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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AB3DACE it is the complementary color #754C25CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AB3DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AB3DACE shade: #8FB3D5CE, #A0C5E8CE, #B1D7FBCE, #C2E9FFCE and #D3FBFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AB3DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AB3DACE shade: #8AB3DACE, #79A1C7CE, #688FB4CE, #577DA1CE and #466B8ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AB3DACE shade: #8BB3DA, #8B9EDA, #8D8BDA, #A28BDA and #B88BDA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AB3DACE shade: #8BB3DA, #8B9EDA and #8B8BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AB3DACE shade matches the following richer shades: #8BB3DA, #7EB4E7 and #72B4F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AB3DACE shade: #8BB3DA, #97B3CE, #A3B3C2, #B0B3B5 and #BCB2A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AB3DACE shade: #8BDAD6, #8BC9DA, #8BB4DA, #8B9FDA and #8C8BDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AB3DACE shade: #4C8BC6, #6B9FD0, #8BB3DA, #AAC8E4 and #C9DCEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AB3DACE shade: #8AB3DA, #C18BDA and #D4DA8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AB3DACE shade: #8AB3DA, #DA8BB4 and #B4DA8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AB3DACE shade: #8AB3DA, #C18BDA, #DAB18B and #A4DA8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AB3DACE shade: #8AB3DA, #D98BDA, #DAB18B and #8CDA8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 14 / 0 / 12

HEX #8AB3DACE

RGBA 138 179 218 0.81

HSLA 209.25, 0.52%, 0.7%, 0.81

LABA 71.35, -4.17, -24.04, 0.81

 

Complementary color

CMYK 0 / 28 / 55 / 44

HEX #754C25CE

RGBA 117 76 37 0.81

HSLA 29.25, 0.52%, 0.3%, 0.81

LABA 36.15, 13.26, 29.75, 0.81

 

CMYK 27 / 13 / 0 / 13

HEX #8FB3D5CE

RGBA 143 179 213 0.81

HSLA 209.14, 0.45%, 0.7%, 0.81

LABA 71.48, -4.06, -21.09, 0.81

 

CMYK 25 / 12 / 0 / 7

HEX #A0C5E8CE

RGBA 160 197 232 0.81

HSLA 209.17, 0.61%, 0.77%, 0.81

LABA 78.01, -4.23, -21.37, 0.81

 

CMYK 24 / 12 / 0 / 1

HEX #B1D7FBCE

RGBA 177 215 251 0.81

HSLA 209.19, 0.9%, 0.84%, 0.81

LABA 84.44, -4.38, -21.65, 0.81

 

CMYK 19 / 7 / 0 / 0

HEX #C2E9FFCE

RGBA 194 233 255 0.81

HSLA 201.64, 1%, 0.88%, 0.81

LABA 90.31, -7.9, -14.81, 0.81

 

CMYK 14 / 1 / 0 / 0

HEX #D3FBFFCE

RGBA 211 251 255 0.81

HSLA 185.45, 1%, 0.91%, 0.81

LABA 96.02, -11.93, -6.2, 0.81

 

CMYK 30 / 14 / 0 / 12

HEX #8AB3DACE

RGBA 138 179 218 0.81

HSLA 209.25, 0.52%, 0.7%, 0.81

LABA 71.35, -4.17, -24.04, 0.81

 

CMYK 32 / 15 / 0 / 18

HEX #79A1C7CE

RGBA 121 161 199 0.81

HSLA 209.23, 0.41%, 0.63%, 0.81

LABA 64.71, -3.92, -23.81, 0.81

 

CMYK 34 / 17 / 0 / 24

HEX #688FB4CE

RGBA 104 143 180 0.81

HSLA 209.21, 0.34%, 0.56%, 0.81

LABA 57.93, -3.63, -23.61, 0.81

 

CMYK 37 / 18 / 0 / 30

HEX #577DA1CE

RGBA 87 125 161 0.81

HSLA 209.19, 0.3%, 0.49%, 0.81

LABA 51, -3.27, -23.43, 0.81

 

