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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A9F60 it is the complementary color #75609F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A9F60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8A9F60: #8F9F5B, #A0B16E, #B1C381, #C2D594 and #D3E7A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A9F60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8A9F60: #8A9F60, #798D4D, #687B3A, #576927 and #465714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

Complementary color

CMYK 26 / 40 / 0 / 38

HEX #75609F

RGB 117 96 159

HSL 260, 0.25%, 0.5%

LAB 45.15, 22.35, -31.17

 

CMYK 10 / 0 / 43 / 38

HEX #8F9F5B

RGB 143 159 91

HSL 74.12, 0.27%, 0.49%

LAB 62.84, -16.85, 33.54

 

CMYK 10 / 0 / 38 / 31

HEX #A0B16E

RGB 160 177 110

HSL 75.22, 0.3%, 0.56%

LAB 69.5, -17, 32.34

 

CMYK 9 / 0 / 34 / 24

HEX #B1C381

RGB 177 195 129

HSL 76.36, 0.35%, 0.64%

LAB 76.05, -17.1, 31.19

 

CMYK 9 / 0 / 31 / 16

HEX #C2D594

RGB 194 213 148

HSL 77.54, 0.44%, 0.71%

LAB 82.48, -17.17, 30.08

 

CMYK 9 / 0 / 28 / 9

HEX #D3E7A7

RGB 211 231 167

HSL 78.75, 0.57%, 0.78%

LAB 88.82, -17.23, 29.03

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

CMYK 14 / 0 / 45 / 45

HEX #798D4D

RGB 121 141 77

HSL 78.75, 0.29%, 0.43%

LAB 55.74, -18.14, 31.68

 

CMYK 15 / 0 / 53 / 52

HEX #687B3A

RGB 104 123 58

HSL 77.54, 0.36%, 0.35%

LAB 48.78, -17.98, 32.92

 

CMYK 17 / 0 / 63 / 59

HEX #576927

RGB 87 105 39

HSL 76.36, 0.46%, 0.28%

LAB 41.65, -17.7, 34.06

 

CMYK 20 / 0 / 77 / 66

HEX #465714

RGB 70 87 20

HSL 75.22, 0.63%, 0.21%

LAB 34.33, -17.2, 34.73

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

CMYK 20 / 0 / 40 / 38

HEX #7F9F5F

RGB 127 159 95

HSL 90, 0.25%, 0.5%

LAB 61.77, -22.67, 29.84

 

CMYK 27 / 0 / 40 / 38

HEX #749F5F

RGB 116 159 95

HSL 100.31, 0.25%, 0.5%

LAB 61.08, -26.79, 28.81

 

CMYK 33 / 0 / 40 / 38

HEX #6A9F5F

RGB 106 159 95

HSL 109.69, 0.25%, 0.5%

LAB 60.5, -30.36, 27.95

 

CMYK 40 / 0 / 40 / 38

HEX #5F9F5F

RGB 95 159 95

HSL 120, 0.25%, 0.5%

LAB 59.94, -34.03, 27.11

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

CMYK 13 / 0 / 40 / 18

HEX #B6D27F

RGB 182 210 127

HSL 80.24, 0.48%, 0.66%

LAB 80.5, -22.9, 38.06

 

CMYK 17 / 0 / 33 / 98

HEX #050604

RGB 5 6 4

HSL 90, 0.2%, 0.02%

LAB 1.55, -0.54, 0.66

 

CMYK 14 / 0 / 40 / 78

HEX #313922

RGB 49 57 34

HSL 80.87, 0.25%, 0.18%

LAB 22.64, -8.19, 13.26

 

CMYK 13 / 0 / 40 / 58

HEX #5E6C41

RGB 94 108 65

HSL 79.53, 0.25%, 0.34%

LAB 43.49, -13.25, 22.34

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

CMYK 40 / 0 / 19 / 38

HEX #5F9F81

RGB 95 159 129

HSL 151.88, 0.25%, 0.5%

LAB 60.62, -27.59, 9.27

 

CMYK 3 / 40 / 0 / 38

HEX #9B5F9F

RGB 155 95 159

HSL 296.25, 0.25%, 0.5%

LAB 49.08, 34.95, -24.74

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

CMYK 40 / 13 / 0 / 38

HEX #5F8A9F

RGB 95 138 159

HSL 199.69, 0.25%, 0.5%

LAB 55.19, -9.13, -15.82

 

CMYK 0 / 40 / 13 / 38

HEX #9F5F8A

RGB 159 95 138

HSL 319.69, 0.25%, 0.5%

LAB 48.75, 32.39, -12.75

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

CMYK 40 / 0 / 19 / 38

HEX #5F9F81

RGB 95 159 129

HSL 151.88, 0.25%, 0.5%

LAB 60.62, -27.59, 9.27

 

CMYK 27 / 40 / 0 / 38

HEX #745F9F

RGB 116 95 159

HSL 259.69, 0.25%, 0.5%

LAB 44.8, 22.66, -31.72

 

CMYK 0 / 40 / 21 / 38

HEX #9F5F7D

RGB 159 95 125

HSL 331.88, 0.25%, 0.5%

LAB 48.31, 30.24, -5.64

 

CMYK 13 / 0 / 40 / 38

HEX #8A9F60

RGB 138 159 96

HSL 80, 0.25%, 0.5%

LAB 62.54, -18.24, 30.45

 

CMYK 40 / 0 / 7 / 38

HEX #5F9F94

RGB 95 159 148

HSL 169.69, 0.25%, 0.5%

LAB 61.1, -23.21, -0.72

 

CMYK 27 / 40 / 0 / 38

HEX #745F9F

RGB 116 95 159

HSL 259.69, 0.25%, 0.5%

LAB 44.8, 22.66, -31.72

 

CMYK 0 / 40 / 33 / 38

HEX #9F5F6A

RGB 159 95 106

HSL 349.69, 0.25%, 0.5%

LAB 47.75, 27.46, 4.96

 

Description

Color code: HEX #8A9F60 | qconv.com Color code: HEX #8A9F60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 159 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 159 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 40 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 40% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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