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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA8BB4 it is the complementary color #25744B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA8BB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA8BB4 shade: #DF8BAF, #F09DC2, #FFAFD5, #FFC1E8 and #FFD3FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA8BB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA8BB4 shade: #DA8BB4, #C979A1, #B8678E, #A7557B and #964368

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA8BB4 shade: #DA8BB4, #DA8B9F and #DA8B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA8BB4 shade: #DA8BB4, #DA8BC9, #D68BDA, #C08BDA and #AB8BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA8BB4 shade matches the following richer shades: #DA8BB4, #E77EB4 and #F372B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA8BB4 shade: #DA8BB4, #CE97B4, #C2A3B3, #B5B0B3 and #A9BCB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA8BB4 shade: #D58BDA, #DA8BCA, #DA8BB5, #DA8BA0 and #DA8B8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA8BB4 shade: #C64C8C, #D06BA0, #DA8BB4, #E4AAC8 and #EEC9DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA8BB4 shade: #DA8BB4, #DAC08B and #8BD5DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA8BB4 shade: #DA8BB4, #B5DA8B and #8BB5DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA8BB4 shade: #DA8BB4, #DAC08B, #8BDAB0 and #8BA5DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA8BB4 shade: #DA8BB4, #DAD88B, #8BDAB0 and #8B8DDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

Complementary color

CMYK 68 / 0 / 35 / 55

HEX #25744B

RGB 37 116 75

HSL 148.86, 0.52%, 0.3%

LAB 43.35, -34.18, 15.84

 

CMYK 0 / 38 / 22 / 13

HEX #DF8BAF

RGB 223 139 175

HSL 334.29, 0.57%, 0.71%

LAB 67.46, 36.76, -5.35

 

CMYK 0 / 35 / 19 / 6

HEX #F09DC2

RGB 240 157 194

HSL 333.25, 0.73%, 0.78%

LAB 73.89, 35.98, -6.18

 

CMYK 0 / 31 / 16 / 0

HEX #FFAFD5

RGB 255 175 213

HSL 331.5, 1%, 0.84%

LAB 80.02, 34.56, -7.29

 

CMYK 0 / 24 / 9 / 0

HEX #FFC1E8

RGB 255 193 232

HSL 322.26, 1%, 0.88%

LAB 84.6, 28.16, -10.7

 

CMYK 0 / 17 / 2 / 0

HEX #FFD3FB

RGB 255 211 251

HSL 305.45, 1%, 0.91%

LAB 89.31, 21.98, -13.74

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 40 / 20 / 21

HEX #C979A1

RGB 201 121 161

HSL 330, 0.43%, 0.63%

LAB 60.49, 36.58, -8.05

 

CMYK 0 / 44 / 23 / 28

HEX #B8678E

RGB 184 103 142

HSL 331.11, 0.36%, 0.56%

LAB 53.86, 37.41, -7.11

 

CMYK 0 / 49 / 26 / 35

HEX #A7557B

RGB 167 85 123

HSL 332.2, 0.33%, 0.49%

LAB 47.16, 38.24, -6.02

 

CMYK 0 / 55 / 31 / 41

HEX #964368

RGB 150 67 104

HSL 333.25, 0.38%, 0.43%

LAB 40.41, 39.04, -4.68

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 36 / 27 / 15

HEX #DA8B9F

RGB 218 139 159

HSL 344.81, 0.52%, 0.7%

LAB 66.42, 32.7, 2.06

 

CMYK 0 / 36 / 36 / 15

HEX #DA8B8B

RGB 218 139 139

HSL 0, 0.52%, 0.7%

LAB 65.93, 30.11, 12.62

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 36 / 8 / 15

HEX #DA8BC9

RGB 218 139 201

HSL 312.91, 0.52%, 0.7%

LAB 67.72, 39.22, -19.58

 

CMYK 2 / 36 / 0 / 15

HEX #D68BDA

RGB 214 139 218

HSL 296.96, 0.52%, 0.7%

LAB 67.89, 41, -28.81

 

CMYK 12 / 36 / 0 / 15

HEX #C08BDA

RGB 192 139 218

HSL 280.25, 0.52%, 0.7%

LAB 65.54, 34.22, -32.63

 

CMYK 22 / 36 / 0 / 15

HEX #AB8BDA

RGB 171 139 218

HSL 264.3, 0.52%, 0.7%

LAB 63.5, 27.88, -35.97

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 45 / 22 / 9

HEX #E77EB4

RGB 231 126 180

HSL 329.14, 0.69%, 0.7%

LAB 65.91, 46.92, -10.37

 

