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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79BCCF it is the complementary color #864330. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79BCCF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79BCCF shade: #7EBCCA, #8FCEDD, #A0E0F0, #B1F2FF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79BCCF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79BCCF shade: #79BCCF, #68AABC, #5798A9, #468696 and #357483

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79BCCF shade: #78BBCE, #78A4CE, #788DCE, #7B78CE and #9278CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79BCCF shade: #78BBCE, #78A4CE, #788DCE and #7878CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79BCCF shade matches the following richer shades: #78BBCE, #69C4DD, #5ACCEC and #4BD4FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79BCCF shade: #78BBCE, #87B3BF, #96ABB1, #A5A2A2 and #B39A93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79BCCF shade: #78CEB3, #78CECA, #78BCCE, #78A5CE and #788ECE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79BCCF shade: #419AB3, #5AACC3, #78BBCE, #96CAD9 and #B5DAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79BCCF shade: #79BCCF, #9C78CE and #CEBF78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79BCCF shade: #79BCCF, #CE78BC and #BCCE78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79BCCF shade: #79BCCF, #9C78CE, #CE8B78 and #AACE78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79BCCF shade: #79BCCF, #B678CE, #CE8B78 and #91CE78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 9 / 0 / 19

HEX #79BCCF

RGB 121 188 207

HSL 193.26, 0.47%, 0.64%

LAB 72.59, -16.32, -16.25

 

Complementary color

CMYK 0 / 50 / 64 / 47

HEX #864330

RGB 134 67 48

HSL 13.26, 0.47%, 0.36%

LAB 36.55, 26.9, 24.46

 

CMYK 38 / 7 / 0 / 21

HEX #7EBCCA

RGB 126 188 202

HSL 191.05, 0.42%, 0.64%

LAB 72.67, -16.31, -13.36

 

CMYK 35 / 7 / 0 / 13

HEX #8FCEDD

RGB 143 206 221

HSL 191.54, 0.53%, 0.71%

LAB 79.16, -16.32, -13.82

 

CMYK 33 / 7 / 0 / 6

HEX #A0E0F0

RGB 160 224 240

HSL 192, 0.73%, 0.78%

LAB 85.54, -16.33, -14.27

 

CMYK 31 / 5 / 0 / 0

HEX #B1F2FF

RGB 177 242 255

HSL 190, 1%, 0.85%

LAB 91.72, -17.25, -12.8

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 42 / 9 / 0 / 19

HEX #79BCCF

RGB 121 188 207

HSL 193.26, 0.47%, 0.64%

LAB 72.59, -16.32, -16.25

 

CMYK 45 / 10 / 0 / 26

HEX #68AABC

RGB 104 170 188

HSL 192.86, 0.39%, 0.57%

LAB 66, -16.22, -15.81

 

CMYK 49 / 10 / 0 / 34

HEX #5798A9

RGB 87 152 169

HSL 192.44, 0.32%, 0.5%

LAB 59.29, -16.07, -15.35

 

CMYK 53 / 11 / 0 / 41

HEX #468696

RGB 70 134 150

HSL 192, 0.36%, 0.43%

LAB 52.46, -15.84, -14.87

 

CMYK 60 / 11 / 0 / 49

HEX #357483

RGB 53 116 131

HSL 191.54, 0.42%, 0.36%

LAB 45.48, -15.49, -14.35

 

CMYK 42 / 9 / 0 / 19

HEX #78BBCE

RGB 120 187 206

HSL 193.26, 0.47%, 0.64%

LAB 72.22, -16.32, -16.25

 

CMYK 42 / 20 / 0 / 19

HEX #78A4CE

RGB 120 164 206

HSL 209.3, 0.47%, 0.64%

LAB 65.75, -3.95, -26.11

 

CMYK 42 / 32 / 0 / 19

HEX #788DCE

RGB 120 141 206

HSL 225.35, 0.47%, 0.64%

LAB 59.43, 9.17, -35.89

 

