEE2

RGB 138 206 226

HSL 193.64, 0.6%, 0.71%

LAB 79.06, -16.39, -16.67

 

CMYK 23 / 39 / 0 / 12

HEX #AE89E1

RGB 174 137 225

HSL 265.23, 0.59%, 0.71%

LAB 63.61, 31.52, -39.66

 

CMYK 0 / 7 / 39 / 12

HEX #E1D189

RGB 225 209 137

HSL 49.09, 0.59%, 0.71%

LAB 83.66, -4.58, 37.71

 

CMYK 39 / 9 / 0 / 11

HEX #8ACEE2

RGB 138 206 226

HSL 193.64, 0.6%, 0.71%

LAB 79.06, -16.39, -16.67

 

CMYK 0 / 39 / 8 / 12

HEX #E189CE

RGB 225 137 206

HSL 312.95, 0.59%, 0.71%

LAB 68.28, 43.38, -21.43

 

CMYK 8 / 0 / 39 / 12

HEX #CEE189

RGB 206 225 137

HSL 72.95, 0.59%, 0.71%

LAB 86.39, -19.97, 40.93

 

CMYK 39 / 9 / 0 / 11

HEX #8ACEE2

RGB 138 206 226

HSL 193.64, 0.6%, 0.71%

LAB 79.06, -16.39, -16.67

 

CMYK 23 / 39 / 0 / 12

HEX #AE89E1

RGB 174 137 225

HSL 265.23, 0.59%, 0.71%

LAB 63.61, 31.52, -39.66

 

CMYK 0 / 31 / 39 / 12

HEX #E19C89

RGB 225 156 137

HSL 12.95, 0.59%, 0.71%

LAB 70.59, 23.44, 20.32

 

CMYK 16 / 0 / 39 / 12

HEX #BCE189

RGB 188 225 137

HSL 85.23, 0.59%, 0.71%

LAB 85.17, -26.68, 39.12

 

CMYK 39 / 9 / 0 / 11

HEX #8ACEE2

RGB 138 206 226

HSL 193.64, 0.6%, 0.71%

LAB 79.06, -16.39, -16.67

 

CMYK 11 / 39 / 0 / 12

HEX #C889E1

RGB 200 137 225

HSL 282.95, 0.59%, 0.71%

LAB 66.22, 39.18, -35.39

 

CMYK 0 / 31 / 39 / 12

HEX #E19C89

RGB 225 156 137

HSL 12.95, 0.59%, 0.71%

LAB 70.59, 23.44, 20.32

 

CMYK 28 / 0 / 39 / 12

HEX #A2E189

RGB 162 225 137

HSL 102.95, 0.59%, 0.71%

LAB 83.62, -35.87, 36.81

 

Description

Color code: HEX #8ACEE2 | qconv.com Color code: HEX #8ACEE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 206 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 206 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 9 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 9% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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