CMYK 0 / 53 / 26 / 5

HEX #F372B5

RGB 243 114 181

HSL 328.84, 0.84%, 0.7%

LAB 65.3, 56.72, -11.68

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 27 / 13 / 19

HEX #CE97B4

RGB 206 151 180

HSL 328.36, 0.36%, 0.7%

LAB 68.42, 25.1, -6.93

 

CMYK 0 / 16 / 8 / 24

HEX #C2A3B3

RGB 194 163 179

HSL 329.03, 0.2%, 0.7%

LAB 70.12, 14.06, -4

 

CMYK 0 / 3 / 1 / 29

HEX #B5B0B3

RGB 181 176 179

HSL 324, 0.03%, 0.7%

LAB 72.31, 2.33, -0.91

 

CMYK 10 / 0 / 5 / 26

HEX #A9BCB2

RGB 169 188 178

HSL 148.42, 0.12%, 0.7%

LAB 74.58, -8.45, 2.83

 

CMYK 2 / 36 / 0 / 15

HEX #D58BDA

RGB 213 139 218

HSL 296.2, 0.52%, 0.7%

LAB 67.78, 40.69, -28.99

 

CMYK 0 / 36 / 7 / 15

HEX #DA8BCA

RGB 218 139 202

HSL 312.15, 0.52%, 0.7%

LAB 67.75, 39.4, -20.09

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB5

RGB 218 139 181

HSL 328.1, 0.52%, 0.7%

LAB 67.06, 35.94, -9.38

 

CMYK 0 / 36 / 27 / 15

HEX #DA8BA0

RGB 218 139 160

HSL 344.05, 0.52%, 0.7%

LAB 66.45, 32.84, 1.54

 

CMYK 0 / 36 / 36 / 15

HEX #DA8B8B

RGB 218 139 139

HSL 0, 0.52%, 0.7%

LAB 65.93, 30.11, 12.62

 

CMYK 0 / 62 / 29 / 22

HEX #C64C8C

RGB 198 76 140

HSL 328.52, 0.52%, 0.54%

LAB 50.77, 54.92, -10.35

 

CMYK 0 / 49 / 23 / 18

HEX #D06BA0

RGB 208 107 160

HSL 328.51, 0.52%, 0.62%

LAB 58.47, 46.09, -10.38

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 25 / 12 / 11

HEX #E4AAC8

RGB 228 170 200

HSL 328.97, 0.52%, 0.78%

LAB 75.71, 25.85, -6.93

 

CMYK 0 / 16 / 8 / 7

HEX #EEC9DC

RGB 238 201 220

HSL 329.19, 0.52%, 0.86%

LAB 84.54, 16.13, -4.55

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 12 / 36 / 15

HEX #DAC08B

RGB 218 192 139

HSL 40.25, 0.52%, 0.7%

LAB 78.73, 1.71, 30.12

 

CMYK 36 / 2 / 0 / 15

HEX #8BD5DA

RGB 139 213 218

HSL 183.8, 0.52%, 0.7%

LAB 80.82, -21.65, -9.76

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 17 / 0 / 36 / 15

HEX #B5DA8B

RGB 181 218 139

HSL 88.1, 0.52%, 0.7%

LAB 82.82, -25.62, 34.98

 

CMYK 36 / 17 / 0 / 15

HEX #8BB5DA

RGB 139 181 218

HSL 208.1, 0.52%, 0.7%

LAB 71.96, -4.98, -23.11

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 12 / 36 / 15

HEX #DAC08B

RGB 218 192 139

HSL 40.25, 0.52%, 0.7%

LAB 78.73, 1.71, 30.12

 

CMYK 36 / 0 / 19 / 15

HEX #8BDAB0

RGB 139 218 176

HSL 148.1, 0.52%, 0.7%

LAB 81.16, -33.32, 13.1

 

CMYK 36 / 24 / 0 / 15

HEX #8BA5DA

RGB 139 165 218

HSL 220.25, 0.52%, 0.7%

LAB 67.62, 3.85, -29.76

 

CMYK 0 / 36 / 17 / 15

HEX #DA8BB4

RGB 218 139 180

HSL 328.86, 0.52%, 0.7%

LAB 67.03, 35.78, -8.87

 

CMYK 0 / 1 / 36 / 15

HEX #DAD88B

RGB 218 216 139

HSL 58.48, 0.52%, 0.7%

LAB 84.94, -10.65, 38.24

 

CMYK 36 / 0 / 19 / 15

HEX #8BDAB0

RGB 139 218 176

HSL 148.1, 0.52%, 0.7%

LAB 81.16, -33.32, 13.1

 

CMYK 36 / 35 / 0 / 15

HEX #8B8DDA

RGB 139 141 218

HSL 238.48, 0.52%, 0.7%

LAB 61.31, 17.58, -39.58

 

Description

Color code: HEX #DA8BB4 | qconv.com Color code: HEX #DA8BB4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 139 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 139 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 17% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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