CMYK 41 / 20 / 0 / 36

HEX #466B8ECE

RGBA 70 107 142 0.81

HSLA 209.17, 0.34%, 0.42%, 0.81

LABA 43.9, -2.81, -23.27, 0.81

 

CMYK 36 / 18 / 0 / 15

HEX #8BB3DA

RGB 139 179 218

HSL 209.62, 0.52%, 0.7%

LAB 71.41, -3.9, -23.94

 

CMYK 36 / 28 / 0 / 15

HEX #8B9EDA

RGB 139 158 218

HSL 225.57, 0.52%, 0.7%

LAB 65.75, 7.8, -32.65

 

CMYK 35 / 36 / 0 / 15

HEX #8D8BDA

RGB 141 139 218

HSL 241.52, 0.52%, 0.7%

LAB 60.95, 19.29, -40.13

 

CMYK 26 / 36 / 0 / 15

HEX #A28BDA

RGB 162 139 218

HSL 257.47, 0.52%, 0.7%

LAB 62.68, 25.23, -37.29

 

CMYK 16 / 36 / 0 / 15

HEX #B88BDA

RGB 184 139 218

HSL 274.18, 0.52%, 0.7%

LAB 64.74, 31.78, -33.94

 

CMYK 36 / 18 / 0 / 15

HEX #8BB3DA

RGB 139 179 218

HSL 209.62, 0.52%, 0.7%

LAB 71.41, -3.9, -23.94

 

CMYK 36 / 28 / 0 / 15

HEX #8B9EDA

RGB 139 158 218

HSL 225.57, 0.52%, 0.7%

LAB 65.75, 7.8, -32.65

 

CMYK 36 / 36 / 0 / 15

HEX #8B8BDA

RGB 139 139 218

HSL 240, 0.52%, 0.7%

LAB 60.8, 18.75, -40.38

 

CMYK 36 / 18 / 0 / 15

HEX #8BB3DA

RGB 139 179 218

HSL 209.62, 0.52%, 0.7%

LAB 71.41, -3.9, -23.94

 

CMYK 45 / 22 / 0 / 9

HEX #7EB4E7

RGB 126 180 231

HSL 209.14, 0.69%, 0.7%

LAB 71.45, -4.29, -31.03

 

CMYK 53 / 26 / 0 / 5

HEX #72B4F3

RGB 114 180 243

HSL 209.3, 0.84%, 0.7%

LAB 71.34, -3.55, -37.76

 

CMYK 36 / 18 / 0 / 15

HEX #8BB3DA

RGB 139 179 218

HSL 209.62, 0.52%, 0.7%

LAB 71.41, -3.9, -23.94

 

CMYK 27 / 13 / 0 / 19

HEX #97B3CE

RGB 151 179 206

HSL 209.45, 0.36%, 0.7%

LAB 71.74, -3.43, -16.81

 

CMYK 16 / 8 / 0 / 24

HEX #A3B3C2

RGB 163 179 194

HSL 209.03, 0.2%, 0.7%

LAB 72.18, -2.4, -9.5

 

CMYK 3 / 1 / 0 / 29

HEX #B0B3B5

RGB 176 179 181

HSL 204, 0.03%, 0.7%

LAB 72.76, -0.67, -1.39

 

CMYK 0 / 5 / 10 / 26

HEX #BCB2A9

RGB 188 178 169

HSL 28.42, 0.12%, 0.7%

LAB 73.15, 1.99, 5.86

 

CMYK 36 / 0 / 2 / 15

HEX #8BDAD6

RGB 139 218 214

HSL 176.96, 0.52%, 0.7%

LAB 82.1, -25.08, -5.72

 

CMYK 36 / 8 / 0 / 15

HEX #8BC9DA

RGB 139 201 218

HSL 192.91, 0.52%, 0.7%

LAB 77.47, -15.56, -14.76

 

CMYK 36 / 17 / 0 / 15

HEX #8BB4DA

RGB 139 180 218

HSL 208.86, 0.52%, 0.7%

LAB 71.69, -4.44, -23.53

 