CMYK 40 / 42 / 0 / 19

HEX #7B78CE

RGB 123 120 206

HSL 242.09, 0.47%, 0.64%

LAB 54.13, 22.38, -44.21

 

CMYK 29 / 42 / 0 / 19

HEX #9278CE

RGB 146 120 206

HSL 258.14, 0.47%, 0.64%

LAB 56.09, 28.61, -41

 

CMYK 42 / 9 / 0 / 19

HEX #78BBCE

RGB 120 187 206

HSL 193.26, 0.47%, 0.64%

LAB 72.22, -16.32, -16.25

 

CMYK 42 / 20 / 0 / 19

HEX #78A4CE

RGB 120 164 206

HSL 209.3, 0.47%, 0.64%

LAB 65.75, -3.95, -26.11

 

CMYK 42 / 32 / 0 / 19

HEX #788DCE

RGB 120 141 206

HSL 225.35, 0.47%, 0.64%

LAB 59.43, 9.17, -35.89

 

CMYK 42 / 42 / 0 / 19

HEX #7878CE

RGB 120 120 206

HSL 240, 0.47%, 0.64%

LAB 53.9, 21.61, -44.59

 

CMYK 42 / 9 / 0 / 19

HEX #78BBCE

RGB 120 187 206

HSL 193.26, 0.47%, 0.64%

LAB 72.22, -16.32, -16.25

 

CMYK 52 / 11 / 0 / 13

HEX #69C4DD

RGB 105 196 221

HSL 192.93, 0.63%, 0.64%

LAB 74.64, -20.35, -20.81

 

CMYK 62 / 14 / 0 / 7

HEX #5ACCEC

RGB 90 204 236

HSL 193.15, 0.79%, 0.64%

LAB 76.93, -22.92, -25.45

 

CMYK 70 / 16 / 0 / 2

HEX #4BD4FB

RGB 75 212 251

HSL 193.3, 0.96%, 0.64%

LAB 79.36, -24.64, -29.79

 

CMYK 42 / 9 / 0 / 19

HEX #78BBCE

RGB 120 187 206

HSL 193.26, 0.47%, 0.64%

LAB 72.22, -16.32, -16.25

 

CMYK 29 / 6 / 0 / 25

HEX #87B3BF

RGB 135 179 191

HSL 192.86, 0.3%, 0.64%

LAB 70.28, -11.77, -10.87

 

CMYK 15 / 3 / 0 / 31

HEX #96ABB1

RGB 150 171 177

HSL 193.33, 0.15%, 0.64%

LAB 68.59, -5.99, -5.55

 

CMYK 0 / 2 / 2 / 35

HEX #A5A2A2

RGB 165 162 162

HSL 0, 0.02%, 0.64%

LAB 66.86, 1.08, 0.37

 

CMYK 0 / 14 / 18 / 30

HEX #B39A93

RGB 179 154 147

HSL 13.13, 0.17%, 0.64%

LAB 65.59, 8.09, 7.08

 

CMYK 42 / 0 / 13 / 19

HEX #78CEB3

RGB 120 206 179

HSL 161.16, 0.47%, 0.64%

LAB 76.91, -32.3, 5.32

 

CMYK 42 / 0 / 2 / 19

HEX #78CECA

RGB 120 206 202

HSL 177.21, 0.47%, 0.64%

LAB 77.52, -26.92, -6.17

 

CMYK 42 / 9 / 0 / 19

HEX #78BCCE

RGB 120 188 206

HSL 192.56, 0.47%, 0.64%

LAB 72.51, -16.84, -15.83

 

CMYK 42 / 20 / 0 / 19

HEX #78A5CE

RGB 120 165 206

HSL 208.6, 0.47%, 0.64%

LAB 66.03, -4.5, -25.68

 

CMYK 42 / 31 / 0 / 19

HEX #788ECE

RGB 120 142 206

HSL 224.65, 0.47%, 0.64%

LAB 59.7, 8.59, -35.47

 

