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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A607A it is the complementary color #759F85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A607A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8A607A: #8F6075, #A07288, #B1849B, #C296AE and #D3A8C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A607A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8A607A: #8A607A, #794E67, #683C54, #572A41 and #46182E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

Complementary color

CMYK 26 / 0 / 16 / 38

HEX #759F85

RGB 117 159 133

HSL 142.86, 0.18%, 0.54%

LAB 61.89, -19.84, 9

 

CMYK 0 / 33 / 18 / 44

HEX #8F6075

RGB 143 96 117

HSL 333.19, 0.2%, 0.47%

LAB 46.3, 22.39, -4.02

 

CMYK 0 / 29 / 15 / 37

HEX #A07288

RGB 160 114 136

HSL 331.3, 0.19%, 0.54%

LAB 53.26, 21.64, -4.8

 

CMYK 0 / 25 / 12 / 31

HEX #B1849B

RGB 177 132 155

HSL 329.33, 0.22%, 0.61%

LAB 60.08, 20.97, -5.5

 

CMYK 0 / 23 / 10 / 24

HEX #C296AE

RGB 194 150 174

HSL 327.27, 0.27%, 0.67%

LAB 66.78, 20.36, -6.15

 

CMYK 0 / 20 / 9 / 17

HEX #D3A8C1

RGB 211 168 193

HSL 325.12, 0.33%, 0.74%

LAB 73.35, 19.8, -6.77

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 0 / 36 / 15 / 53

HEX #794E67

RGB 121 78 103

HSL 325.12, 0.22%, 0.39%

LAB 38.71, 22.16, -7.02

 

CMYK 0 / 42 / 19 / 59

HEX #683C54

RGB 104 60 84

HSL 327.27, 0.27%, 0.32%

LAB 31.38, 23.03, -6.17

 

CMYK 0 / 52 / 25 / 66

HEX #572A41

RGB 87 42 65

HSL 329.33, 0.35%, 0.25%

LAB 23.88, 23.95, -5.1

 

CMYK 0 / 66 / 34 / 73

HEX #46182E

RGB 70 24 46

HSL 331.3, 0.49%, 0.18%

LAB 16.27, 24.77, -3.57

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 0 / 30 / 17 / 46

HEX #8A6073

RGB 138 96 115

HSL 332.86, 0.18%, 0.46%

LAB 45.64, 20.14, -3.85

 

CMYK 0 / 30 / 22 / 46

HEX #8A606C

RGB 138 96 108

HSL 342.86, 0.18%, 0.46%

LAB 45.43, 18.96, 0.07

 

CMYK 0 / 30 / 27 / 46

HEX #8A6065

RGB 138 96 101

HSL 352.86, 0.18%, 0.46%

LAB 45.23, 17.85, 4.02

 

CMYK 0 / 30 / 30 / 46

HEX #8A6160

RGB 138 97 96

HSL 1.43, 0.18%, 0.46%

LAB 45.36, 16.52, 7.22

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 0 / 31 / 12 / 26

HEX #BD83A7

RGB 189 131 167

HSL 322.76, 0.31%, 0.63%

LAB 61.52, 27.9, -10.09

 

CMYK 0 / 30 / 12 / 6

HEX #F0A7D4

RGB 240 167 212

HSL 323.01, 0.71%, 0.8%

LAB 76.63, 33.53, -11.97

 

CMYK 0 / 31 / 11 / 86

HEX #241920

RGB 36 25 32

HSL 321.82, 0.18%, 0.12%

LAB 10.37, 7.01, -2.72

 

CMYK 0 / 30 / 11 / 66

HEX #573D4D

RGB 87 61 77

HSL 323.08, 0.18%, 0.29%

LAB 29.16, 14.33, -5.18

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 0 / 13 / 30 / 46

HEX #8A7860

RGB 138 120 96

HSL 34.29, 0.18%, 0.46%

LAB 51.47, 3.09, 15.76

 

CMYK 30 / 0 / 1 / 46

HEX #608A89

RGB 96 138 137

HSL 178.57, 0.18%, 0.46%

LAB 54.52, -14.59, -4.11

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 12 / 0 / 30 / 46

HEX #7A8A60

RGB 122 138 96

HSL 82.86, 0.18%, 0.46%

LAB 55.24, -13.54, 20.63

 

CMYK 30 / 12 / 0 / 46

HEX #607A8A

RGB 96 122 138

HSL 202.86, 0.18%, 0.46%

LAB 49.79, -5.37, -11.76

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 0 / 13 / 30 / 46

HEX #8A7860

RGB 138 120 96

HSL 34.29, 0.18%, 0.46%

LAB 51.47, 3.09, 15.76

 

CMYK 30 / 0 / 20 / 46

HEX #608A6F

RGB 96 138 111

HSL 141.43, 0.18%, 0.46%

LAB 53.83, -20.47, 9.89

 

CMYK 30 / 17 / 0 / 46

HEX #60728A

RGB 96 114 138

HSL 214.29, 0.18%, 0.46%

LAB 47.44, -0.69, -15.32

 

CMYK 0 / 30 / 12 / 46

HEX #8A607A

RGB 138 96 122

HSL 322.86, 0.18%, 0.46%

LAB 45.87, 21.38, -7.74

 

CMYK 0 / 4 / 30 / 46

HEX #8A8460

RGB 138 132 96

HSL 51.43, 0.18%, 0.46%

LAB 54.81, -3.71, 20.29

 

CMYK 30 / 0 / 20 / 46

HEX #608A6F

RGB 96 138 111

HSL 141.43, 0.18%, 0.46%

LAB 53.83, -20.47, 9.89

 

CMYK 30 / 27 / 0 / 46

HEX #60658A

RGB 96 101 138

HSL 232.86, 0.18%, 0.46%

LAB 43.7, 7.15, -21.05

 

Description

Color code: HEX #8A607A | qconv.com Color code: HEX #8A607A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 96 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 96 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 12 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 12% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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