CMYK 36 / 27 / 0 / 15

HEX #8B9FDA

RGB 139 159 218

HSL 224.81, 0.52%, 0.7%

LAB 66.02, 7.23, -32.24

 

CMYK 36 / 36 / 0 / 15

HEX #8C8BDA

RGB 140 139 218

HSL 240.76, 0.52%, 0.7%

LAB 60.87, 19.02, -40.26

 

CMYK 62 / 30 / 0 / 22

HEX #4C8BC6

RGB 76 139 198

HSL 209.02, 0.52%, 0.54%

LAB 56.17, -2.19, -36.66

 

CMYK 49 / 24 / 0 / 18

HEX #6B9FD0

RGB 107 159 208

HSL 209.11, 0.52%, 0.62%

LAB 63.73, -3.83, -30.38

 

CMYK 36 / 18 / 0 / 15

HEX #8BB3DA

RGB 139 179 218

HSL 209.62, 0.52%, 0.7%

LAB 71.41, -3.9, -23.94

 

CMYK 25 / 12 / 0 / 11

HEX #AAC8E4

RGB 170 200 228

HSL 208.97, 0.52%, 0.78%

LAB 79.3, -3.87, -17.2

 

CMYK 16 / 8 / 0 / 7

HEX #C9DCEE

RGB 201 220 238

HSL 209.19, 0.52%, 0.86%

LAB 86.89, -2.71, -10.95

 

CMYK 37 / 18 / 0 / 15

HEX #8AB3DA

RGB 138 179 218

HSL 209.25, 0.52%, 0.7%

LAB 71.35, -4.17, -24.04

 

CMYK 11 / 36 / 0 / 15

HEX #C18BDA

RGB 193 139 218

HSL 281.01, 0.52%, 0.7%

LAB 65.64, 34.53, -32.46

 

CMYK 3 / 0 / 36 / 15

HEX #D4DA8B

RGB 212 218 139

HSL 64.56, 0.52%, 0.7%

LAB 85, -13.98, 38.23

 

CMYK 37 / 18 / 0 / 15

HEX #8AB3DA

RGB 138 179 218

HSL 209.25, 0.52%, 0.7%

LAB 71.35, -4.17, -24.04

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 17 / 0 / 36 / 15

HEX #B4DA8B

RGB 180 218 139

HSL 88.86, 0.52%, 0.7%

LAB 82.76, -25.99, 34.88

 

CMYK 37 / 18 / 0 / 15

HEX #8AB3DA

RGB 138 179 218

HSL 209.25, 0.52%, 0.7%

LAB 71.35, -4.17, -24.04

 

CMYK 11 / 36 / 0 / 15

HEX #C18BDA

RGB 193 139 218

HSL 281.01, 0.52%, 0.7%

LAB 65.64, 34.53, -32.46

 

CMYK 0 / 19 / 36 / 15

HEX #DAB18B

RGB 218 177 139

HSL 28.86, 0.52%, 0.7%

LAB 74.96, 9.66, 25.07

 

CMYK 25 / 0 / 36 / 15

HEX #A4DA8B

RGB 164 218 139

HSL 101.01, 0.52%, 0.7%

LAB 81.78, -31.66, 33.42

 

CMYK 37 / 18 / 0 / 15

HEX #8AB3DA

RGB 138 179 218

HSL 209.25, 0.52%, 0.7%

LAB 71.35, -4.17, -24.04

 

CMYK 0 / 36 / 0 / 15

HEX #D98BDA

RGB 217 139 218

HSL 299.24, 0.52%, 0.7%

LAB 68.23, 41.93, -28.26

 

CMYK 0 / 19 / 36 / 15

HEX #DAB18B

RGB 218 177 139

HSL 28.86, 0.52%, 0.7%

LAB 74.96, 9.66, 25.07

 

CMYK 36 / 0 / 36 / 15

HEX #8CDA8B

RGB 140 218 139

HSL 119.24, 0.52%, 0.7%

LAB 80.51, -39.58, 31.5

 

Description

Color code: HEX #8AB3DACE | qconv.com Color code: HEX #8AB3DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 179 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 179 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 14 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 14% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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