CMYK 64 / 14 / 0 / 30

HEX #419AB3

RGB 65 154 179

HSL 193.16, 0.47%, 0.48%

LAB 59.42, -18.71, -20.89

 

CMYK 54 / 12 / 0 / 24

HEX #5AACC3

RGB 90 172 195

HSL 193.14, 0.47%, 0.56%

LAB 66.23, -18.52, -19.4

 

CMYK 42 / 9 / 0 / 19

HEX #78BBCE

RGB 120 187 206

HSL 193.26, 0.47%, 0.64%

LAB 72.22, -16.32, -16.25

 

CMYK 31 / 7 / 0 / 15

HEX #96CAD9

RGB 150 202 217

HSL 193.43, 0.47%, 0.72%

LAB 78.31, -13.3, -12.91

 

CMYK 21 / 4 / 0 / 11

HEX #B5DAE4

RGB 181 218 228

HSL 192.77, 0.47%, 0.8%

LAB 84.78, -9.96, -8.94

 

CMYK 42 / 9 / 0 / 19

HEX #79BCCF

RGB 121 188 207

HSL 193.26, 0.47%, 0.64%

LAB 72.59, -16.32, -16.25

 

CMYK 24 / 42 / 0 / 19

HEX #9C78CE

RGB 156 120 206

HSL 265.12, 0.47%, 0.64%

LAB 57.03, 31.46, -39.44

 

CMYK 0 / 7 / 42 / 19

HEX #CEBF78

RGB 206 191 120

HSL 49.53, 0.47%, 0.64%

LAB 77.12, -4.69, 37.68

 

CMYK 42 / 9 / 0 / 19

HEX #79BCCF

RGB 121 188 207

HSL 193.26, 0.47%, 0.64%

LAB 72.59, -16.32, -16.25

 

CMYK 0 / 42 / 9 / 19

HEX #CE78BC

RGB 206 120 188

HSL 312.56, 0.47%, 0.64%

LAB 61.81, 43.14, -21.39

 

CMYK 9 / 0 / 42 / 19

HEX #BCCE78

RGB 188 206 120

HSL 72.56, 0.47%, 0.64%

LAB 79.72, -19.46, 40.67

 

CMYK 42 / 9 / 0 / 19

HEX #79BCCF

RGB 121 188 207

HSL 193.26, 0.47%, 0.64%

LAB 72.59, -16.32, -16.25

 

CMYK 24 / 42 / 0 / 19

HEX #9C78CE

RGB 156 120 206

HSL 265.12, 0.47%, 0.64%

LAB 57.03, 31.46, -39.44

 

CMYK 0 / 33 / 42 / 19

HEX #CE8B78

RGB 206 139 120

HSL 13.26, 0.47%, 0.64%

LAB 64.11, 23.27, 20.55

 

CMYK 17 / 0 / 42 / 19

HEX #AACE78

RGB 170 206 120

HSL 85.12, 0.47%, 0.64%

LAB 78.49, -26.32, 38.85

 

CMYK 42 / 9 / 0 / 19

HEX #79BCCF

RGB 121 188 207

HSL 193.26, 0.47%, 0.64%

LAB 72.59, -16.32, -16.25

 

CMYK 12 / 42 / 0 / 19

HEX #B678CE

RGB 182 120 206

HSL 283.26, 0.47%, 0.64%

LAB 59.74, 39.11, -35.01

 

CMYK 0 / 33 / 42 / 19

HEX #CE8B78

RGB 206 139 120

HSL 13.26, 0.47%, 0.64%

LAB 64.11, 23.27, 20.55

 

CMYK 30 / 0 / 42 / 19

HEX #91CE78

RGB 145 206 120

HSL 102.56, 0.47%, 0.64%

LAB 76.99, -35.29, 36.64

 

Description

Color code: HEX #79BCCF | qconv.com Color code: HEX #79BCCF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 188 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 188 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 9 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 9% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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