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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ACCDD it is the complementary color #753322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ACCDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8ACCDD: #8FCCD8, #A0DEEB, #B1F0FE, #C2FFFF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ACCDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8ACCDD: #8ACCDD, #79BACA, #68A8B7, #5796A4 and #468491

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

Complementary color

CMYK 0 / 56 / 71 / 54

HEX #753322

RGB 117 51 34

HSL 12.29, 0.55%, 0.3%

LAB 30.07, 27.69, 24.48

 

CMYK 34 / 6 / 0 / 15

HEX #8FCCD8

RGB 143 204 216

HSL 189.86, 0.48%, 0.7%

LAB 78.45, -16.51, -12.2

 

CMYK 32 / 6 / 0 / 8

HEX #A0DEEB

RGB 160 222 235

HSL 190.4, 0.65%, 0.77%

LAB 84.85, -16.5, -12.66

 

CMYK 30 / 6 / 0 / 0

HEX #B1F0FE

RGB 177 240 254

HSL 190.91, 0.97%, 0.85%

LAB 91.15, -16.48, -13.12

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

CMYK 40 / 8 / 0 / 21

HEX #79BACA

RGB 121 186 202

HSL 191.85, 0.43%, 0.63%

LAB 71.86, -16.58, -14.61

 

CMYK 43 / 8 / 0 / 28

HEX #68A8B7

RGB 104 168 183

HSL 191.39, 0.35%, 0.56%

LAB 65.25, -16.51, -14.15

 

CMYK 47 / 9 / 0 / 36

HEX #5796A4

RGB 87 150 164

HSL 190.91, 0.31%, 0.49%

LAB 58.53, -16.41, -13.67

 

CMYK 52 / 9 / 0 / 43

HEX #468491

RGB 70 132 145

HSL 190.4, 0.35%, 0.42%

LAB 51.67, -16.23, -13.16

 

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

CMYK 38 / 14 / 0 / 14

HEX #88BDDC

RGB 136 189 220

HSL 202.14, 0.55%, 0.7%

LAB 74.06, -9.57, -21.01

 

CMYK 38 / 20 / 0 / 14

HEX #88AFDC

RGB 136 175 220

HSL 212.14, 0.55%, 0.7%

LAB 70.22, -2, -26.88

 

CMYK 38 / 27 / 0 / 14

HEX #88A1DC

RGB 136 161 220

HSL 222.14, 0.55%, 0.7%

LAB 66.44, 5.82, -32.71

 

CMYK 38 / 33 / 0 / 14

HEX #8893DC

RGB 136 147 220

HSL 232.14, 0.55%, 0.7%

LAB 62.73, 13.84, -38.48

 

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

CMYK 35 / 6 / 0 / 93

HEX #0B1011

RGB 11 16 17

HSL 190, 0.21%, 0.05%

LAB 4.36, -1.39, -1.09

 

CMYK 38 / 7 / 0 / 73

HEX #2A3F44

RGB 42 63 68

HSL 191.54, 0.24%, 0.22%

LAB 25.15, -6.77, -5.71

 

CMYK 38 / 8 / 0 / 53

HEX #4A6E77

RGB 74 110 119

HSL 192, 0.23%, 0.38%

LAB 44.15, -10.32, -9.08

 

CMYK 38 / 8 / 0 / 33

HEX #6A9DAA

RGB 106 157 170

HSL 192.19, 0.27%, 0.54%

LAB 61.72, -13.56, -12.16

 

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

CMYK 23 / 38 / 0 / 14

HEX #AA88DC

RGB 170 136 220

HSL 264.29, 0.55%, 0.7%

LAB 62.78, 29.75, -38.21

 

CMYK 0 / 8 / 38 / 14

HEX #DCCB88

RGB 220 203 136

HSL 47.86, 0.55%, 0.7%

LAB 81.68, -3.57, 35.57

 

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

CMYK 0 / 38 / 8 / 14

HEX #DC88CB

RGB 220 136 203

HSL 312.14, 0.55%, 0.7%

LAB 67.38, 41.8, -21.19

 

CMYK 8 / 0 / 38 / 14

HEX #CBDC88

RGB 203 220 136

HSL 72.14, 0.55%, 0.7%

LAB 84.82, -18.77, 39.37

 

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

CMYK 23 / 38 / 0 / 14

HEX #AA88DC

RGB 170 136 220

HSL 264.29, 0.55%, 0.7%

LAB 62.78, 29.75, -38.21

 

CMYK 0 / 30 / 38 / 14

HEX #DC9988

RGB 220 153 136

HSL 12.14, 0.55%, 0.7%

LAB 69.31, 22.99, 19.03

 

CMYK 15 / 0 / 38 / 14

HEX #BADC88

RGB 186 220 136

HSL 84.29, 0.55%, 0.7%

LAB 83.65, -25.15, 37.64

 

CMYK 38 / 8 / 0 / 13

HEX #8ACCDD

RGB 138 204 221

HSL 192.29, 0.55%, 0.7%

LAB 78.35, -16.62, -15.06

 

CMYK 11 / 38 / 0 / 14

HEX #C388DC

RGB 195 136 220

HSL 282.14, 0.55%, 0.7%

LAB 65.26, 37.19, -34.15

 

CMYK 0 / 30 / 38 / 14

HEX #DC9988

RGB 220 153 136

HSL 12.14, 0.55%, 0.7%

LAB 69.31, 22.99, 19.03

 

CMYK 27 / 0 / 38 / 14

HEX #A1DC88

RGB 161 220 136

HSL 102.14, 0.55%, 0.7%

LAB 82.13, -34.05, 35.37

 

Description

Color code: HEX #8ACCDD | qconv.com Color code: HEX #8ACCDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 204 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 204 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 8 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 8% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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